In the last decade, numerous film and print media treatments of the Second World War have focused on the “soldier's perspective.” Because the wartime generation is now rapidly disappearing, postwar generations have become especially eager to know the war. In particular, there is a hunger to learn how it was experienced by ordinary servicemen—a focus popularized most effectively by historian John Keegan (and film directors such as Clint Eastwood, Oliver Stone, and Francis Ford Coppola). Scholars and war history buffs alike seek “reliable” accounts of the war; presumably, the best histories of the war are those that rest on a firm foundation of the most “reliable” sources. Certainly, the larger historical narrative of the war is incomplete without adequate attention to the personal records that servicemen kept at the time, such as diaries and letters. Nevertheless, like any document, it is essential to pay close attention to the assumptions shared by the authors of these documents and their audiences today, especially regarding the “truth” such texts putatively contain.