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Power of the Korean Film Producer: Park Chung Hee's Forgotten Film Cartel of the 1960s Golden Decade and its Legacy

Published online by Cambridge University Press:  07 May 2025

Brian Yecies  and
Ae-Gyung Shim
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After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively neartransparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema's Golden Age of the 1960s - an important but little- known period of rapid industrialization, high productivity and clandestine practices. To develop a fuller understanding of the development of Korean cinema, this article investigates the complex interplay between film policy and production during the 1960s under authoritarian President Park Chung Hee, whose government's unfolding censorship regime forced film producers to develop a range of survival strategies. A small but powerful cartel of producers formed alliances with a larger cohort of quasi-illegal independent producers, thus - against all the odds - enabling Korean cinema to achieve a golden age of productivity.

Keywords

Korean cinemafilm productionfilm policyPark Chung HeeShin Sang-ok
Type
Research Article
Information
Asia-Pacific Journal , Volume 10 , Issue 52 , December 2012 , e3
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2012

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