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Mount Fuji: Shield of War, Badge of Peace

Published online by Cambridge University Press:  07 May 2025

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The exquisite shape of Fuji, its symmetrical triangle dominating a broad plain, has delighted the Japanese for two millennia, and pleased Western eyes for several centuries. Unlike the manmade symbols of other countries—-the Eiffel Tower, the Statue of Liberty, and the pyramids of Egypt—-this universally recognized sign for Japan is a natural landmark.

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2011

References

Notes

1 This article is excerpted, with permission, from the author's forthcoming book, Mount Fuji: Icon of Japan, with University of South Carolina Press. The book contains illustrations not in the article, which includes more images related to Fuji's role in war and peace. Special thanks to my son David C. Earhart for help with materials for the article, to my wife Virginia M. Earhart for assistance with the images, to Mike Sirota for editing the text, and to Mark Selden for editing the article for Japan Focus.

2 This photograph is from the psywarrior.com website, the listing “OWI Pacific Psyop Six Decades Ago,” with thanks to Herbert Friedman.

3 This print is from Wikimedia Commons, accessed April 28, 2011.

4 Hereafter cited as PWR. See PWR 34, 4 October 1944 (cover); see also this photo in David C. Earhart, Certain Victory: Images of World War II in the Japanese Media, p. 210, illustration no. 54.

5 This photo is from PWR 246, 11 November 1942, p. 17. Thanks to David C. Earhart for providing this image, courtesy of his Collection of Japanese Primary Sources from the Pacific War.

6 PWR 242, 14 October 1942, pp. 12-13; see this photo in David C. Earhart, Certain Victory, p. 291, illustration no. 79.

7 PWR 346, 29 November 1944 (cover); see this photo in David C. Earhart, Certain Victory, p. 440, illustration no. 51.

8 Dennis Warner and Peggy Warner, The Sacred Warriors: Japan's Suicide Legions, p. 123.

9 Yokichi Yamamoto, Japanese Postage Stamps, pp. 68-69.

10 PWR 266, 7 April 1943, p. 17; see David C. Earhart, Certain Victory, p. 289, illustration no. 74.

11 Sakura Catalog of Japanese Stamps, pp. 216-221, 296-297.

12 John Dower, War Without Mercy: Race & Power in the Pacific War, pp. 195, 249. For another Japanese cartoon caricaturing Roosevelt and Churchill, see this link.

13 Dower, War Without Mercy, p. 184.

14 Psychological warfare leaflets from World War II, dropped from airplanes on Japanese civilians and military personnel, have been collected and described on the psywarrior.com website. Special thanks go to retired United States Army Sergeant Major Herbert Friedman, an expert on U. S. psychological operations, for locating and granting permission to reproduce images of Fuji on American propaganda leaflets. Leaflets are identified by the number on the psywarrior.com website, the listing “OWI Pacific Psyop Six Decades Ago.” Hereafter cited as “OWI.” Illustration 3 is leaflet 114a on this website. Friedman includes in “OWI” a brief section, “Mount Fuji as a Pictorial Theme of American Psyop,” to which the present author contributed.

15 This image is leaflet 101 from Friedman, “OWI.”

16 Friedman, “OWI.”

17 Friedman, “OWI,” Leaflet 101. Translation from Japanese is quoted from the website.

18 This image is leaflet 520 from Friedman, “OWI.”

19 This image is leaflet 519 from Friedman, “OWI.”

20 This image is leaflet 2064 from Friedman, “OWI.” The translations from Japanese are quoted from the website.

21 This account is adapted from Takakuni Hirano, Mr. Smith Goes to Tokyo: Japanese Cinema under the American Occupation, pp.104-145.

22 Nippon Times, January 4, 1946, p. 1. Thanks to David C. Earhart for providing this image, courtesy of his Collection of Japanese Primary Sources from the Pacific War.

23 Yamamoto, p. 76.

24 Dower, “Discussion,” in The Occupation of Japan: Arts and Culture, p. 121.

25 From “History of the US Army in Japan,” on an earlier website. A more recent website, does not include this historical account, but shows the distinctive insignia as in illustration 9, as well as a Fuji shoulder patch, and a challenge coin with Fuji. For a published source, see Barry Jason Stein and Peter Joseph Capelotti, U.S. Army Heraldic Crests, p. 411. Thanks to David C. Earhart for the gift of this insignia.

26 Thanks to Kenneth C. Earhart for the gift of this cap.

27 Four of these “challenge coins,” each with a different design including Fuji, are in the author's personal collection, purchased on ebay.

28 See this link. Last accessed April 28, 2011.

29 Gift of the author's father, Kenneth C. Earhart, who received it when stationed on the USS Missouri at the time of surrender.

30 This stamp is from Wikimedia Commons, accessed April 28, 2011.

31 Kusano Shinpei, Mt. Fuji: Selected Poems 1943-1986, p. 33.

32 John M. Rosenfield, “Nihonga and Its Resistance to ‘the Scorching Drought of Modern Vulgarity,‘” p.174.

33 Kusano Shinpei, in Leith Morton, 1985. “A Dragon Rising: Kusano Shinpei's Poetic Vision of Mt Fuji,” Oriental Society of Australia, (1985) 17: p. 53.