The Chapel of King Henry the Seventh, orbis miraculum, as Leland calls it, has passed through troublous times with less injury to itself than most of our ecclesiastical buildings have, and than its especially exposed position might lead us to expect; and it still possesses much of the rich furniture and decorations with which it was originally fitted up. Amongst the latter, of one hundred and seven stone images in niches which once adorned the interior, not less than ninety-five remain, and of the twelve missing ones, we can discover the subjects of some, and explain the absence of all. The outside was once also rich in images, as the empty niches still testify, and they seem to have stood there until the beginning of the last century. I have not found the exact date of their removal, but Dart says they were “taken away lest they should fall upon the heads of those who attend the Parliament.” They were forty-eight in number, the six eastern turrets having four niches apiece, and the eight others three. The outside of the Chapel is all new, but is a very good copy for the time when it was done. The pedestal under each niche has a scroll, with a name, as it were that of the figure formerly above, but, I fear, not worth much as evidence of what was originally there. The selection has a very modern look, and there seems to be no system of arrangement. Apostles, prophets, and kings are mixed up in the most complete confusion; but the apostles and evangelists are all there, as are the greater and lesser prophets.