The aim of this article is to publish David French's manuscript on Lefkandi Phase I, in as close a form as possible to what he wrote. Some changes have been necessary to improve the presentation of the material, to correct occasional errors, and to conform with BSA stylistic requirements. The material discussed is essentially that from the lowest levels of the ‘Deep Sounding’ in Trench CC. The discussion has four sections. The first section is a very brief comment on the stratigraphical data, including sections of the Lefkandi Phase I stratum in Trench CC and plans of the remains of sub-phases. The second section is the core of the paper, a general account of the pottery, listing wares and shapes identifiable, which demonstrates that it contains a little material from periods certain or likely to be earlier than Phase I (Final Neolithic, Early Helladic I and Early Helladic II), also later strays, but essentially belongs to a range of wares that have clear West Anatolian links, although it cannot be linked exclusively with any individual Anatolian site or region. The third section lists the small finds from the stratum, with catalogue entries on the most significant, including a seal impression on a probable pithos rim fragment. Finally, the fourth section sums up views on the classification of the pottery, its chronological relationship with the Early Helladic sequence, its cultural relationship with West Anatolian material, and the question of how an essentially Anatolian style of pottery came to be locally produced in Euboea, with a range of references to comparable material from other Aegean sites.

Often assumed to be ritual votives or toys for children, miniature ceramic vessels in the Bronze Age Aegean have been afforded little thorough study. Their presence at peak sanctuaries, sacred caves and shrines on Crete has led to their uncritical association with ritual activity, even outside of sacred areas. When miniature pots are found in domestic spaces, they are often dismissed as objects of household ritual or simple toys. Yet miniature vessels, diverse in form and context, are so common in archaeological investigations of Minoan settlements that they merit further comprehensive study. Considered alongside the abundance of small-scale Minoan material culture, including figurines, seals, miniature wall paintings, and models, miniature pottery appears to be one facet of a larger semiotic ideology – one well-versed in the language and power of the miniature. By analysing 504 miniature pots from 13 sites in central and east Crete, this paper explores the wide range of miniature vessel types used in the Protopalatial and Neopalatial periods and applies contextual analysis to draw out their meanings. Contextualisation and data analysis reveal two distinct categories within the corpus of miniature pots: ‘micro-miniatures’ and ‘small miniatures’. While micro-miniatures were indeed inherently cultic, small miniatures served a variety of practical functions within the world of Minoan Crete and should not be assumed to relate to ritual. To differentiate between the categories, the relationship between the miniature and its prototype, as well as its semiotic meaning are considered. By applying Peircean understandings of iconicity and indexicality to these two categories, the use and significance of Bronze Age miniature vessels are further illuminated, in ritual and beyond.

Feasts in Bronze Age Crete are an important manifestation of material culture. Indications of feasting can be identified in funerary, palatial, and domestic archaeological contexts. As a result of scholarship traditionally focusing on the religious character of funerary practices and palatial feasting, convivial activities within the domestic sphere have been neglected and/or misinterpreted. As a result of this research bias, there is a notable gap in the record of in-depth archaeological analysis of the social, political and ideological reasons of performing a feast in a domestic environment (or within the bounds of a settlement itself). Researchers have found it hard to distinguish between different types of feasts based on the associated cultural material, consequently leading to misinterpretations regarding the differences in feasting symbolism and the contribution of feasting to social organisation. The re-examination of published material from the Neopalatial (c. 1700‒1500/1450 BC or Middle Minoan IIIB‒Late Minoan IB in pottery terms) sites of Pseira, Mochlos and Gournia in eastern Crete reveals that specific patterns of feasts were in fact in existence and socially performed. Furthermore, the data suggest that feasts in settlements functioned as politically motivated rituals which played a leading role in the formation of social organisation through intra-community antagonisms.

The Linear B administrative texts of Late Bronze Age Greece were written on clay tablets, whose production therefore formed the first stage in the process of document creation, though it generally remains unclear whether the tablets’ writers were also their makers. This study combines experimental archaeology with autopsy of the tablets from Pylos in order to investigate the methods by which the Linear B tablets were created at this site. It thereby sheds light not only on the physical processes involved in shaping the clay, but also on the decisions involved on the part of the tablet-makers, and hence on the relationship between the ‘making’ and ‘writing’ stages of the process of creating the Linear B documents.

In 1952 Sinclair Hood found a large deposit of pottery in front of the Great Poros Wall at Mycenae and published a brief account of its discovery the following year. In 1966 Elizabeth French published a paper discussing the pottery, assigning it an early Late Helladic IIIB1 date. From these accounts, we know that the deposit appeared in four trenches: Prehistoric Cemetery Central (PCC) III, where it sat on a surface of hard tramped earth; PCC IV, where it lay on bedrock; and PCC III Extension East and Area VII, where it rested on white clay plaster floors. But otherwise we learn little about the stratigraphy of these four trenches. Using Hood's unpublished excavation notebook, this paper examines the stratigraphy of the trenches associated with the deposit and uncovers the archaeological history of the area. In doing so, it reveals several omissions in the published accounts, most notably that there was another surface immediately below the white clay plaster floor in PCC III Extension East and a deposit of pottery associated with it. The pottery from this layer, designated Level 3, was mistakenly included by French in her paper. Fifty-four decorated sherds from Level 3 were kept, seven of which were illustrated by French. Most of the sherds come from small stirrup jars; kylikes, including the Zygouries type; Group A deep bowls; and stemmed bowls. The five most popular motifs on the sherds are the flower, whorl-shell, wavy line, parallel chevrons and panelled patterns. The shapes and motifs reflect those in the main pottery deposit and indicate a date of early Late Helladic IIIB1 for the group. The conclusion emphasises the importance of using excavation notebooks in research.

This article presents the results of Neutron Activation Analysis (NAA) of, altogether, 145 pottery and clay samples deriving from five sites located in the Thessalian region of Magnesia: Dimini, Nea Ionia, Kastro/Palaia (Volos), Pefkakia and Velestino. Chronologically, the sampled pottery covers the entire Late Bronze Age (LBA), with a few samples dating to the Middle Bronze Age. Within this broad chronological range, Mycenaean-type pottery dominates, the majority of it being decorated, with an addition of fine unpainted pottery and such used for transport and cooking. Pottery of non-Mycenaean derivation is represented by a variety of types belonging to the early LBA as well as two classes of the early post-palatial period (i.e. after 1200 BC): Handmade Burnished Ware and Grey Ware. Importantly, samples associated with two pottery kilns at Dimini and Velestino were included in the project, although no kiln wasters were identified. Results of the analysis provide important insights into both local Thessalian pottery production and inter- and intra-regional pottery exchange. Local production utilising clay beds around Dimini is best evidenced, with a distribution of its products reaching beyond Thessaly. Two further chemical patterns appear to be associated with Velestino, while an additional two small chemical groups are likely Thessalian as well. In terms of identified imports, the Argolid stands out as the major source of non-local pottery from the beginning of the LBA until the end of the palatial period. Other regions and production localities play a significantly smaller role as sources of supply. On the basis of the study, for the first time the local production as well as importation of pottery in the region of Magnesia is documented by scientific means, opening new research perspectives and strengthening the region's standing as part of the Mycenaean world.

The corpus of carved ivories from the sanctuary of Orthia at Sparta forms one of the most cosmopolitan assemblages from Archaic Laconia. One image within this corpus, however, has remained an anomaly: a mirror-image scene on two plaques showing three figures mourning a deceased male in the prothesis ritual. The puzzling nature of these plaques rests on the dearth of imagery elsewhere in Laconia from this period displaying the prothesis, unlike Attica. These images have been viewed as representing a mythical death or a commemoration of an actual death, tied to a period in Sparta's history when elite groups claimed power through ostentatious ritual, but their overall meaning within Orthia's sanctuary remains obscure. I argue, however, that these plaques are not anomalies within the ivory corpus, nor are they divorced from the broader ritual programme in Orthia's sanctuary – rather, the ivory corpus itself represents a unified composition that merged scenes showing ideal activities for Spartan citizens with heroic episodes from myth, geared towards the achievement of everlasting kléos. The semantics of these combined iconographies are clarified via comparison with cultic implements described in ancient literature alongside extant examples of multi-scene figural pottery from the seventh and sixth centuries. This paper thus highlights the mythological and ideological meanings of the prothesis plaques within the broader ivory corpus, and elucidates the role of complex figural iconographies in the elaboration of heroic ideals centred on Spartan citizens in this period.

In relation to previous periods, Archaic and Classical Crete presents a contraction in the material record and the evidence for overseas connections. This phenomenon has attracted wide-ranging attention in the scholarship, much of which focuses upon the major Cretan city of Knossos. The present article reviews the evidence from Knossos which suggests a decline in overseas connections and revisits the problem in the light of Archaic and Classical pottery from abroad found at the settlement site of the ‘Unexplored Mansion’. On the basis of these finds, I argue that the impression of decline has been exaggerated, and has been partly shaped by methodological problems in the study of ceramics.

This paper focuses on the little-known but important cave-sanctuary of Zar Trypa on Mount Ossa (modern Kissavos) in north-eastern Thessaly. In 1910, research conducted at the site uncovered remains of votives from the Classical, Hellenistic and Roman periods, including a group of eight inscriptions dedicated to the Nymphs. Despite this remarkable epigraphic assemblage, the site was not investigated beyond a single excavation season and today is largely unknown. Consequently, the Zar Trypa cave and its finds have never featured prominently in the discussion of Thessalian religion or of Greek ‘natural’ sanctuaries. Combining archival studies, on-site observations and GIS-based methods of landscape archaeology, this paper sets out to re-assess the surviving archaeological evidence from the Zar Trypa cave, to examine the spatial setting of ritual activity at the site, and to place the cave in the context of Mount Ossa's natural environment and ancient settlement pattern. Drawing on the methodological framework of ‘lived religion’, this assessment not only contributes towards our understanding of ancient religious experiences at the Zar Trypa cave, but also addresses broader questions such as the significance and meaning of ‘sacred travel’ in pre-Christian antiquity.

Recently there has been a revival of interest in both the historical and archaeological dimensions of the destruction of cities. The destruction of the principal settlement of a polis is one thing, the effective eradication of the political community quite another. What did it take to destroy a political community? The historical record is full of references to destructions of one polis by another in late Classical to Hellenistic times in Crete. And though not all of these destructions led to the end of the political community in question, some did, and between the Classical period (where we know of 49 poleis) and the Roman conquest of Metellus (where we know of only 24) the numbers of Cretan poleis were drastically reduced. The destruction of Praisos by Hierapytna between 145 and 140 BC (Strabo 10.4.12) was one such case. This seems to form part of a horizon of destructions (of Dreros, Apollonia and Phaistos) that took place between 200 and 140 BC. Florence Gaignerot-Driessen has demonstrated that there is a clear ritual dimension to this in the case of Dreros, a dimension indicated elsewhere by the use of the verb κατέσκαψαν. Excavations at Praisos have shed light on this question. This paper argues that, while there is no evidence for a widespread destruction by fire, there is clear evidence for the ending of Praisian sanctuaries and the forced abandonment of houses and (most intriguingly) the abandonment of large storage vessels. A particular archaeological ‘signature’ of these abandonments, evident at Dreros, Phaistos and Praisos, is the abandonment of the ‘household pithos’, which in many cases seem to be older than the houses in which they have been found. The paper also argues that these archaeological signatures of what had to be destroyed in order to eradicate a political community in turn shed light on what made this particular form of ‘citizen state’ so resilient.

In this paper, we present findings from a field inspection of the Knossos aqueduct undertaken in 2019. A key contribution of our fieldwork was the architectural identification of the Roman channel underlying the nineteenth-century wall of the Ottoman-Egyptian aqueduct supplying Iraklio. While reuse of the Roman aqueduct in the nineteenth century was known from historical reports, the structural overlap has never been identified in the field or documented archaeologically, until now. We recorded the Roman channel lined with opus signinum running along the base of the nineteenth-century aqueduct's wall between Fundana and Spilia. Through this realisation in the field, we were able to establish diagnostic styles of masonry for both periods. Our architectural distinction between the overlaid aqueducts allowed us to integrate previously disarticulated components of the later system, like the reused Roman tunnel at Skalani and the nineteenth-century bridge at Spilia, into an integrated Ottoman-Egyptian water supply for Iraklio. As we approached Knossos from Spilia, we were also able to identify the point at which the Venetian aqueduct supplying Iraklio converged with the Roman system. Consequently, our 2019 fieldwork not only mapped the length of the Roman aqueduct supplying the city of Knossos but also that section of the nineteenth-century Ottoman-Egyptian aqueduct of Iraklio built directly over it and a shorter tract of the Venetian aqueduct of Iraklio that either ran alongside it or was, in turn, itself partially overlaid by the nineteenth-century system.

The historiography of Venetian Greece has paid little attention to the colonial experience of Ithaca. While historians are served by extensive published documentary evidence for the administrations of the larger possessions in the region, the uncatalogued Venetian records at the state archive of Ithaca remain unstudied. The recent reopening of this archive has finally made it possible to survey its large Venetian collection and to provide an account of the role of the governors of Ithaca under Venetian rule. The seat of the governor was filled by Cephalonian nobles rather than by Venetian appointees in the manner of the larger Ionian islands. Here for the first time is presented a comprehensive list of Ithacan governors compiled from the Ithacan documents, together with further aid from research in the archives of Cephalonia and Venice. The account of the Ithacan governorship offered here aims to promote interest in the Ithacan archive of the Venetian administration and serve as a guide for future research into this neglected corner of the empire.

In the summer of 2019, members of the CARTography Project set out to re-create the route that Patrick and Joan Leigh Fermor took during their first visit to the Deep Mani in 1951. The project involved meticulously analysing the couple's notebooks and photographs to glean details about where they had ventured, using least-cost analysis to model their potential routes and ground-truthing the results by walking and boating the routes ourselves. As in much of rural Greece, Mani's topography has changed substantially in the seven decades since the Leigh Fermors’ journey, with paved roads having replaced many of the Ottoman-era footpaths that locals once relied on for travel and transportation. While the transformed landscape we encountered prevented a complete re-enactment of the Leigh Fermors’ journey, it also offered an opportunity to embody key parts of their travelling experience. The results of our study are twofold: first, a detailed map of the route the Leigh Fermors followed based on our reading of their documentary sources; and second, an assessment of the utility of using least-cost analysis to model the routes of historical travellers.