This article serves as an introduction to this guest-edited special issue of American Antiquity entitled “Global Archaeologies of the Long Emancipation.” We begin by discussing Rinaldo Walcott's notion of the Long Emancipation, noting how the failed promises of the legal ending of slavery led to sensations of freedom and ongoing forms of anti-Blackness. In response, Black communities have employed various strategies in pursuit of freedom. We then apply this argument to archaeological thought and practice, suggesting that archaeology is well positioned to provide evidence of Black creativity, action, and struggle in a variety of global contexts. The article closes with an overview of this special issue, which includes a brief summary of individual contributions.

This article stems from the encounter of ancestral stories and archaeological knowledge for Africans in Amazonia. Against colonial fragmentation and anti-Blackness, these theoretical reflections are rooted in Black Archaeology as a praxis of redress. The continuing struggles of ancestral and contemporary Black Amazonian communities, who insist on anti-colonial modes of existence, connect with the need to indigenize the archaeological mode of knowledge through otherwise world-senses as ontoepistemological references. These questions emerged during the first steps of the ongoing collaborative archaeological project Pitit'Latè. The founding story of Mana, an Amazonian village built in 1836 by the hands, heads, spirits, and technologies of more than 400 West Africans captured in the illegal transatlantic trade, serves as the epistemological bones of this research about Black Amazonian territorialities and materialities that remain erased in dominant colonial discourses.

In this article, I present the freedom narratives of the diverse enslaved Africans who were liberated from barracoons and captured slave vessels and resettled at Regent Village on the Sierra Leone peninsula in the nineteenth century. Following the British abolition of the Atlantic Slave Trade in 1807, the British Royal Navy patrolled the West Atlantic Sea and redirected illegal slave vessels to Sierra Leone, where the Vice-Admiralty Court (which became the Mixed Commissions in 1820) would set them free from slavery. While legally free from bondage, liberated Africans became colonial subjects living in a nascent British colony. What can historical archaeology reveal about the history of freedom among diasporic ethnic identities at Regent Village? I answer this broad question by drawing on historical and archaeological data to demonstrate how people navigated and transformed the village landscape, as well as the decisions and choices they made at the household level, focusing on selected two house loci, which serve as a case study. I concentrate mainly on the identities, experiences, and historical narratives of liberated Africans in the village and extend the discussion to the lives of their descendants who continue to negotiate issues of power and control in contemporary Sierra Leone.

This article concerns itself with how archaeologists and other heritage studies professionals contend with temporal collapse on landscapes that hold African Diasporic histories. Coral stones lay the foundation of colonial architecture on the island of St. Croix in the US Virgin Islands. This article explores how buildings constructed of coral stones during the colonial era are still in use today, either restored or repurposed, along with examples of how coral is being used as an artistic medium in contemporary sculptures that collapse time and demand heritage studies professionals to tend to the persistence of colonial violence in the present. Here, coral—via the structures built out of it—is discussed as a mnemonic device for the biophysical afterlife of slavery. In this article, linear temporal distinctions of past, present, and future are called into question on St. Croix, where colonial structures act as ruptures in conceptualizations of time and serve as palimpsestual reminders of the past in the present.

In the 1890s, the slave and ivory trader Rashid bin Masoud established the settlement Kikole deep in what is now southwestern Tanzania. Kikole was strategically located near Lake Nyasa, a major slaving region. Masoud's followers residing at Kikole were typically referred to as his slaves by German colonists and missionaries. Local oral histories today, however, define these followers as askari (soldiers or guards) or mafundi (technicians or specialists; in this case, in using weaponry). This article considers how recent expanded excavations at Kikole can help us better understand Masoud's followers. Differences in housing investment and material access suggest status differences among residents: any single definition of Masoud's followers may be inadequate. A broader concern addressed in this article is how we define slavery itself.

This article explores the Maroon landscape of the Caribbean island of Dominica (Wai'tukubuli) by creating a geographic information system (GIS) model to determine the reasons behind settlement location choices. For more than 50 years, hundreds of self-emancipated Africans inhabited the mountainous interior of Dominica, where they formed various communities that actively resisted European colonialism and slavery not only to maintain their freedom but to assist in liberating enslaved Africans throughout the island. Contemporary Dominican communities maintain connections to these revolutionary ancestors through the landscape and continuing cultural practices. None of the Maroon encampments, however, have been studied archaeologically. This study uses geospatial methods to understand the visibility, defensibility, and spatial accessibility of nine Maroon camps. The results of the viewshed and least cost path analysis allows us to map Dominican Maroon social networks and reimagine the possible routes that the Maroons took to maintain their freedom.

The 2022 bicentennial of the arrival of Black Americans to West African shores was a moment of reflection for many Liberians. In the wake of civil war, many questioned the celebratory tone of the occasion and challenged settler heritage narratives. At the same time, Providence Island featured prominently in official programming. Since 2019, our Back-to-Africa Heritage and Archaeology project has worked on the island to investigate the site's function beyond the mythic 1822 encounter between those seeking freedom from racial injustice in the Americas and Indigenous West Africans, instead offering a more inclusive and complex account of the public heritage space. We specifically focus on deposits that date to the decades prior to, during, and after 1822, demonstrating the tensions surrounding freedom-making and Black Republicanism from past to present, concluding that the binary of pre- and post-settlement fails to capture the complexities of Liberian pasts that unfolded on the island.

This article presents an approach to study marronage from the perspective of critical social archaeology, which encompasses the perpetuation of several layers of racial violence endured by the Afro-Ecuadorian population as legacies of slavery and colonialism. Collaborative and community-based projects in the ancestral Afro-Ecuadorian territories of the Chota Valley and Esmeraldas, and in the city of Guayaquil, are a basis for mapping Afro-Ecuadorian resistance strategies in the hacienda, urban, palenque, and border contexts. Marronage, as a response to racial oppression and systemic exploitation, has transformed over time, demonstrating the agency of the Afro-Ecuadorian community against structural violence. Archaeology illuminates the Maroon experience and its legacy in ancestral historical memory by including a critical study of slavery in the household context of plantation settings, identifying the dynamics of oppression and resistance, mapping routes of fugitivity, and examining the networks connecting actions of marronage. This study is an essential step in reconstructing the neglected history of Afro-Ecuadorian resistance and its role in shaping Latin America.