While Ruskin was in Italy, writing home to his father, his future mentor, Thomas Carlyle, was corresponding with individuals about their Cromwell letters and asking for information on the English Civil Wars of the seventeenth century. He was also keeping friends and family informed by letter about the agonies of editing and writing, as he wrestled with the difficulty of making Oliver Cromwell ‘legible’ to a modern audience. Meanwhile he seemed to be oblivious to the fact that his infatuation with a wealthy aristocratic woman was driving his wife Jane towards nervous collapse. In a letter of 17 April 1845, Jane Welsh Carlyle, famed for her wit and kindliness as an informal literary hostess and for her brilliance as a letter-writer, shared her agony with her own family in Scotland. She told John Forster that her husband was ‘too much occupied with the Dead just now to bestow a moment on the Living’. The emotional crisis Jane experienced that month proved to be the turning point in a protracted drama within her marriage, which played out between 1844 and 1846. At the heart of that drama lay conflicting ideas relating to life and death, both in reality and symbolically.