Book contents
- The Year that Made the Musical
- Reviews
- The Year that Made the Musical
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Acknowledgements
- Chronology
- Abbreviations
- Part I From One Year to the Next
- Part II From Winter to Spring
- Part III From Summer to Autumn
- 9 Summertime Frolics
- 10 September Sensibilities
- 11 An Abundant Autumn
- 12 November Pairings
- Part IV From December Onwards
- Select Discography and Videography
- Permissions
- Select Bibliography
- Index
- Plate Section (PDF Only)
9 - Summertime Frolics
from Part III - From Summer to Autumn
Published online by Cambridge University Press: 26 September 2024
- The Year that Made the Musical
- Reviews
- The Year that Made the Musical
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Acknowledgements
- Chronology
- Abbreviations
- Part I From One Year to the Next
- Part II From Winter to Spring
- Part III From Summer to Autumn
- 9 Summertime Frolics
- 10 September Sensibilities
- 11 An Abundant Autumn
- 12 November Pairings
- Part IV From December Onwards
- Select Discography and Videography
- Permissions
- Select Bibliography
- Index
- Plate Section (PDF Only)
Summary
As the summer progressed, a variety of musical productions were on offer. These included a revival of The Merry Widow; musical comedies concerning class difference, including The Street Singer, about a countess who falls in love with a Parisian street painter, and Tilly, about a wealthy man and an impoverished woman who, planning to marry, meet each other’s families; a modernist work called Midsummer Madness that includes a play-within-a-play and starred Marie Tempest in her return to the musical stage; and Victor Herbert’s final musical, a time-travel fantasy called The Dream Girl, which opened posthumously.
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- The Year that Made the Musical1924 and the Glamour of Musical Theatre, pp. 127 - 138Publisher: Cambridge University PressPrint publication year: 2024