Chapter 4 - Japan's Empty Orchestras
Echoes of Japanese culture in the performance of karaoke
Published online by Cambridge University Press: 22 September 2009
Summary
When things seem sufficiently enlivened, the chief raps on the table for attention and suggests that singing begin. Everyone claps in agreement, and someone calls out Mr. Ono's name. Clapping erupts again, and he stands, sings a brief folk song, and then sits down amidst much applause. The chief calls next on Kato, another of the younger men, who because he is a bit of a wiseacre, is regarded as the black sheep of the group. Kato makes an excuse, drinks a full glass in one swallow, makes more excuses, but fails to stand and sing as requested. An awkward silence follows. Everyone sympathizes with Kato's embarrassment, but he must sing like the rest, for the solo performance is an integral part of office parties … finally ready he hurries through a popular song and sits down amid thunderous applause, obviously relieved. Then everyone in the group takes his or her turn singing a solo. With much giggling and handholding two women pair off in a duet. One young man sings a song filled with taboo sex words disguised rather transparently as puns in the midst of an otherwise innocent story. Another offers a rendition of a soulful ballad. The deputy who told the funny story ties his necktie around his head in the homespun manner of folk dancers and proceeds to sing and dance an exaggerated rendition of an old folk song … Finally, the chief, in a polished and charming manner, sings a traditional song and then its modern counterpart.
(Rohlen 1974: 99)- Type
- Chapter
- Information
- The Worlds of Japanese Popular CultureGender, Shifting Boundaries and Global Cultures, pp. 75 - 88Publisher: Cambridge University PressPrint publication year: 1998
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