Apps, A. (2014). Source citation and authority in Solinus. In Brodersen, K., ed., Solinus. New Studies. Heidelberg: Antike Verlag, 32–42.Google Scholar

Bailey, J. F., Henneberg, M., Colson, I. B., et al. (1999). Monkey business in Pompeii. Unique find of a juvenile Barbary macaque skeleton in Pompeii identified using osteology and ancient DNA techniques. Molecular Biology and Evolution, 16, 1410–1414CrossRefGoogle ScholarPubMed

Barbara, S. (2012). Armées en marche et découvertes herpétologiques dans l’Antiquité. Anthropozoologica, 47(1), 15–49.Google Scholar

Belanger, C. (2014). Solinus’ Macrobians: A Roman literary account of the Axumite Empire. In Brodersen, K., ed., Solinus. New Studies. Heidelberg: Antike Verlag, 96–118.Google Scholar

Bettini, M. (1992). Il ritratto dell’amante. Torino: Einaudi.Google Scholar

Bettini, M. (2000). Le orecchie di Hermes. Torino: Einaudi.Google Scholar

Bodson, L. (1998). Ancient Greek views on the exotic animal. Arctos, 32, 61–85.Google Scholar

Bodson, L. (2000). Motivations for pet-keeping in ancient Greece and Rome: A preliminary survey. In Podberscek, A. L., Paul, E. S., & Serpell, J. A., eds., Companion Animals and Us: Exploring the Relationship between People and Pets. Cambridge: Cambridge University Press, 27–41.Google Scholar

Brodersen, K. (ed.) (2014) Solinus. New Studies. Heidelberg: Antike Verlag.Google Scholar

Bull, C. H. (2017). Monkey business. Magic vowels and cosmic levels in the Discourse on the Eight and Ninth (NHC VI, 6). Studi e materiali di storia delle religioni, 83, 75–94.Google Scholar

Cleary, V. J. (1972). Se sectari simiam: Monkey Business in the Miles Gloriosus. The Classical Journal, 67 (4), 209–305.Google Scholar

Connors, C. (2004). Monkey business: Imitation, authenticity, and identity from Pithekoussai to Plautus. Classical Antiquity, 23 (2), 179–207.CrossRefGoogle Scholar

Deonna, W. (1965). Le symbolisme de l’œil. Paris: de Boccard.Google Scholar

Franco, C. (2014). Shameless. The Canine and the Feminine in Ancient Greece. Oakland: University of California Press.Google Scholar

Franco, C. (2017). Greek and Latin words for human–animal bonds: Metaphors and taboos. In Foegen, T., & Thomas, E., eds., Interactions between Animals and Humans in Graeco-Roman Antiquity. Berlin-Boston: De Gruyter, 39–60.Google Scholar

Fuentes, A. (2007). Monkey and human interconnections: The wild, the captive, and the in-between. In Cassidy, R., & Mullin, M., eds., Where the Wild Things Are Now: Domestication Reconsidered. Oxford: Berg.Google Scholar

Gerber, F., & Baudry-Dautry, A. (2012). La mode de l’animal exotique dans la haute société gallo-romaine. Sépolture d’un singe dans la nécropole de la rue des Caillons à Poitiers. Archéopages, 35, 42–47.Google Scholar

Gras, M. (1994). Pithécusses : de l’étymologie à l’histoire. Annali di Archeologia e Storia Antica, n.s. 1, 127–131.Google Scholar

Greenlaw, C. (2011). The Represenation of Monkeys in the Art and Thought of Mediterranean Cultures. A New Perspective on Ancient Primates. Oxford: BAR Publishing.Google Scholar

Hornig, K. (2000). Großtiertransporte nach und innerhalb Europas in der Antike – methodische Probleme, Fallbeispiele und kulturelle Rezeption. In von Schmettow, H., ed., Schutz des Kulturerbes unter Wasser: Veränderungen europäischer Lebenskultur durch Fluß- und Seehandel: Beiträge zum Internationalen Kongreß für Unterwasserarchäologie (IKUWA ‘99), 18.-21. Lübstorf: Archäologisches Landesmuseum Mecklenburg-Vorpommern, 177–185Google Scholar

Jennison, G. (1937). Animals for Show and Pleasure in Ancient Rome. Manchester: Manchester University Press.Google Scholar

Keller, O. (1909). Die Antike Tierwelt. Vol. I. Leipzig: Engelmann.Google Scholar

King, A. (2002). Mammals. Evidence from wall paintings, sculpture, mosaics, faunal remains, and ancient literary sources. In Feemster, J. W., & Meyer, F. G., eds., The Natural History of Pompeii. Cambridge: Cambridge University Press, 401–450.Google Scholar

Leblan, V. (2017). Aux frontières du singe. Relations entre hommes et chimpanzés au Kakandé, Guinée (XIX^e-XXI^e siècle). Paris: Éditions EHESS.Google Scholar

Lissarrague, F. (2013). La cité des satyres. Une anthropologie ludique. Paris: Éditions EHESS.Google Scholar

Louchart, F. (2017). Que faire de l’orang-outan ? Reconstruire la nature à Nyaru Menteng (Indonésie). Paris: L’Harmattan.Google Scholar

Masseti, M., & Bruner, E. (2009). The primates of the western Palaearctic: A biogeographical, historical, and archaeozoological review. Journal of Anthropological Science, 87, 33–91.Google Scholar

Maurach, G. (1988). Der Poenulus des Plautus. Heidelberg: Carl Winter Verlag.Google Scholar

McDermott, W. C. (1938). The Ape in Antiquity. Baltimore: John Hopkins University Press.Google Scholar

Meyboom, P. G. P. (1995). The Nile Mosaic of Palestrina. Early Evidence of Egyptian Religion in Italy. Leiden, Brill.Google Scholar

Monbrun, Ph. (2015). Quand on rêve d’animaux: place de l’animal et bestiaire du rêve dans les Oneirokritika d’Artémidore. In Weber, G., ed., Artemidor von Daldis und die Antike Traumdeutung. Texte, Kontexte, Lektüren. Berlin-Boston: De Gruyter, 127–160.Google Scholar

Monneret de Villard, U. (1932). Note Nubiane. Aegyptus, 12 (4), 305–316.Google Scholar

Naas, V. (2002). Le projet encyclopédique de Pline l’Ancien. Roma: École française de Rome.Google Scholar

Olesti, O., Guàrdia, J., Maragall, M., et al. (2013). Controlling the Pyrenees: A macaque’s burial from Late Antique Iulia Libica (Llívia, La Cerdanya, Spain). In Sarantis, A. & Christie, N., eds., War and Warfare in Late Antiquity. Leiden: Brill, 703–731.Google Scholar

Onida, P. P. (2012). Studi sulla condizione degli animali non umani nel sistema giuridico romano. 2nd ed. Torino: G. Giappichelli.Google Scholar

Oniga, R. (2014). Latin. A Linguistic Introduction. Oxford: Oxford University Press.Google Scholar

Poccetti, P. (1995). Sui nomi antichi dell’isola di Ischia: una traccia di remoti contatti tra vicino Oriente e Italia, Incontri linguistici, 18, 79–103.Google Scholar

Polara, G., & De Vivo, A. (2011). Aenaria – Pithecusa – Inarime. Bollettino di Studi Latini, 41 (2), 495–521.Google Scholar

Quack, J. F. (2003). Zum ägyptischen Ritual im Iseum Campense in Rom. In Metzner-Nebelsick, C., ed., Rituale in der Vorgeschichte, Antike und Gegenwart: Studien zur Vorderasiatischen, Prähistorischen und Klassischen Archäologie, Ägyptologie, Alten Geschichte, Theologie und Religionswissenschaft. Rahden: Leidorf, 57–66.Google Scholar

Richardson, L. (1955). Pompeii: The Casa dei Dioscuri and its Painters. Memoirs of the American Academy in Rome vol. XXIII. Rome: American Academy in Rome.Google Scholar

Salanitro, M. (1992). Il bardocucullo e i cuculli liburnici. Mart. XIV 128 e 140 (139). Atene e Roma, 37 (1), 10–15.Google Scholar

Scheid, J. (2004). Quand fut construit l’Iseum Campense? In Ruscu, L. C., ed., Orbis antiquus: studia in honorem Ioannis Pisonis. Cluj-Napoca: Nereamia Napocae, 308–311.Google Scholar

Schneider, P. (2004). L’Éthiopie et l’Inde. Interférences et confusions aux extrémités du monde antique (VIIIe siècle avant J.-C. – VIe siècle après J.-C.). Rome: École française de Rome.Google Scholar

Traina, A. (1984). Belva e bestia come metafora di ‘uomo’. Rivista di Filologia e Istruzione Classica, 112, 115–119.Google Scholar

Trinquier, J. (2007). L’Éthiopie vue de Grèce et de Rome aux époques hellénistique et romaine. In Pharaons noirs. Sur la Piste des Quarante Jours. Mariemont: Musée Royal de Mariemont, 217–244.Google Scholar

Tutrone, F. (2019). Barking at the threshold. Cicero, Lucretius, and the ambiguous status of dogs in Roman culture. In Schmidt, T., & Pahlitzsch, J., eds., Impious Dogs, Haughty Foxes and Exquisite Fish. Berlin-Boston: de Gruyter, 73–102.CrossRefGoogle Scholar

Vespa, M. (2017). Why avoid a monkey: The refusal of interaction in Galen’s epideixis. In Fögen, T., & Thomas, E., eds., Interactions between Animals and Humans in Graeco-Roman Antiquity. Berlin: de Gruyter, 409–434.CrossRefGoogle Scholar

Vespa, M. (2021). Geloion mimēma. Studi sulla rappresentazione culturale della scimmia nei testi greci e greco-romani. Turnhout: Brepols.Google Scholar

Vespa, M., & Zucker, A. (2020). Imiter ou communiquer : l’intention du singe dans la littérature gréco-romaine. Mètis. Anthropologie des mondes grecs anciens, 18, 233–250.Google Scholar

Abramovitz, K. (1980). Frescoes from Ayia Irini, Keos. Parts II–IV. Hesperia, 49, 57–85Google Scholar

Angelopoulou, N. (2000). Nature scenes: An approach to a symbolic art. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 545–554.Google Scholar

Asimenos, K. (1978). Technological observations on the Thera wall-paintings. In Doumas, C., ed., Thera and the Aegean world I. London: The Thera Foundation, 571–578.Google Scholar

Barrett, C. E. (2009). The perceived value of Minoan and Minoanizing pottery in Egypt. Journal of Mediterranean Archaeology, 22, 211–234.Google Scholar

Bedwin, O. W. (1984). The animal bones. In Popham, J., ed., The Minoan Unexplored Mansions at Knossos. British Society at Athens, Suppl. 17, 307–308.Google Scholar

Betancourt, P. (2000). The concept of space in Theran compositional systemics. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 359–363.Google Scholar

Betancourt, P. P. (2007). Introduction to Aegean Art. Philadelphia: INSTAP Academic Press.CrossRefGoogle Scholar

Betts, J. H. (1980). Die Schweizer Sammlungen. Corpus der minoischen und mykenischen Siegel X. Berlin: Gebrüder. Mann VerlagGoogle Scholar

Bietak, M. (1995). Connections between Egypt and the Minoan world: New results from Tell el-Dabʻa/Avaris. In Davies, W. V., & Schofield, L., eds., Egypt, the Aegean and the Levant: Interconnections in the Second Millennium BC. London: Trustees of the British Museum, 19–28.Google Scholar

Bietak, M. (2000a). Minoan paintings in Avaris, Egypt. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 33–42.Google Scholar

Bietak, M. (2000b). The tableau from Tell el-Dabʻa. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 77–88.Google Scholar

Bietak, M (2000c). The mode of representation in Egyptian art in comparison to Aegean Bronze age art. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 209–246.Google Scholar

Bietak, M. (2005). The setting of the Minoan wall paintings at Avaris. In Morgan, L., ed., Aegean Wall Painting. A Tribute to Mark Cameron. Athens: British School at Athens Studies 13, 83–90.Google Scholar

Bietak, M. (2018). The many ethnicities of Avaris: Evidence from the northern borderland of Egypt. In Budka, J., & Auenmüller, J., eds., From Microcosm to Macrocosm: Individual Households and Cities in Ancient Egypt and Nubia. Leiden: Sidestone Press. 73–92.Google Scholar

Bietak, M., & Marinatos, N. (1995). The Minoan wall paintings from Avaris. Ägypten und Levante/Egypt and the Levant, 5, 49–62.Google Scholar

Binnberg, J. (2019). Like a duck to water – Birds and liquids in the Aegean Bronze Age. The Annual of the British School at Athens, 114, 41–78.Google Scholar

Binnberg, J., Urbani, B., & Youlatos, D. (2021). Langurs in the Aegean Bronze Age? A review of a recent debate on archaeoprimatology and animal identification in ancient iconography. Journal of Greek Archaeology, 6, 100–127.Google Scholar

Birtacha, K., & Zacharioudakis, M. (2000). Stereotypes in Theran wall paintings: Modules and patterns in the procedure of painting. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 159–171.Google Scholar

Blakolmer, F. (2020). Gab es Löwen und Affen im minoischen Kreta? Ein ikonographisches Problem. In Berger, L., Huber, L., Lang, F., & Weilhartner, J., eds., Akten des 17. Österreichischen Archäologentages am Fachbereich Altertumswissenschaften, Klassische und Frühägäische Archäologie der Universität Salzburg vom 26. bis 28. Februar 2018. Salzburg: Universität Salzburg, 39–49.Google Scholar

Bloedow, E. (1992). On lions in Mycenaean and Minoan culture. In Laffineur, R., & Crowley, J. L., eds., Aegean Bronze Age Iconography: Shaping a meThodology. Liège: Aegeum 8 (Annales d’archéologie égéenne de l Université de Liège), 295–306.Google Scholar

Bright, W. (ed.) (1992). Southern Paiute and Ute Linguistics and Ethnography. The Collected works of Edward Sapir. New York: De Gruyter Mouton.CrossRefGoogle Scholar

Buchholz, H. G. (1980). Some obervations concerning Theras’s contacts overseas during the Bronze Age. In Doumas, C., ed., Thera and the Aegean World II. Papers and Proceedings of the Second International Scientific Congress. Santorini Greece August 1979. London: Thera and the Aegean World, 227–240.Google Scholar

Buchholz, H. G., & Karageorghis, V. (1973). Prehistoric Greece and Cyprus. An Archaeological Handbook. London: Phaidon.Google Scholar

Bury, H. P. R. (1967). Analysis of mammalian bones at Hagfet. In McBurney, C. B. M., ed., The Haua Fteah (Cyrenaica) and the Stone Age of the Southeast Mediterranean. New York: Cambridge University Press, 354–357.Google Scholar

Cadogan, G. (2004). The Minoan distance: The impact of Knossos upon the twentieth century. In Cadogan, G., Hatzaki, E., & Vasilakis, A., eds., Knossos: Palace, City, State. Nottingham: British School at Athens Studies 12, 437–545.Google Scholar

Cameron, M. A. S. (1968). Unpublished paintings from the ‘House of Frescoes’ at Knossos. The Annual of the British School at Athens, 63, 1–31.Google Scholar

Cameron, M. A. S. (1978). Theoretical interpretations among Theran, Cretan and mainland frescoes. In Doumas, C., ed., Thera and the Aegean world I. London: The Thera Foundation, 579–592.Google Scholar

Canciani, F. (1973). Scimmie a Creta. Chronache di Archeologia, Rivista annuale dell’Università di Catania, 12, 107–110.Google Scholar

Castleden, R. (1990) The Knossos Labyrinth. A New View of the ‘Palace of Minos’ at Knossos. London: Routledge.Google Scholar

Castleden, R. (1993) Minoan Life in Bronze Age Crete. London: Routledge.Google Scholar

Chaix, L. (1994). Nouvelles données de l’archéozoologie du nord du Soudan. In : Berger, C., Clerc, G., & Grimal, N., eds., Hommages a Jean Leclant. Vol. 2. Nubie, Soudan, Ethiopie, Cairo, Paris: Institut français d'archeologie orientale,105–110.Google Scholar

Chapin, A. P. (2004). Power, privilege, and landscape in Minoan art. Hesperia (Charis: Essays in Honor Sara A. Immerwahr) Suppl., 33, 47–64.Google Scholar

Chapin, A. P. & Shaw, M. C. (2006). The frescoes from the House of the Frescoes at Knossos: A reconsideration of their architectural context and a new reconstruction of the Crocus Panel. The Annual of the British School at Athens, 101, 57–88.Google Scholar

Chapin, A. & Pareja, M. N. (2020). Peacock or poppycock? Investigations into exotic animal imagery in Minoan and Cycladic art. In Davis, B. and Laffineur, R., eds., NEΩTEΡOΣ – Studies in Bronze Age Aegean art and archaeology in honor of Professor John G. Younger on the occasion of his retirement. Aegaeum, 44, 215–226.Google Scholar

Chapin, A. & Pareja, M. N. (2021). Betwixt and beyond the boundaries: an ecosocial model of animal human relations in Minoan and Cycladic animal art. In Laffineur, R. and Palaima, T., eds., Zoia – Animal-human interactions in the Aegean Middle and Late Bronze Age. Aegaeum, 45, 125–134.Google Scholar

Cline, E. H. (1991). Monkey business in the Bronze Age Aegean: The Amenhotep II faicence figurines at Mycenae and Tiryns. The Annual of the British School at Athens, 86, 29–42.Google Scholar

Cline, E. H. (1995). Egytpian and Near Eastern imports at late Bronze Age Mycenae. In Davies, W. V., & Schofield, L., eds., Egypt, the Aegean and the Levant: Interconnections in the Second Millennium BC. London: British Museum Press, 91–115.Google Scholar

Cline, E. H., Yasur-Landau, A., & Goshen, N. (2011) New fragments of Aegean-style painted plaster from Tel Kabri, Israel. American Journal of Archaeology, 115, 245–261Google Scholar

Coldstream, J. N. (1973). Knossos. The Sanctuary of Demeter. British School at Athens Suppl. 8 London.Google Scholar

Coleman, K. (1973). Frescoes from Ayia, Irini, Keos. Parts II-IV. Hesperia, 42, 284–296.Google Scholar

Concoran, N. L. H. (2016). The color blue as an ‘animator’ in Ancient Egyptian art. In Goldman, R. B., ed., Essays in Global Color History, Interpreting the Ancient Spectrum. Piscataway, NJ: Gorgias Press, 59–82.Google Scholar

Coutsis, J. G. (2000). The insects depicted on the wall paintings of Thera: An attempt at identification. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 580–584.Google Scholar

Crooks, S., Tully, C. J., & Hitchcock, L. A. (2016). Numinous tree and stone: Re-animating the Minoan landscape. Metaphysis: ritual, myth and symbolism in the Aegean Bronze Age. Aegaeum, 39, 157–164.Google Scholar

Crowley, J. L. (2021). The fabulous five: monkey, lion, griffin, dragon, genius. In Laffineur, R., & Palaima, T., eds., Zoia – Animal-human interactions in the Aegean Middle and Late Bronze Age. Aegaeum, 45: 199–214.Google Scholar

Davis, B. E. (2006). Trade in goods between Crete and Egypt in the Minoan Palace Period (ca.1950 – ca.1490 BCE). Postgraduate thesis. University of Melbourne.Google Scholar

Davis, W. V. (2009). The tomb of Ahmose Son-of-Ibana at Elkab. Documenting the family and other observations. In Claes, W., Meulenaere, H., & de Hendrick, S., eds., Elkab and Beyond. Studies in Honour of Luc Limme (Orientalia Lovaniensa Analecta 191). Leuven: Uitgeverij Peeters, 139–175.Google Scholar

Day, J. (2011). Crocuses in context: A diachronic survey of the crocus motif in the Aegean Bronze Age. Hesperia 80, 337–379.CrossRefGoogle Scholar

Dimopoulou-Rethemiotaki, N. (2005). The Archaeological Museum of Herakleion. Athens: The John S. Latsis Foundation.Google Scholar

Deutscher, G. (2010). Through the Language Glass: Why the World Looks Different in Other Languages. New York: Metropolitan Books.Google Scholar

Dewan, R. (2015). Bronze Age flower power: The Minoan use and social significance of saffron and crocus flowers. Chronika, 5, 42–55.Google Scholar

Dominy, N. J., Ikram, S., Moritz, G. L., et al. (2020). Mummified baboons reveal the far reach of early Egyptian mariners. eLife, 9, e60860.Google Scholar

Doumas, C. (1983). Thera: Pompeii of the Ancient Aegean: Excavations at Akrotiri 1967–1979. London: Thames & Hudson.Google Scholar

Doumas, C. (1985). Conventions artisitiques à Théra et dans la Mediterranée orientale à l’époque préhistorique. In Darcque, P., & Poursat, J.-C., eds., L’Iconographie Minoenne. Athens: Bulletin de correspondence hellénique, Suppl. XI, 29–34.Google Scholar

Doumas, C. (1992). The Wall-Paintings of Thera. Athens: The Thera Foundation-Petros M. Nomikos.Google Scholar

Doumas, C. (2000). Discussion comment of Trantalidou, K (2000). In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 735.Google Scholar

Doumas, C. (2013). Akrotiri, Thera: Reflections from the East. In Aruz, J., Graff, S. B., & Rakic, Y., eds., Cultures in Contact. New Haven: Yale University Press, 180–186.Google Scholar

Douskos, I. (1980). The crocuses of Santorini. In Doumas, C., ed., Thera and the Aegean world II. Papers and Proceedings of the Second International Scientific Congress. Santorini Greece August 1979. Athens: Thera and the Aegean World Publisher, 141–145.Google Scholar

El-Kilany, E., & Mahran, H. (2015). What lies under the chair! A study in Ancient Egyptian private tomb scenes, Part I: Animals. Journal of the American Research Center in Egypt 51, 243–264.Google Scholar

Evans, A. (1901). The Palace of Knossos. The Annual of the British School at Athens VII, 1–120.Google Scholar

Evans, A. (1921). The Palace of Minos. A Comparative Account of the Successive Stages of the early Cretan Civilization as Illustrated by the Discoveries of Knossos. Volume I: Part I. London: Macmillan and Co.Google Scholar

Evans, A. (1928a). The Palace of Minos. A Comparative Account of the Successive Stages of the early Cretan Civilization as Illustrated by the Discoveries of Knossos Volume II: Part I. London: Macmillan and Co.Google Scholar

Evans, A. 1928b. The Palace of Minos. A Comparative Account of the Successive Stages of the early Cretan Civilization as Illustrated by the Discoveries of Knossos Volume II: Part II. London: Macmillan and Co.Google Scholar

Evans, A. (1935). The Palace of Minos. Volume IV, Part II. London: MacMillan and Co.Google Scholar

Evely, D. (1999). Fresco: A Passport into the Past. Minoan Crete through the Eyes of Mark Cameron. Athens: British School at Athens.Google Scholar

Ferrence, S. C. (2011). Variety is the spice of life: Figurines from the Cave of Hagios Charalambos in: Andreadaki-Vlazaki, M., & Papadopoulou, E., eds. Πεπραγμένα του Διεθνούς Κρητολογικού Συνεδρίου (Χανιά, 1-8 Οκρωβρίου 2006). Τόμος Α3 Προσιτορικοί Χρόνοι. Chania: Philological Association “O Chrysostomos”, 597–611.Google Scholar

Ferrence, S. C., & Bendersky, G. (2004). Therapy with saffron and the goddess at Thera. Perspectives in Biology and Medicine, 47, 199–226.Google Scholar

Filippakis, S., Perdikatsis, V., & Paradellis, T. (1976). Analysis of blue pigment from the Greek Bronze Age. Studies in Conservation, 21,143–153Google Scholar

Fortescue, M. (2016). The colours of the Artic. Amerindia, 38, 25–46Google Scholar

Gamble, C. S. (1978). The Bronze Age animal economy from Akrotiri: A preliminary analysis. In Doumas, C., ed., Thera and the Aegean World I. London: The Thera Foundation, 745–753.Google Scholar

Gladstone, W. E. (1858). Studies on Homer and the Homeric Age. Oxford: Oxford University Press.Google Scholar

Greenlaw, C. (2005). How monkeys evolved in Egyptian and Minoan art and culture. In Briault, C., Green, J., Kaldelis, A., & Stellatou, A., eds., SOMA 2003-Symposium on Mediterranean archaeology. Oxford: Archaeopress. 71–73.Google Scholar

Greenlaw, C. (2006). Monkeying around the Mediterranean: A fresh perspective on ancient primates. In Day, J., Greenlaw, C., Hall, H., et al., eds., SOMA 2004-Symposium on Mediterranean archaeology. Oxford: Archaeopress. 63–67.Google Scholar

Greenlaw, C. (2011). The Representation of Monkeys in the Art and Thought of Mediterranean cultures: A New Perspective on Ancient Primates. Oxford: British Archaeological Reports.Google Scholar

Groves, C. (2008). Extended Family, Long Lost Cousins: A Personal Look at the History of Primatology. Arlington: Conservation International.Google Scholar

Güell i Rous, J. M. (2018). The Tomb of Vizier Rekhmire (TT100): A Textual and Iconographic Study. Rekhmire Receiving Foreign Tribute. Volume 1. Barcelona: Editorial La Vocal de Lis.Google Scholar

Guralnick, E. (2000). Proportions of painted figures from Thera. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 173–188.Google Scholar

Halbher, F. (1903). Resti dell’età micenea scoperti ad Haghia Triada presso Phaestos. Raporto sulle ricerche del 1902. Monumenti Antichi, XIII, 7–74.Google Scholar

Herva, V.-P. (2006). Flower lovers, after all? Rethinking religion and human-environment relations in Minoan Crete. World Archaeology, 38, 586–598.Google Scholar

Höckmann, O. (1978). Theran floral style in relation to that of Crete. In Doumas, C., ed., Thera and the Aegean World I. London: The Thera Foundation, 604–616.Google Scholar

Hogarth, D. G. (1901). Excavations at Zakro, Crete. The Annual of the British School at Athens, VII, 121–149.Google Scholar

Hogarth, D. G. (1902). The Zakro Sealings. Journal of Hellenic Studies, 22, 76–93.Google Scholar

Hood, S. (2005). Dating the Knossos frescoes. In Morgan, L., ed., Aegean Wall Painting. A Tribute to Mark Cameron. Athens: British School at Athens Studies 13, 45–81.Google Scholar

Hoskins, G. A. (1835). Travels in Ethiopia, Above the Second Cataract of the Nile. London: Longman, Rees, Orme, Brown, Green & Longman.Google Scholar

Houlihan, PF. Hood, S. (1990). The Cretan elements on Thera in Late Minoan IA. In Hardy, D. A., Doumas, C. G., Sakellarakis, J. A., &. Warren, P. M., eds., Thera and the Aegean World III. Vol. One: Archaeology. London: The Thera Foundation, 118–123.Google Scholar

Hunt, K. D., Cant, J. G. H., Gebo, D. L., Rose, M. D., Walker, S. E., & Youlatos, D. (1996). Standarized descriptions of primate locomotor and postural modes. Primates, 37, 363–387.Google Scholar

Iliakis, K. (1978). Theran floral style in relation to that of Crete. In Doumas, C., ed., Thera and the Aegean world I. London: The Thera Foundation, 617–628.Google Scholar

Immerwahr, S. (1985). A possible influence of Egyptian art in the creation of Minoan wall paintings. In P. Darcque and J.-C. Poursat., eds., L’Iconographie Minoenne. Athens: Bulletin de correspondence hellénique Suppl. XI, 40–50.Google Scholar

Immerwahr, S. (1990). Aegean Painting in the Bronze Age. Philadelphia: Pennsylvania State University Press.Google Scholar

Immerwahr, S. (2000). Thera and Knossos: Relation of the paintings to their architectural space. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 467–490.Google Scholar

Kenna, V. E. G. (1966). Die englischen Privatsammlungen. Corpus der Minoischen und Mykenischen Siegel VIII. Berlin: Gebrüder. Mann Verlag.Google Scholar

Kilian, K. (1979). Ausgrabungen in Tiryns 1977. Archäologisher Anzeiger 27, 379–411.Google Scholar

Kleinsgütl, D. 2000. Some remarks on the felids of Thera. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. I: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 699–708.Google Scholar

Komninos, P. (2009). To Topio stis Toihografikes Parastaseis tou Aegeakou Chorou kata tin Ysteri Epohi tou Chalkou. PhD dissertation, Aristotle University of Thessaloniki (in Greek).Google Scholar

Kontorli-Papadopoulou, L. (1996). Aegean Frescoes of Religious Character. Götenborg: Paul Åströms Förlag.Google Scholar

Krzyszkowska, O. (2005). Aegean Seals: An Introduction. Oxford: Oxford University Press.Google Scholar

Krzyszkowska, O. (2016). Warding off evil: Apotropaic practice and imagery in Minoan Crete. In Alram-Stern, E., Blakolmer, F., Deger-Jalkotzy, S., Laffineur, R., & Weilhartner, J., eds., Metaphysis. Ritual, Myth and Symbolism in the Aegean Bronze Age. Proceedings of the 15th International Aegean Conference. Aegaeum 39. 115–121.Google Scholar

Laffineur, R. (1990). Composition and perspective in Theran wall-paintings. In Hardy, D. A., Doumas, C. G., Sakellarakis, J. A., & Warren, P. M., eds., Thera and the Aegean World III. Vol. One: Archaeology. London: The Thera Foundation, 246–251.Google Scholar

Langdon, S. (1990). From monkeys to man: The evolution of a geometric sculptural type. American Journal of Archaeology, 94, 407–424.Google Scholar

Legendart, A. (2020). Une classification animale crétoise à l’âge du bronze? Le point de vue des Minoens par le prisme de l’iconographie. Anthropozoologica, 55, 247–255.Google Scholar

Levi, D. (1929a). Le cretule di Hagia Triada. Annuario della Scuola Archeologica di Atene e delle Missione Italiane in Oriente, VIII –IX (1925-1926), 71–156.Google Scholar

Levi, D. (1929b). Le cretule di Zakro. Annuario della Scuola Archeologica di Atene e delle Missione Italiane in Oriente, VIII –IX (1925-1926), 157–201.Google Scholar

Levi, D. (1958). L’archivio di cretule a Festòs. Annuario della Scuola Archeologica di Atenes e dell Missione Italiane in Oriente, XXXV –XXXVI, 7–192.Google Scholar

Lurz, N. (1994). Der Einfluβ Ägyptens, Vorderasiens und Kretas auf die Mykenischen Fresken. Studien zum Ursprung der Frühgriechischen Wandmalerei. Europäische Hochschulschriften Archäologie 38(48). Frankfurt: Perter Lang.Google Scholar

Marinatos, N. (1984). Art and Religion in Thera: Reconstructing a Bronze Age Society. Athens: Mathioulakis.Google Scholar

Marinatos, N. (1986). Minoan Sacrificial Ritual. Cult Practice and Symbolism. Götenborg: Skrifter Utgivna av Svenska Intitutet I Athen, 8°, IX. Paul Åströms Förlag.Google Scholar

Marinatos, N. (1987a). Offering of saffron to the Minoan goddess of nature. The role of the monkey and the importance of the saffron In Linders, T., & Nordquist, G., eds., Gifts to the gOds. Proceedings of the Uppsala Symposium 1985. Uppsala: Acta Universitatis Upsaliensis Boreas. Uppsala Studies in Ancient Mediterranean and Near Eastern Civilization, 123–132.Google Scholar

Marinatos, N. (1987b). The monkey in the shrine: A fresco fragment from Thera. In Kastranaki, L., Orphanou, G., & Giannadakis, N., eds., Eilapini. Tomos Timitikos gia ton Kathigiti Nikolao Platona. Irakleion: Ekdotiki Frontida Vikelaia Demotiki Vivliothiki, 417–421.Google Scholar

Marinatos, N. (1993). Minoan Religion. Ritual, Image, and Symbol. Columbia, SC: University of South California Press.Google Scholar

Marinatos, N., & Hägg, R. (1983). Anthropomorphic cult images in Minoan Crete? In Krzyszkowska, O., & Nixon, L., eds., Minoan Society. Proceedings of the Cambridge Colloquium 1981. Bristol: Bristol Classical Press, 185–201.Google Scholar

Marinatos, Sp. (1969). Excavations at Thera II (1968 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Marinatos, Sp (1970). Excavations at Thera III (1969 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Marinatos, Sp. (1971a). Excavations at Thera IV (1970 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Marinatos, Sp. (1971b). A Brief Guide to the Temporary Exhibition of the Antiquities of Thera. Athens: General Direction of Antiquities and Restoration.Google Scholar

Marinatos, Sp. (1972a). Excavations at Thera V (1971 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Marinatos, Sp. (1972b). Treasures of Thera. Athens: Commercial Bank of Greece.Google Scholar

Marinatos, Sp. (1973). Kreta, Thera und das mykenische Hellas. Munich: Hirmer Verlag.Google Scholar

Marinatos, Sp. (1974). Excavations at Thera VI (1972 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Marinatos, Sp. (1976), Excavations at Thera, VII (1973 Season). Athens: Bibliothiki tis en Athinais Archaiologikis Etaireias.Google Scholar

Masseti, M. (1980). Le scimmie azzurre. La fauna etiopica degli aff reschi minoici di Santorino (Thera). Mondo archeologico, 51, 32–37.Google Scholar

Masseti, M. (1997). Representation of birds in Minoan art. International Journal of Osteoarchaeology, 7, 354–363.Google Scholar

Masseti, M. (2000). Did the study of ethology begin in Crete 4000 years ago? Ethology Ecology & Evolution, 12, 89–96.Google Scholar

Masseti, M. (2003). Taxonomic and behavioural aspects of the representation of mammals in Aegean Bronze Age art. In Kotjabopoulou, E., Hamilakis, Y., Halstead, P., Gamble, C., & Elefanti, P., eds., Zooarchaeology in Greece. Recent Advances. Athens: British School at Athens Studies 9, 273–281.Google Scholar

Masseti, M. (2006). Did the study of primatology begin on the Island of Crete (Greece) 4000 years ago? Folia Primatologica, 77, 296–297.Google Scholar

Masseti, M. (2019). Monkeys in the Ancient Greek World (2000–500 B.C.). In Casanova, C. C. N., Scalfari, F. M. C., & Veracini, C., eds., History of Primatology: Yesterday and Today. The Western–Mediterranean Tradition. Canterano: Aracne, 21–51.Google Scholar

Masseti, M. (2021). An analysis of recent literature regarding the Minoan “blue monkeys” represented in Aegean Bronze Age art. Journal of Anthropological Sciences, 99, 1–4.Google Scholar

Masseti, M., & Bruner, E. (2009). The primates of the western Palaearctic: A biogeographical, historical, and archaeozoological review. Journal of Anthropological Sciences, 87, 33–91.Google Scholar

Matz, F. (1962). Crete and Early Greece: The Prelude to Greek Art. London: Methuen.Google Scholar

McDermott, W. C. (1938). The Ape in Antiquity. Baltimore: The John Hopkins University Press.Google Scholar

McLaughlin, C. (2013). A Lakota War Book from the Little Bighorn: The Pictographic “Autobiography of Half Moon”. Harvard/Peabody Museum Press, Cambridge.Google Scholar

Medleson, C. (1983). More monkey business. Anatolian Studies, 33, 81–83.Google Scholar

MetMuseum, (2020). Scene with monkeys and baboons ca. 2051–2000 B.C. Middle Kingdom Dynasty 11, Reign of Mentuhotep II Rogers Fund, 1926 Accession Number: 26.3.354-4-related. New York, Metropolitan Museun of Art. Available at: www.metmuseum.org/art/collection/search/590882Google Scholar

Morgan, L. (1988). Miniature Wall Paintings of Thera. A Study in Aegean Culture and Iconography. Cambridge: Cambridge University Press.Google Scholar

Morgan, L. (1990) Island iconography: Thera, Kea, Milos. In Hardy, D. A., Doumas, C. G, Sakellarakis, J. A., & Warren, P. M., eds. Thera and the Aegean World III. Volume One: Archaeology. London: The Thera Foundation, 252–266.Google Scholar

Morgan, L. (ed.) (2005). Aegean Wall Painting. A Tribute to Mark Cameron. Athens: British School at Athens Studies 13.Google Scholar

Morgan, L., & Cameron, M. A. S. (2007). The painted plasters and their relation to the wall painting of the Pillar Crypt. In Renfrew, C., ed., Excavations at Phylakopi in Melos 1974-77. Suppl. Vol. 42. Athens: British School at Athens, 371–399.Google Scholar

Mountjoy, P. A. (2004). Knossos and the Cyclades in Late Minoan IB. In Cadogan, G., Hatzaki, E., & Vasilakis, A., eds., Knossos: Palace, City, State. Nottingham: British School at Athens Studies 12, 399–404.Google Scholar

Müller, W., & Pini, I. (2007a). Iraklion Archäologisches Museum. Teil 1. Sammlung Giamalakis. Corpus der minoischen und mykenischen Siegel III (I). Berlin: Gebrüder. Mann Verlag.Google Scholar

Müller, W., & Pini, I. (2007b). Iraklion Archäologisches Museum. Teil 2. Sammlung Giamalakis. Corpus der minoischen und mykenischen Siegel III (II). Berlin: Gebrüder. Mann Verlag.Google Scholar

Niemeier, W.-D. (1992). Iconography and context: The Thera frescoes. In Laffineur, R., & Crowley, J. L., eds., Aegean Bronze Age Iconography: Shaping a Methodology. Liège: Aegeum 8 (Annales d’archéologie égéenne de l’Université de Liège), 97–104.Google Scholar

Niemeier, W.-D. (2004). When Minoans ruled the waves: Knossian power overseas. In Cadogan, G., Hatzaki, E., & Vasilakis, A., eds., Knossos: Palace, City, State. Nottingham: British School at Athens Studies 12, 393–398.Google Scholar

Niemeier, B., & Niemeier, W.-D. (2000). Aegean frescoes in Syria-Palestine: Alalakh and Tel Kabri. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 763–802.Google Scholar

Nilsson, M. P. (1927) Minoan Mycenaean Religion and its Survival in Greek Religion. London: Lund C. W. K Gleerup.Google Scholar

Panagiotopoulos, D. (2001). Keftiu in context: Theban tomb-paintings as a historical source. Oxford Journal of Archaeology, 20, 263–283.Google Scholar

Papageorgiou, I., & Birtacha, K. 2008. Η εικονογραφία του πιθήκου στην Εποχή του Χαλκού. Η περίπτωση των τοιχογραφιών από το Ακρωτήρι Θήρας, in: Doumas, C., ed., Ακρωτήρι Θήρας: Τριάντα χρόνια έρευνας 1967-1997. Επιστημονική συνάντηση 19-20 Δεκεμβρίου 1997. Athens: The Archaeological Society at Athens, 287–316 (in Greek)Google Scholar

Papapostolou, I .A. (1977). Τα Σφραγίσματα των Χανίων. Συμβολή στη Μελέτη της Μινωικής Σφραγιδογλυφίας. Ν. 87. Athens: Archaeological Society of Athens (in Greek)Google Scholar

Pareja, M. N. (2015). Monkey and ape iconography in Aegean Art. PhD dissertation. Temple University.Google Scholar

Pareja, M. N. (2016). Reconstructing cult practices from secondary sources in Minoan Crete. Proceedings of the 12th International Congress of Cretan Studies, 1–8Google Scholar

Pareja, M. N. (2017). Monkey and Ape Iconography in Aegean Art. Uppsala: Astrom Editions.Google Scholar

Pareja, M. N., McKinney, T., Mayhew, J. A., Setchell, J. M., Nash, S. D., & Heaton, R. (2020a). A new identification of the monkeys depicted in a Bronze Age wall painting from Akrotiri, Thera. Primates, 61, 159–168.Google Scholar

Pareja, M. N., McKinney, T., & Setchell, J. M. (2020b). Aegean monkeys and the importance of cross-disciplinary collaboration in archaeoprimatology: a reply to Urbani and Youlatos. Primates, 61, 767–774.Google Scholar

Parker, P. (1997). African vervets on Crete and Thera during MM IIIBLM IA. American Journal of Archaeology, 101, 348Google Scholar

Patrianakou-Iliaki, A. (1983). Wall-painting and painters in Minoan society. Anthropomorphic cult images in Minoan Crete? In Krzyszkowska, O., & Nixon, L., eds., Minoan Society. Proceedings of the Cambridge Colloquium 1981. Bristol: Bristol Classical Press, 245–249.Google Scholar

Pendlebury, H. W., Pendelbury, J. D. S., & Money-Coutts, M. B. (1939). Excavation in the Plain of Lasithi. I. The Cave of Trapeza. The Annual of the British School at Athens, XXXVI, 5–131.Google Scholar

Pfälzner, P. (2008). Between the Aegean and Syria: The wall paintings from the royal palace of Qatna. In Bonatz, D., Czichon, R. M., & Kreppner, F. G., eds., Fundstellen: Gesammelte Schriften zur Archäologie und Geschichte Altvorderasiens ad Honorem Hartmut Kühne. Wiesbaden: Harrassowitz Verlag, 95–118Google Scholar

Phillips, J. P. (2005). A question of reception. In Clarke, J., ed., Archaeological Perspectives on the Transmission and Transformation of Culture in the Eastern Mediterranean. Barnsley: Oxbow Books, 39–47.Google Scholar

Phillips, J. P. (2008a). Aegyptiaca on the Island of Crete in their Chronological Context: A Critical Review, Vol. 1. Vienna: Verlag der Österreichischen Akademie der Wissenschaften.Google Scholar

Phillips, J. P. (2008b). Aegyptiaca on the Island of Crete in their Chronological Context: A Critical Review, Vol. 2. Vienna: Verlag der Österreichischen Akademie der Wissenschaften.Google Scholar

Pinch Brock, L. (2000). Art, industry and the Aegeans in the tomb of Amenmose. Ägypten und Levante / Egypt and the Levant, 10, 129–137.Google Scholar

Pini, I. (1970). Iraklion Archäologisches Museum. Teil 5. Corpus der minoischen und mykenischen Siegel II (5). Berlin: Gebrüder Mann Verlag.Google Scholar

Pini, I. (1975). Kleinere Griechische Sammlungen. Die Siegel der Vorpalastzeit. Corpus der minoischen und mykenischen Siegel V (1). Berlin: Gebrüder. Mann Verlag.Google Scholar

Pini, I. (1988). Kleinere europäische Sammlungen. Corpus der minoischen und mykenischen Siegel XI. Berlin: Gebrüder Mann Verlag.Google Scholar

Pini, I. (1992). Kleinere Grieschische Sammlungen. Agina – Korinth. Corpus der minoischen und mykenischen Siegel V (Suppl. I A). Berlin: Gebrüder Mann Verlag.Google Scholar

Pio, H. (2018). The significance of the baboon motif in the funerary art of the New Kingdom. Master’s thesis. Stellenbosch University.Google Scholar

Platon, N. (1947). Συμβολή εις την σπουδήν της μινωικής τοιχογραφίας. Ο κροκοσυλλέκτης πίθηκος. Κρητικά Χρονικά 1, 505–524 (in Greek).Google Scholar

Platon, N. (1969). Iraklion Archäologisches Museum. Teil 1. Corpus der minoischen und mykenischen Siegel II (1). Berlin: Gebrüder Mann Verlag.Google Scholar

Platon, N., & Pini, I. (1984). Iraklion Archäologisches Museum. Teil 3. Die Siegel der Neupalastzeit. Corpus der minoischen und mykenischen Siegel II (3). Berlin: Gebrüder. Mann Verlag.Google Scholar

Platon, N., Pini, I., & Salies, G. (1977). Iraklion Archäologisches Museum. Teil 2. Die Siegel der Altpalastzeit. Corpus der minoischen und mykenischen Siegel II (2). Berlin: Gebrüder Mann Verlag.Google Scholar

Platon, N., Müller, W., & Pini, I. (1998). Iraklion Archäologisches Museum. Teil 7. Die Siegelabdrücke von Kato Zakros. Corpus der minoischen und mykenischen Siegel II (7). Berlin: Gebrüder. Mann Verlag.Google Scholar

Platon, N., Müller, W., & Pini, I. (1999). Iraklion Archäologisches Museum. Teil 6. Die Siegelabdrücke von Ajia Triada und anderen Zentral- und Ostkretischen Fundorten. Corpus der minoischen und mykenischen Siegel II (6). Berlin: Gebrüder Mann Verlag.Google Scholar

Porter, R. (2000). The flora of the Theran wall paintings: Living plants and motifs – Sea lily, crocus, iris and ivy. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 603–630.Google Scholar

Poulianos, A. (1972). The discovery of the first known victim of Thera’s Bronze Age eruption. Archaeology, 25(3), 229–230.Google Scholar

Pruetz, J., & Greenlaw, C. (2021). Occam’s razor revisited: Overlooked guenon species provide equally robust evidence for an African influence in Bronze Age Aegean fresco primate iconography from Akrotiri, Thera. Primates 62, 703–707.Google Scholar

Rackham, O. (1978). The flora and vegetation of Thera and Crete before and after the great eruption. In Doumas, C., ed., Thera and the Aegean World I. London: The Thera Foundation, 755–764.Google Scholar

Rehak, P. (1999). The Monkey Frieze from Xeste 3, Room 4: Reconstruction and interpretation. In Betancourt, P. P., Karageorghis, V., Laffineur, R., & Niemeier, W. D., eds., Meletemata. Studies in Aegean Archaeology Presented to Malcolm H. Wiener as He Enters his 65th Year, (Aegaeum) 20. Liège: Peeters Publishers, 705–708.Google Scholar

Reese, D. S. 2006. The invertebrates, in Hallager, E., & Hallager, B. P., eds., The Greek-Swedish Excavations at the Agia Aikaterini Square Kastelli, Khania 1970-1987, 2001, 2005 and 2008: 396–417. Stockholm: Svenska Institutet i Athen.Google Scholar

Reese, D. S. & Betancourt, P. P. 2008. The neritid shells. Hesperia 77, 576.Google Scholar

Renfrew, C. (2007). Excavations at Phylakopi in Melos 1974–77. Athens: British School at Athens, Supplementary volume 42.Google Scholar

Renfrew, C. (2011). The Emergence of Civilisation. The Cyclades and the Aegean in the Third Millenium BC. Oxford: Oxbow Books.Google Scholar

Roberson, D., Davinoff, J., Davies, I. R. L., & Shapiro, L. R. (2005). Color categories: Confirmation of the relativity hypothesis. Cognitive Psychology, 50, 378–411.Google Scholar

Rutkowski, B. (1978). Religious elements in the Thera frescoes. In Doumas, C., ed., Thera and the Aegean World I. London: The Thera Foundation, pp. 661–664.Google Scholar

Sakellarakis, E., & Sakellarakis, J. A. (1984). The Keftiu and the Minoan an. In Hägg, R., & Marinatos, N., eds., The Minoan Thalassocracy. Myth and Reality. Proceedings of the Third International Symposium at the Swedish Institut in Athens. 31 May–5 June 1982. Stockholm: Svenska institutet i Athen, 197–202.Google Scholar

Sakellarakis, J. A., & Sapouna-Sakellaraki, E. (1991). Archanes. Athens: Ekdotike Athenon S. A.Google Scholar

Sargnon, O. (1987). Les Bijoux Préhelléniques. Paris: Institut francais d’archeologie du Proche-Orient - Librairie orientaliste P. Geuthner.Google Scholar

Sarpaki, A. (2000). Plants chosen to be depicted on Theran wall paintngs: Tentative interpretations. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 657–680.Google Scholar

Savignoni, L. (1904). Scavi e scoperte nella necropoli di Phaestos. Monumenti Antichi, XIV, 503–675.Google Scholar

Schiering, W. (1992) Elements of landscape in Minoan and Mycenaeean art. In Laffineur, R., & Crowley, J. L., eds., Aegean Bronze Age Iconography: Shaping a Methodology. Aegeum 8. Liège: Annales d’archéologie égéenne de l’Université de Liège, 317–324.Google Scholar

Schmitz-Pillmann, P. (2006). Landschaftselemente in der minoisch-mykenischen Wandmalerei. Berlin: Willmuth Arenhövel Verlag.Google Scholar

Seager, R. B. (1912). Explorations in the Island of Mochlos. New York: American School of Classical Studies at Athens.Google Scholar

Shaw, M. C. (1993). The Aegean Garden. American Journal of Arhcaeology, 97, 661–685.Google Scholar

Shaw, M. C. (1997). Aegean sponsors and artists: Reflections on their roles in the patterns of distribution of themes and representational conventions in the murals. In Laffineur, R., & Betancourt, P. P.. eds., Texnh. Craftsmen, Craftswomen and Craftsmanship in the Aegean Bronze Age. Aegaeum 16. 481–504.Google Scholar

Sherratt, S. (ed.) (2000). The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation.Google Scholar

Siebenmorgen, H. (ed) (2000). Im Labyrinth des Minos. Kreta – Die erste europäische Hochkultur. München: Biering & Brinkmann.Google Scholar

Simandiraki-Grimshaw, A. (2010). Minoan animal-human hybridity. In Counts, D. B., & Arnold, B., eds., The Master of Animals in Old World Iconography. Budapest: Archaeolingua Foundation, 93–106Google Scholar

Spier, J., Potts, T., & Cole, S. E. (2018). Beyond the Nile: Egypt and the Classical World. Los Angeles: J. Paul Getty Museum.Google Scholar

Strasser, T. (1997). The blue monkeys of the Aegean and their implications for Bronze Age trade. American Journal of Archaeology, 101, 348.Google Scholar

Tamvaki, A. (1985). Minoan and Mycenaean elements in the iconography of the Pylos sealings. In Darcque, P., & Poursat, J.-C., eds., L’Iconographie Minoenne. Actes de la Table Ronde d’Athènes, 21–22 avril 1983. Athens, BCH Suppl. 11, 267–292.Google Scholar

Televantou, C. (1992). Theran wall-painting: Artistic tendencies and painters. In Laffineur, R., & Crowley, J. L., eds., Aegean Bronze Age Iconography: Shaping a Methodology. Aegeum 8. Liège: Annales d’archéologie égéenne de l Université de Liège, 145–161.Google Scholar

Televantou, C. (2009). The wall-painting of the monkeys. In Doumas, C., Marthari, M., & Televantou, C., eds., Museum of Prehistoric Thera. Brief Guide. Athens: Hellenic Ministry of Culture-Archaeological Society of Athens, 72–75.Google Scholar

Thomas, C., & Wedde, M. (2001). Desperately seeking Potnia. In Laffineur, R., & Hägg, R., eds., Potnia: Deities and Religion in the Aegean Bronze Age. Aegeum 2. Liège: Annales d archéologie égéenne de l Université de Liège, 3–14.Google Scholar

Thorpe-Scholes, K. (1978). Akrotiri: Genesis, life and death. In Doumas, C., ed., Thera and the Aegean World I. London: The Thera Foundation, 437–447.Google Scholar

Trantalidou, K. (1990) Animals and human diet in the prehistoric Aegean. In Hardy, D. A., Keller, J., Galanopoulos, V. P., Flemming, N. C., & Druitt, T. H., eds., Thera and the Aegean World III. Volume Two: Earth Sciences. London: The Thera Foundation, 285–308.Google Scholar

Trantalidou, K. (2000). Animal bones and animal representations at Late Bronze Age Akrotiri. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 709–735.Google Scholar

True, M. (2000). The role of formal decorative patterns in the wall paintings of Thera. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 345–358.Google Scholar

Tyree, L. (2001). Diachronic changes in Minoan cave cult. In Laffineur, R., & Hägg, R., eds., Potnia: Deities and Religion in the Aegean Bronze Age. Aegeum 2. Liège: Annales d’archéologie égéenne de l’Université de Liège, 39–50.Google Scholar

Urbani, B., & Youlatos, D. (2012). Aegean monkeys: From a comprehensive view to a re-interpretation. Proceedings of the 12th International Congress on the Zoogeography and Ecology of Greece and Adjacent Regions, 160.Google Scholar

Urbani, B., & Youlatos, D. (2020a). A new look at the Minoan ‘blue’ monkeys. Antiquity, 94(374), e9.Google Scholar

Urbani, B., & Youlatos, D. (2020b). Occam’s razor, archeoprimatology, and the ‘blue’ monkeys of Thera: A reply to Pareja et al. (2020). Primates, 61, 757–765.Google Scholar

Urbani, B., Youlatos, D., & Binnberg, J. (2021). Galilei’s mutter, archeoprimatology, and the ‘blue’ monkeys of Thera: a comment on Pruetz and Greenlaw. Primates, 62, 879–886.Google Scholar

Vandervondelen, M. (1994). Singes accroupis: étude de quelques statuettes de la période prépalatiale crétoise. Studia varia Bruxellensia, 3, 175–183.Google Scholar

Vandier d’Abbadie, J. (1964). Les singes familiers dans l’ancienne Egypte (Peintures et bas reliefs) I. L’ancien empire. Revue d’Egyptologie, 16, 147–177.Google Scholar

Vandier d’Abbadie, J. (1965) Les singes familiers dans l’ancienne Egypte (Peintures et bas reliefs) II. Le Moyen empire. Revue d’Egyptologie, 17, 177–188.Google Scholar

Vandier d’Abbadie, J. (1966) Les singes familiers dans l’ancienne Egypte (Peintures et bas reliefs) III. Le nouvel empire. Revue d’Egyptologie, 18, 143–201.Google Scholar

Vanschoonwinkel, J. (1990) Animal representations in Theran and other Aegean arts. In Hardy, D. A., Doumas, C. G., Sakellarakis, J. A., & Warren, P. M., eds., Thera and the Aegean World III. Volume One: Archaeology. London: The Thera Foundation, 327–347.Google Scholar

Vanschoonwinkel, J. (1996). Les Animaux dans l’art minoen. In Reese, D. S., ed., The Pleistocene and Holocene fauna of Crete and its Settlers. Madison: Prehistory Press, 351–412.Google Scholar

Vlachopoulos, A. (2000). The red motif in the Thera wall paintings and its association with Aegean pictorial art. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 631–656.Google Scholar

Vlachopoulos, A. (2007). Disiecta Membra: The wall paintings from the ‘Porter’s Lodge’ at Akrotiri. In Betancourt, P. P., Nelson, M. C., & Williams, H., eds., Krinoi kai Limenes: Studies in Honor of Joseph and Maria Shaw. Philadelphia: NSTAP Academic Press, 131–138.Google Scholar

Vlachopoulos, A. (2008). The wall paintings from the Xeste 3 building at Akrotiri, Thera. Towards an interpretation of its iconographic programme. In Brodie, N., Doole, J., Gavalas, G., & Renfrew, C., eds., Horizon. A Colloquium on the Prehistory of the Cyclades. Cambridge: McDonald Institute for Achaeological Research, 451–461.Google Scholar

Vlachopoulos, A., & Sotiropoulou, S. (2012). The blue colour on the Akrotiri wall-paintings: from the palette of the Theran painter to the laboratory analysis. Talanta, 44, 245–272.Google Scholar

Walberg, G. (1992). Minoan floral iconography. In Laffineur, R., & Crowley, J. L., eds., Aegean Bronze Age Iconography: Shaping a Methodology. Aegeum 8. Liège: Annales d’archéologie égéenne de l’Université de Liège, 241–246.Google Scholar

Warburton, D. (2014). Ancient color categories. In Ronnier, L., ed., Encyclopedia of Color Science and Technology. New York: Springer.Google Scholar

Warren, P. M. (1995). Minoan Crete and Pharaonic Egypt. In Davies, W. V., & Schofield, L., eds., Egypt, the Aegean and the Levant: Interconnections in the Second Millennium BC. London: British Museum Press, 1–18.Google Scholar

Warren, P. M. (2000). From naturalism to essentialism in Theran and Minoan art. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 364–380.Google Scholar

Wesołowska, M. (2017). Human life hidden in the symbol of a flower. Between the Minoan world and Egypt. Papers in Aegean Archaeology (Sympozjum Egejskie), 1, 79–83.Google Scholar

Wikinson, J. G. (1878). Manners and Customs of the Ancient Egyptians. Vol. I. New York: Dodd, Mead and Company.Google Scholar

Winter, I. J. (2000). Thera painting and the ancient Near East: the private and public domains of wall decoration. In Sherratt, S., ed., The Wall Paintings of Thera, Vol. II: Proceedings of the First International Symposium, August 30–4 September 1997. Athens: Petros M. Nomikos Centre-Thera Foundation, 745–761.Google Scholar

Wolfson, E. G. (2018). Pictorial representations of monkeys and simianesque creatures in Greek Art. PhD dissertation, University of Missouri.Google Scholar

Xanthoudides, S. (1924). The Vaulted Tombs of Mesara. An Account of Some Early Cementeries of Southern Greece. London: University Press of Liverpool and Hodder & Stoughton.Google Scholar

Xénaki-Sakellariou, A. (1958). Les cachets minoens de la collection Giamalakis. École francaise d’Athènes. Études Crétoises Tome X. Paris: Librairie orientaliste P. Geuthner.Google Scholar

Younger, J. (1989). Aegean Seals of the Late Bronze Age: Stylistic Groups. VII. Concordance. Kadmos, XXVIII, 101–136.Google Scholar

Younger, J. G. (1998). Music in the Aegean Bronze Age.Uppsala: Astrom Editions.Google Scholar

Zervos, C. (1956). L’art de la Crète néolithique et minoenne. Paris : Édition Cahier d’art.Google Scholar