Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INDEX TO THE ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- THE STONES OF VENICE
- AUTHOR'S PREFACE TO THE FIRST EDITION (1851)
- AUTHOR'S PREFACE TO THE THIRD EDITION (1874)
- AUTHOR'S PREFACE TO THE TRAVELLERS' EDITION (1879)
- CHAP. I THE QUARRY
- CHAP. II THE VIRTUES OF ARCHITECTURE
- CHAP. III THE SIX DIVISIONS OF ARCHITECTURE
- CHAP. IV THE WALL BASE
- CHAP. V THE WALL VEIL
- CHAP. VI THE WALL CORNICE
- CHAP. VII THE PIER BASE
- CHAP. VIII THE SHAFT
- CHAP. IX THE CAPITAL
- CHAP. X THE ARCH LINE
- CHAP. XI THE ARCH MASONRY
- CHAP. XII THE ARCH LOAD
- CHAP. XIII THE ROOF
- CHAP. XIV THE ROOF CORNICE
- CHAP. XV THE BUTTRESS
- CHAP. XVI FORM OF APERTURE
- CHAP. XVII FILLING OF APERTURE
- CHAP. XVIII PROTECTION OF APERTURE
- CHAP. XIX SUPERIMPOSITION
- CHAP. XX THE MATERIAL OF ORNAMENT
- CHAP. XXI TREATMENT OF ORNAMENT
- CHAP. XXII THE ANGLE
- CHAP. XXIII THE EDGE AND FILLET
- CHAP. XXIV THE ROLL AND RECESS
- CHAP. XXV THE BASE
- CHAP. XXVI THE WALL VEIL AND SHAFT
- CHAP. XXVII THE CORNICE AND CAPITAL
- CHAP. XXVIII THE ARCHIVOLT AND APERTURE
- CHAP. XXIX THE ROOF
- CHAP. XXX THE VESTIBULE
- AUTHOR'S APPENDIX
- Plate section
CHAP. VII - THE PIER BASE
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INDEX TO THE ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- THE STONES OF VENICE
- AUTHOR'S PREFACE TO THE FIRST EDITION (1851)
- AUTHOR'S PREFACE TO THE THIRD EDITION (1874)
- AUTHOR'S PREFACE TO THE TRAVELLERS' EDITION (1879)
- CHAP. I THE QUARRY
- CHAP. II THE VIRTUES OF ARCHITECTURE
- CHAP. III THE SIX DIVISIONS OF ARCHITECTURE
- CHAP. IV THE WALL BASE
- CHAP. V THE WALL VEIL
- CHAP. VI THE WALL CORNICE
- CHAP. VII THE PIER BASE
- CHAP. VIII THE SHAFT
- CHAP. IX THE CAPITAL
- CHAP. X THE ARCH LINE
- CHAP. XI THE ARCH MASONRY
- CHAP. XII THE ARCH LOAD
- CHAP. XIII THE ROOF
- CHAP. XIV THE ROOF CORNICE
- CHAP. XV THE BUTTRESS
- CHAP. XVI FORM OF APERTURE
- CHAP. XVII FILLING OF APERTURE
- CHAP. XVIII PROTECTION OF APERTURE
- CHAP. XIX SUPERIMPOSITION
- CHAP. XX THE MATERIAL OF ORNAMENT
- CHAP. XXI TREATMENT OF ORNAMENT
- CHAP. XXII THE ANGLE
- CHAP. XXIII THE EDGE AND FILLET
- CHAP. XXIV THE ROLL AND RECESS
- CHAP. XXV THE BASE
- CHAP. XXVI THE WALL VEIL AND SHAFT
- CHAP. XXVII THE CORNICE AND CAPITAL
- CHAP. XXVIII THE ARCHIVOLT AND APERTURE
- CHAP. XXIX THE ROOF
- CHAP. XXX THE VESTIBULE
- AUTHOR'S APPENDIX
- Plate section
Summary
§ 1. In § 3 of Chap. III., it was stated that when a wall had to sustain an addition of vertical pressure, it was first fitted to sustain it by some addition to its own thickness; but if the pressure became very great, by being gathered up into Piers.
I must first make the reader understand what I mean by a wall's being gathered up. Take a piece of tolerably thick drawing-paper, or thin Bristol board, five or six inches square. Set it on its edge on the table, and put a small octavo book on the edge or top of it, and it will bend instantly. Tear it into four strips all across, and roll up each strip tightly. Set these rolls on end on the table, and they will carry the small octavo perfectly well. Now the thickness or substance of the paper employed to carry the weight is exactly the same as it was before, only it is differently arranged, that is to say, “gathered up.” If, therefore, a wall be gathered up like the Bristol board, it will bear greater weight than it would if it remained a wall veil. The sticks into which you gather it are called Piers. A pier is a coagulated wall.
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- Information
- The Works of John Ruskin , pp. 99 - 112Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903