Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. V.
- PREFACE
- PART VI “OF LEAF BEAUTY”
- PART VII “OF CLOUD BEAUTY”
- CHAP. I THE CLOUD-BALANCINGS
- CHAP. II THE CLOUD-FLOCKS
- CHAP. III THE CLOUD-CHARIOTS
- CHAP. IV THE ANGEL OF THE SEA
- PART VIII “OF IDEAS OF RELATION:—FIRST, OF INVENTION FORMAL”
- PART IX “OF IDEAS OF RELATION:—SECOND, OF INVENTION SPIRITUAL”
- EPILOGUE (1888)
- APPENDIX
- Plate section
CHAP. II - THE CLOUD-FLOCKS
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. V.
- PREFACE
- PART VI “OF LEAF BEAUTY”
- PART VII “OF CLOUD BEAUTY”
- CHAP. I THE CLOUD-BALANCINGS
- CHAP. II THE CLOUD-FLOCKS
- CHAP. III THE CLOUD-CHARIOTS
- CHAP. IV THE ANGEL OF THE SEA
- PART VIII “OF IDEAS OF RELATION:—FIRST, OF INVENTION FORMAL”
- PART IX “OF IDEAS OF RELATION:—SECOND, OF INVENTION SPIRITUAL”
- EPILOGUE (1888)
- APPENDIX
- Plate section
Summary
§ 1. From the tenor of the foregoing chapter, the reader will, I hope, be prepared to find me, though dogmatic (it is said) upon some occasions, anything rather than dogmatic respecting clouds. I will assume nothing concerning them, beyond the simple fact, that as a floating sediment forms in a saturated liquid, vapour forms in the body of the air; and all that I want the reader to be clear about, in the outset, is that this vapour floats in and with the wind (as, if you throw any thick colouring-matter into a river, it floats with the stream), and that it is not blown before a denser volume of the wind, as a fleece of wool would be.
§ 2. At whatever height they form, clouds may be broadly considered as of two species only, massive and striated. I cannot find a better word than massive, though it is not a good one, for I mean it only to signify a fleecy arrangement in which no lines are visible. The fleece may be so bright as to look like flying thistle-down, or so diffused as to show no visible outline at all. Still if it is all of one common texture, like a handful of wool, or a wreath of smoke, I call it massive.
On the other hand, if divided by parallel lines, so as to look more or less like spun-glass, I call it striated.
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- The Works of John Ruskin , pp. 144 - 161Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903