EXHIBITION OF THE ROYAL ACADEMY

As year by year, in the Royal Academy, the principles established by the Pre-Raphaelites are more frankly accepted, and more patiently put in practice, I observe that, notwithstanding all the substantial advantage derived from them, two results must necessarily follow, involving some disappointment to the public and great mortification to the artist. I see that we shall have more wayside nooks, corners of green fields, pools of watercress streams, and the like, than can, in the aggregate, contribute much to the amusement of the restless and over-excited crowd of London spectators; and I see also that there will be so high an average of perseverance and care brought to bear on every subject, that both will pass unnoticed unless recommended by more brilliant qualities; and painters who flattered themselves that the devotion of a year's honest labour could not but make their pictures conspicuous, and their names illustrious, will find, with bitter disappointment, that patience and sincerity are no longer distinctive, and that industry will soon be less notable than sloth.

Respecting the approach of these inevitable calamities, it is only to be answered, to the complaint of the public, that we ought no more to weary of green lanes in Trafalgar Square than we do in Devonshire or Kent; and, to the disappointment of the artist, that although distinction cannot be, and should not be, conferred by the practice of any particular style, honesty of aim will always make his labour useful and his life happy.