Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- A Note on Romanization
- 1 Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
- 2 The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
- 3 The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
- 4 A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
- 5 The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
- 6 The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
- 7 Oppositional Optics: The View from Hong Kong
- 8 From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
- 9 Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
- 10 Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
- Bilingual Filmography
- Bibliography
- Index
3 - The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
Published online by Cambridge University Press: 21 February 2024
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- A Note on Romanization
- 1 Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
- 2 The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
- 3 The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
- 4 A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
- 5 The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
- 6 The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
- 7 Oppositional Optics: The View from Hong Kong
- 8 From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
- 9 Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
- 10 Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
- Bilingual Filmography
- Bibliography
- Index
Summary
Abstract: Men leer at women they find sexually desirable; but they glare disapprovingly at those same women for being seductive and, in their judgment, morally suspect. Particularly when leering men happen to be powerful members of the establishment, wealthy businessmen or government functionaries, the glare of state surveillance adds an extra dimension to the ways in which women fall victim to male censure. This glare extends to the female whistleblowers and activists in Nanfu Wang’s documentary Hooligan Sparrow (2016) and Vivian Qu’s fiction feature Angels Wear White (2017). Directors Nanfu Wang and Vivian Qu use their cameras to expose the system that works against activists’ attempts to improve the lives of victims of male sexual violence.
Keywords: One Child Policy; feminist activism; child rape; first person; panopticon; Marilyn Monroe
Considerable male anxiety surrounds female bodies as sites of reproductive potential and sights of erotic allure. Women’s drives for self-determination and independent action can run counter to men’s sexual desires and the state’s authority to regulate gender and sexuality through laws governing inheritance, marriage, childbearing, and the custody of minors. In post-Mao China, sex meets the state in specific ways that reverberate throughout the society. With the revival of Confucian values and private property, inheritance and ownership of real estate take on added importance as the PRC reverts to traditional preferences for male heirs. As the neoliberal state retreats from guaranteed elder and childcare, domestic responsibilities fall increasingly on women with the expectation that sons will marry suitable brides to produce heirs and take care of aging in-laws. These expectations come up against the consequences of the One Child Policy (1980–2016), which has led to pressures to abort or abandon girls in favor of sons, while placing a premium on women of childbearing age in increasingly short supply. As state-sponsored employment in urban factories and rural communes shrank at the same time, the informal economy grew to accommodate displaced workers. Deng Xiaoping “let some get rich first” as part of his Reform Era policies, and a portion of this disposable income went into prostitution, gambling, narcotics, and other illicit pursuits. Human trafficking of women and girls increased to fill the sexual and reproductive void for Chinese men.
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- Publisher: Amsterdam University PressPrint publication year: 2023