Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- A Note on Romanization
- 1 Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
- 2 The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
- 3 The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
- 4 A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
- 5 The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
- 6 The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
- 7 Oppositional Optics: The View from Hong Kong
- 8 From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
- 9 Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
- 10 Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
- Bilingual Filmography
- Bibliography
- Index
8 - From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
Published online by Cambridge University Press: 21 February 2024
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- A Note on Romanization
- 1 Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
- 2 The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
- 3 The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
- 4 A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
- 5 The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
- 6 The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
- 7 Oppositional Optics: The View from Hong Kong
- 8 From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
- 9 Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
- 10 Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
- Bilingual Filmography
- Bibliography
- Index
Summary
Abstract: The oppositional gaze informs the practice of women documentarists working across transnational China and the Chinese diaspora. Made in the wake of Taiwan’s Sunflower Movement, Fu Yue’s Our Youth in Taiwan (2018) reflects on the political development of its female director as she engages with the subjects of her documentary. Tan Pin Pin’s To Singapore, with Love (2013) focuses on exiles from Singapore who ran afoul of the ruling People’s Action Party (PAP). Bringing together Our Youth in Taiwan and To Singapore, with Love highlights these filmmakers’ use of the oppositional gaze to reflect on youth, gender, and the historical archive. Both films reference the past archive to make sense of government actions and citizens’ reactions in the present.
Keywords: Archive fever; Tian’anmen Square; June Fourth; Sunflower Movement; epistolary; accented cinema
The year 2014 witnessed waves of protests across the Chinese-speaking world. In addition to Hong Kong’s Umbrella Movement, labor actions and land disputes in mainland China as well as the Sunflower Movement in Taiwan testify to overlapping concerns for economic justice, democratic reforms, and autonomy from the authorities in Beijing. Just as Outcry and Whisper connects Guangdong and Hong Kong through feminism and labor activism, Our Youth in Taiwan links the Umbrella and Sunflower Movements to student discontent in mainland China through its focus on youth. The climactic occupation of Taiwan’s Legislative Yuan in Taipei shown in Our Youth in Taiwan (2018) parallels the storming of Hong Kong’s Legislative Council (LegCo) in 2014 and the occupation of the chamber in 2019. The dramatic similarities of mass street protests, passionate student leaders, social media, and digital documentation link the Sunflower Movement to Hong Kong’s demonstrations.
Taiwan and Hong Kong share a history of colonialism, decades of separation from mainland China, and a continuing contentious relationship to Beijing authorities. Mainland Chinese calls for political change, particularly the spring 1989 protests in and around Tian’anmen Square, resonate across Hong Kong and Taiwan. The violent suppression of the Tian’anmen Square demonstrations on June 4, 1989, haunts activists across the Chinese-speaking world.
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- Publisher: Amsterdam University PressPrint publication year: 2023