Published online by Cambridge University Press: 14 February 2024
Abstract: The optics employed in this study are reviewed, including historical information about the groups discussed, the documents associated with them, the contemporary activities and reminiscences of Pasquier, and the literary activities of women writers such as Marie de Romieu, Isabella Andreini, and Marie de Beaulieu, who crafted works to entertain the proto-salonniéres of the sixteenth century. The social gatherings and entertainments of sixteenth-century French noble and royal women reveal women's cultural leadership and influence on ludic literary society long before the famous salonniéres of the seventeenth century were circumscribed as a unique phenomenon. Ultimately, enduring elements of sixteenth-century société mondaine that arise in the seventeenth century illustrate the ways that theorists of play have argued that play and culture are productively intertwined.
Keywords: Estienne Pasquier, Isabella Andreini, Marie de Romieu, Marie de Beaulieu, salonnières
With the rise of ‘salons’ at the end of the sixteenth century, a tradition of homage to women was established [that] would become appropriate for court culture. … The role played by Marguerite at the court of Nerac at the end of the 1570s announces the authority that women exercised in matters of language and literature during the first half of the seventeenth century.
— Colette Winn and François RougetWhile it is true that the famous ‘chambre bleue’ of Arthénice exerted a powerful influence upon French society, and indirectly upon the society of the rest of Europe, it is a significant fact that the Marquise herself was, through her mother, of Italian descent, and flourished precisely at the time when Italy still exerted a great influence on France.
— Thomas F. CraneAs we have seen, largely women-led circles in sixteenth-century France may be said to presage those of seventeenth century in many ways. Colette Winn and François Rouget assert that this occurrence may be directly linked to Marguerite de Valois's activities at Nérac (see the first epigraph). I have endeavored in this study to illustrate several of the groups and elements of the societé mondaine under the influence of the last Valois, with their particular Franco-Italian tastes, that foreshadow those popular in seventeenth-century salon society.
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