Chapter 4 examines the development of a documentary poetics in wartime Venice through three literary genres: prose fiction, poetry, and epideictic oratory. The war inspired a vast outpouring of patriotic and Islamophobic literature that reproduced the fact-oriented discourse of military expansion within a public sphere shaped less by reason than by imagination, emotion, and colonial desire. Viewing the literary field as part of a broader process of opinion formation, the chapter traces the links between political power and different sites of literary activity – the academies, the University of Padua, religious institutions, and the book market. It also shows how poets and writers appropriated military and colonial forms of documentation to mobilise support for the war and popularise images of a mighty imperial republic, destined by God to rule the Orient.