This final chapter explores the aesthetics and materiality of stone, water and air. Theories of assemblage, non-human agency and differential time show how innovative was Scott’s approach to the relationships between people and the environments in which they live. Time frames are a key theme throughout the book: here, Jeffrey Cohen’s theory of lithic (stone) time, Rob Nixon’s account of the ‘slow time’ of many forms of environmental violence and Donna Haraway’s investigation into how animals over time became ‘companion’ species raise questions about permanence, solidity, transformation and modes of perception. Weather, seascapes and night skies are explored. Case studies compare Scott’s poetry and fiction with writing from American transcendentalism. Geographically, the chapter ranges from Scotland’s Borders, the Solway Firth, Shetland Isles and deeper Atlantic Ocean towards Iceland and Greenland. The chapter ends with episodes from Redgauntlet and Guy Mannering that look to the night sky, space and the stars.