Book contents
- Wagner in Context
- Composers in Context
- Wagner in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- I Place
- II People
- Chapter 9 Franz Liszt
- Chapter 10 Nietzsche and Wagner: The Logic of Contradiction
- Chapter 11 Wagner, Schopenhauer, and the World as a Phantasmagoria
- Chapter 12 Assessing Wilhelmine Schröder-Devrient: Influence, Genre, and Voice
- Chapter 13 Cosima Wagner
- Chapter 14 The Wagner Family: Rebellion, Honour, Aftermath
- III Politics, Ideas, and Bodies
- IV Life, Language, and the Ancient World
- V Music and Performance
- VI Reception
- Further Reading
- Select Bibliography
- Index
Chapter 9 - Franz Liszt
from II - People
Published online by Cambridge University Press: 14 March 2024
- Wagner in Context
- Composers in Context
- Wagner in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- I Place
- II People
- Chapter 9 Franz Liszt
- Chapter 10 Nietzsche and Wagner: The Logic of Contradiction
- Chapter 11 Wagner, Schopenhauer, and the World as a Phantasmagoria
- Chapter 12 Assessing Wilhelmine Schröder-Devrient: Influence, Genre, and Voice
- Chapter 13 Cosima Wagner
- Chapter 14 The Wagner Family: Rebellion, Honour, Aftermath
- III Politics, Ideas, and Bodies
- IV Life, Language, and the Ancient World
- V Music and Performance
- VI Reception
- Further Reading
- Select Bibliography
- Index
Summary
The complex relationship between Wagner and Liszt has been much caricatured. Liszt is usually perceived as long-suffering, patient, and generous in his support, while Wagner appears self-serving and ruthless. This chapter unravels how their relationship was shaped by contemporary economic, political, and, artistic forces. In doing so, it observes the contrasting ways Liszt and Wagner attempted to reconcile revolutionary republican sympathies with their desire for royal patronage. It examines the advice and practical support Liszt provided Wagner through his position as Kapellmeister at the Weimar Court Theatre, Liszt’s ambitions to position his relationship with Wagner as equivalent to Goethe and Schiller within a new artistic ‘golden age’ in Weimar, and their differing responses to contemporary aesthetic debates. It highlights similarities and differences in their ideas about the future of music, the relationship between music and drama and its implications for musical form, and their compositional approaches.
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- Wagner in Context , pp. 95 - 103Publisher: Cambridge University PressPrint publication year: 2024