Over the past twenty years, as W.G. Sebald’s influence and prestige has grown, the Sebaldian has grown beyond a descriptor for traits evocative of Sebald’s works to a bona fide genre, with dozens of representatives in several continents, including Carlos Fonseca, Daša Drndić, and Maria Setapnova. Aspects of the Sebaldian include embedded photography, spurious photographs, and incorporation of archival matter.