Book contents
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Part IV Reception and Legacy
- Chapter 31 Sebald Scholarship
- Chapter 32 Sebald in Translation
- Chapter 33 The Sebaldian
- Chapter 34 Film
- Chapter 35 Pop Music
- Chapter 36 Literary Prizes
- Chapter 37 Visual Arts and Exhibitions
- Chapter 38 The Cult of Sebald
- Further Reading
- Index
Chapter 35 - Pop Music
from Part IV - Reception and Legacy
Published online by Cambridge University Press: 24 August 2023
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Part IV Reception and Legacy
- Chapter 31 Sebald Scholarship
- Chapter 32 Sebald in Translation
- Chapter 33 The Sebaldian
- Chapter 34 Film
- Chapter 35 Pop Music
- Chapter 36 Literary Prizes
- Chapter 37 Visual Arts and Exhibitions
- Chapter 38 The Cult of Sebald
- Further Reading
- Index
Summary
The essay first focusses on the role of music Sebald’s writings in general. It explores the influence of music on his critical and literary writings in terms of style and thematic considerations. The focus of the essay is on pop music, discussing the connections between music and key themes such as memory and trauma. Next, the essay analyses Sebald’s impact on pop music and popular culture. His books, especially The Rings of Saturn, inspired many musical artists working in Avantgarde contexts (e.g. The Caretaker, Mabe Fratti, Christoph Heemann) and influenced many pop musicians who often are writers, too (e.g. Nick Cave, Patti Smith, David Byrne, Dirk von Lowtzow). These connections leads to a closer consideration of the similarities between Sebald’s literary techniques and the format of the pop music album.
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- W. G. Sebald in Context , pp. 312 - 321Publisher: Cambridge University PressPrint publication year: 2023