Book contents
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Chapter 8 Unpublished Juvenilia
- Chapter 9 Film Scripts
- Chapter 10 The Prose Project
- Chapter 11 Auto-/Biography
- Chapter 12 Natural History and the Anthropocene
- Chapter 13 The Corsica Project
- Chapter 14 Poetry
- Chapter 15 The World War Project
- Chapter 16 Interviews
- Part III Themes and Influences
- Part IV Reception and Legacy
- Further Reading
- Index
Chapter 16 - Interviews
from Part II - The Literary Works
Published online by Cambridge University Press: 24 August 2023
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Chapter 8 Unpublished Juvenilia
- Chapter 9 Film Scripts
- Chapter 10 The Prose Project
- Chapter 11 Auto-/Biography
- Chapter 12 Natural History and the Anthropocene
- Chapter 13 The Corsica Project
- Chapter 14 Poetry
- Chapter 15 The World War Project
- Chapter 16 Interviews
- Part III Themes and Influences
- Part IV Reception and Legacy
- Further Reading
- Index
Summary
Although the cliché of the melancholic loner often determined his public perception, W.G. Sebald was an author who frequently engaged in conversation. From 1990 onwards, the start of his literary career, he willingly gave over 80 interviews for television, radio, magazines and newspapers in both German and English. In these interviews, Sebald talked about his own writing more openly and in greater detail than anywhere else, yet at the same time he toyed with the fusion of fact and fiction in his decidedly autofictional literature. The interviews also provide Sebald with an opportunity to install a certain authorial image of himself, though at the same time he often attempted to defend himself against misperceptions, such as the classification as a Holocaust author. Last but not least, the interviews show Sebald as an author who - which is by no means the rule in interviews with writers - repeatedly questions and ironizes himself.
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- Information
- W. G. Sebald in Context , pp. 135 - 144Publisher: Cambridge University PressPrint publication year: 2023