Viennese social dance culture was central to the court-sponsored festivities at the Congress of Vienna (1814–15). Traditionally, the dazzling balls of the final months of 1814 have been viewed as belonging to a festive culture that merely formed a backdrop to the serious political negotiations of Congress delegates. However, Congress balls also aligned with the political aims of the Congress organisers in ways that have not yet been fully appreciated. The Habsburg court drew from established traditions in Viennese public ball culture by using dance to shape the interactions between the allied sovereigns and public in the mixed-class environment of the ballroom, particularly in the ceremonial polonaise and the equestrian figure dances at the medieval Carousel. In doing so, the Habsburg court effectively blending traditional monarchical representation with the public domain of the ballroom. Social dance was not merely a distraction from its wider political aims of the Congress; rather, it proved a particularly effective means of bringing politics to the heart of social life