This epilogue offers a concluding excursus, and looks back at a few key themes established in the collection of essays in Victorian Engagements with the Bible and Antiquity. Its aim is to tease out some further points for discussion concerning what could be described as a Janus-faced tendency within Victorian self-identity – a looking back to the religious and classical past, in the very process of charging forward. This excursus will introduce the conceptual vocabulary of simultaneity and of cultural forgetting, used respectively by Benedict Anderson and Paul Connerton, to facilitate some further reflection on Victorian experiences of time and temporality. It will contend that Victorian cultural engagements with the Bible and antiquity were always mediated via distinctly modern ways of knowing. If the book as a whole details a series of critical engagements with biblical and classical pasts through the long nineteenth century, then in this epilogue, an opportunity arises for analysing the very conditions – the material and epistemological frameworks – which shaped such engagements.