Although nowadays Vaughan Williams is sometimes associated in popular writing with a Romantic musical style, broadly conceived, this is a view that few of his contemporaries would have recognized. Indeed, his own understanding of the term suggests that he saw himself marking a break with the earlier, largely Germanic Romantic tradition that culminated in Wagner and Strauss.  Nevertheless, several important aspects of his musical and aesthetic views form strong continuity with earlier Romantic thought. These include viewing music as (1) self-expression; (2) the expression of a community; and (3) a revelation or intimation of the beyond.  The tension between these three, partially antithetical, conceptions of music informs his creative output in often productive ways that are teased out over the course of this chapter.