In The Great Derangement: Climate Change and the Unthinkable, Amitav Ghosh suggests that literary fiction has difficulty representing the Anthropocene, the epoch of irreversible human impacts on the planet, because the Anthropocene “consists of phenomena that were long ago expelled from the territory of the novel – forces of unthinkable magnitude that create unbearably intimate connections over vast gaps in time and space.” This chapter investigates how poets from Ireland have been making the Anthropocene imaginable over the past two decades by rendering “unbearably intimate connections” in lyric forms. Reading Moya Cannon alongside Doireann Ní Ghríofa and Sinéad Morrissey, the chapter spotlights poems in both English and Irish that look beyond Ireland – to Africa, the Americas, Aotearoa New Zealand, and the Arctic – to arrive at a recognition not just of the human-centered globe, but of the Earth system or planet. These contemporary poets’ work makes visible how language and technology, including writing, mediate human efforts to represent the climate crisis. Their poems challenge us to develop a mode of reading that emerges from the interface of the global with the planetary.