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Published online by Cambridge University Press: 23 September 2022
This chapter is a personal account of George Craig’s formation and experience as a translator, predominantly of Christiane Olivier and Samuel Beckett. Craig makes a case for a translator’s sensitivity to voice and tone, with the full aural dimension implied by these terms. In a time when talking about translation as collaboration is highly fashionable, Craig’s final essay before his passing in 2019 reminds us that translation can also be a solitary and highly singular activity that begins in the ear.
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