Camus takes a Woolfian message of human limitation and solidarity – not domination and hierarchy – from his vision of nature and from his reading of Greek tragedy. Camus argues that modern European history “has put on the mask of destiny”; this history behaves as the divine or natural fatality that it claimed to supersede. Grounded in Camus’s writing on the Greeks and tragedy in his lectures, interviews, essays, and infamous dispute with Jean-Paul Sartre, this chapter explores Camus’s ethics of tragedy. Camus's ethical paradigm – cognizance of injurious power accompanied by lucid revolt – is on offer in The Plague, the lyrical short story “The Adulterous Wife,” and his unfinished novel The First Man. Finally, this chapter argues for Camus’s fierce indictment of genocidal politics in The Stranger and The Fall.