In the Introduction I set out the argument of the book by drawing on Aristotle’s Poetics and The Nicomachean Ethics as well as on Frantz Fanon’s Black Skin, White Masks, to establish the central concepts by which I define the subject of postcolonial tragedy. Key operative concepts that I will incrementally expand upon in the course of the book are introduced in this chapter. These include: tragedy itself, postcolonialism, colonial interpellation, suffering, systematic delirium, postcolonial edginess and precarity, giving an account of oneself, the Akan concept of musuo, causal plausibility, suffering, unruly affective economies, and ethical choice. I also lay out very briefly what I will be doing subsequently in the individual chapters. Thus, I provide minimal synopses of chapters on Shakespeare’s Othello, Chinua Achebe’s Things Fall Apart and Arrow of God, Wole Soyinka’s Death and the King’s Horseman and The Road, Tayeb Salih’s Season of Migration to the North, Toni Morrison’s Beloved, J. M. Coetzee’s Waiting for the Barbarians, and Samuel Beckett’s Murphy.