Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-13T00:49:44.135Z Has data issue: false hasContentIssue false

Reading List

Published online by Cambridge University Press:  16 August 2019

Michael Hattaway
Affiliation:
University of Sheffield
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alexander, Peter. Shakespeare’s Henry VI and Richard III, 1929Google Scholar
Baldwin, T. W. Shakspere’s ‘Small Latine & Lesse Greeke’, 2 vols., 1944Google Scholar
Berman, Ronald S.Fathers and sons in the Henry VI plays’, SQ 13 (1962), 487–97Google Scholar
Berry, Edward. ‘Twentieth-century Shakespeare criticism: the histories’ in Stanley, Wells (ed.), The Cambridge Companion to Shakespeare Studies, 1986, pp. 249–56Google Scholar
Berry, Edward Patterns of Decay: Shakespeare’s Early Histories, 1975Google Scholar
Blanpied, John W. Time and the Artist in Shakespeare’s English Histories, 1983Google Scholar
Boswell-Stone, W. G. Shakespeare’s Holinshed, the Chronicle and the Historical Plays Compared, 1896Google Scholar
Brockbank, J. P.The frame of disorder – Henry VI’, in Brown, J. R. and Harris, B. (eds.), Early Shakespeare, 1961Google Scholar
Brooke, Nicholas. ‘Marlowe as provocative agent in Shakespeare’s early plays’, S.Sur. 14 (1961), 3444CrossRefGoogle Scholar
Brownlow, F. W. Two Shakespearean Sequences, 1977CrossRefGoogle Scholar
Bullough, G. Narrative and Dramatic Sources of Shakespeare, III, 1960Google Scholar
Bulman, James C. The Heroic Idiom of Shakespearean Tragedy, 1985Google Scholar
Bulman, James C.Shakespeare’s Georgic histories’, S.Sur. 38 (1985), 3747Google Scholar
Campbell, Lily B. Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy, 1947Google Scholar
Champion, L. Perspective in Shakespeare’s English Histories, 1980Google Scholar
Champion, L. The Noise of Threatening Drum: Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays, 1990Google Scholar
Clare, Janet. ‘“Greater themes for insurrection’s arguing”: political censorship of the Elizabethan and Jacobean stage’, RES 38 (1987), 169–83CrossRefGoogle Scholar
Clemen, Wolfgang.Some aspects of style in the Henry VI plays’, in Edwards, P., Ewbank, I.-S., Hunter, G. K. (eds.), Shakespeare’s Styles: Essays in Honour of Kenneth Muir, 1980, pp. 924Google Scholar
Colman, E. A. M. The Dramatic Use of Bawdy in Shakespeare, 1974Google Scholar
Cox, John D. Shakespeare and the Dramaturgy of Power, 1989CrossRefGoogle Scholar
Dean, P.Shakespeare’s Henry VI trilogy and Elizabethan “romance” histories: the origins of a genre’, SQ 33 (1982), 3448CrossRefGoogle Scholar
Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters, 1984CrossRefGoogle Scholar
Eccleshall, Robert. Order and Reason in Politics: Theories of Absolute and Limited Monarchy in Early Modern England, 1978Google Scholar
Edmond, Mary. ‘Pembroke’s Men’, RES 25 (1974), 129–36Google Scholar
Fleischer, Martha Hester. The Iconography of the English History Play, 1974Google Scholar
George, D.Shakespeare and Pembroke’s Men’, SQ 32 (1981), 305–23Google Scholar
Goy-Blanquet, D.Images de la monarchie dans le théâtre historique de Shakespeare’, in Konigson, E. (ed.), Les Voies de la création théâtrale, VIII: théâtre, histoire, modéles, 1980Google Scholar
Goy-Blanquet, D. Le Roi mis à nu: l’histoire d’Henri VI de Hall à Shakespeare, 1986Google Scholar
Griffiths, Ralph. The Reign of King Henry VI, 1981CrossRefGoogle Scholar
Hammond, A. C. The Early Shakespeare, 1967Google Scholar
Hattaway, Michael. Elizabethan Popular Theatre, 1982Google Scholar
Hawkins, Sherman. ‘Structural pattern in Shakespeare’s histories’, SP 88 (1991), 1645Google Scholar
Hinchcliffe, Judith. King Henry VI, Parts 1, 2, and 3, Garland Shakespeare Bibliographies, 1986Google Scholar
Hodgdon, B.Shakespeare’s directorial eye: a look at the early history plays’, in Homan, S. (ed.), Shakespeare’s ‘More than Words can Witness’, 1980, pp. 115–29Google Scholar
Holderness, G., Potter, N., and Turner, J. Shakespeare: The Play of History, 1988Google Scholar
Honigmann, E. A. J. Shakespeare: The ‘Lost Years’, 1985Google Scholar
Honigmann, E. A. J. Shakespeare’s Impact on his Contemporaries, 1982CrossRefGoogle Scholar
Hunter, G. K.Truth and art in history plays’, S.Sur. 42 (1990), 1524Google Scholar
Jackson, Sir Barry. ‘On producing Henry VI’, S.Sur. 6 (1953), 4952Google Scholar
Jones, Emrys. The Origins of Shakespeare, 1977Google Scholar
Jones, Emrys Scenic Form in Shakespeare, 1971Google Scholar
Kastan, David Scott. ‘Proud majesty made a subject: Shakespeare and the spectacle of rule’, SQ 37 (1986), 459–75Google Scholar
Kastan, David Scott Shakespeare and the Shapes of Time, 1982CrossRefGoogle Scholar
Kay, C. McG.Traps, slaughter, and chaos: a study of Shakespeare’s Henry VI plays’, Studies in the Literary Imagination 5 (1972), 126Google Scholar
Kelly, F. L.Oaths in Shakespeare’s Henry VI Plays’, SQ 24 (1973), 357–71Google Scholar
Kelly, H. A. Divine Providence in the England of Shakespeare’s Histories, 1970Google Scholar
Leggatt, Alexander. Shakespeare’s Political Drama, 1988Google Scholar
Long, J. H. Shakespeare’s Use of Music: The Histories and the Tragedies, 1971Google Scholar
McFarlane, K. B. England in the Fifteenth Century, 1982Google Scholar
McKerrow, R. B.A note on the “Bad Quartos” of 2 and 3 Henry VI’, RES 13 (1937), 6472CrossRefGoogle Scholar
McMillin, Scott. ‘Casting for Pembroke’s Men: the Henry VI Quartos and The Taming of A Shrew’, SQ 23 (1972), 141–59Google Scholar
Manheim, M. The Weak King Dilemma in the Shakespearean History Play, 1973Google Scholar
Pitt-Rivers, Julian. The Fate of Shechem, 1977, chap. 1, ‘The anthropology of honourGoogle Scholar
Rackin, Phyllis. Stages of History: Shakespeare’s English Chronicles, 1990CrossRefGoogle Scholar
Reese, M. M. The Cease of Majesty, 1961Google Scholar
Rhodes, E. L. Henslowe’s Rose: The Stage and Staging, 1976Google Scholar
Ribner, Irving. The English History Play in the Age of Shakespeare, revised edn, 1965Google Scholar
Riggs, D. Shakespeare’s Heroical Histories: Henry VI and its Literary Tradition, 1971CrossRefGoogle Scholar
Ross, Charles. Edward IV, 1974CrossRefGoogle Scholar
Saccio, Peter. Shakespeare’s English Kings: History, Chronicle, and Drama, 1977Google Scholar
Shepherd, Simon. Marlowe and the Politics of Elizabethan Theatre, 1986Google Scholar
Smidt, K. Unconformities in Shakespeare’s History Plays, 1982CrossRefGoogle Scholar
Sprague, A. C. Shakespeare’s Histories: Plays for the Stage, 1964Google Scholar
Talbert, E. W. Elizabethan Drama and Shakespeare’s Early Plays: An Essay in Historical Criticism, 1963Google Scholar
Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres, 1986Google Scholar
Thomas, K. V. Religion and the Decline of Magic, 1971Google Scholar
Tillyard, E. M. W. Shakespeare’s History Plays, 1944Google Scholar
Urkowitz, Steven. ‘Good news about “bad” quartos’, in Charney, M. (ed.), ‘Bad’ Shakespeare: Revaluations of the Shakespeare Canon, 1988Google Scholar
Vale, Malcolm. War and Chivalry: Warfare and Aristocratic Culture in England, France and Burgundy at the End of the Middle Ages, 1981Google Scholar
Warren, Roger. ‘“Contrarieties agree”: an aspect of dramatic technique in Henry VI’, S.Sur. 37 (1984), 7583Google Scholar
Watkins, Ronald. ‘The only Shake-Scene’, PQ 54 (1975), 4767Google Scholar
Wells, Stanley, and Taylor, Gary. William Shakespeare: A Textual Companion, 1987CrossRefGoogle Scholar
Wilders, John. The Lost Garden: A View of Shakespeare’s English and Roman History Plays, 1978CrossRefGoogle Scholar
Williams, Penry. The Tudor Regime, 1979Google Scholar
Williamson, Marilyn L.“When men are rul’d by women”: Shakespeare’s first tetralogy’, Shakespeare Studies 19 (1978), 4160Google Scholar
Winny, J. The Player King: A Theme of Shakespeare’s Histories, 1968Google Scholar
Yates, Frances A. Astraea: The Imperial Theme in the Sixteenth Century, 1975Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×