Book contents
- Theatrical Reenactment in Pindar and Aeschylus
- Cambridge Classical Studies
- Theatrical Reenactment in Pindar and Aeschylus
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Voices of Others Embedded Speech in Pindar and Aeschylus
- Chapter 2 Anachronistic Harmonies Agamemnon parodos, Pythian 4
- Chapter 3 Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes
- Chapter 4 Somatic Semblances Choephoroi, Olympian 8, Pythian 2
- Chapter 5 Locating the Revenant Pythian 8, Persians
- Conclusion
- References
- Index
Chapter 4 - Somatic Semblances Choephoroi, Olympian 8, Pythian 2
Published online by Cambridge University Press: 07 July 2019
- Theatrical Reenactment in Pindar and Aeschylus
- Cambridge Classical Studies
- Theatrical Reenactment in Pindar and Aeschylus
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Voices of Others Embedded Speech in Pindar and Aeschylus
- Chapter 2 Anachronistic Harmonies Agamemnon parodos, Pythian 4
- Chapter 3 Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes
- Chapter 4 Somatic Semblances Choephoroi, Olympian 8, Pythian 2
- Chapter 5 Locating the Revenant Pythian 8, Persians
- Conclusion
- References
- Index
Summary
This chapter examines how both Pindar and Aeschylus invoke snakes as an example of how bodies, no less than voices, are rendered multiform through the reenactment of choral performance.
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- Theatrical Reenactment in Pindar and Aeschylus , pp. 161 - 218Publisher: Cambridge University PressPrint publication year: 2019