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7 - The Day of Mourning/Pilgrim Progress in Plymouth, USA. Contesting processions: a report on performance, personification and empowerment

Published online by Cambridge University Press:  22 September 2009

Ricardo Villanueva
Affiliation:
Teaches Theatre and Ethnic Studies California State University, Sacramento
Richard Boon
Affiliation:
University of Leeds
Jane Plastow
Affiliation:
University of Leeds
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Summary

‘Plimoth Plantation – Where history repeats itself.’

Plymouth Township Website: http.//Pilgrims.net

22 November, 9.55 a.m., EST. Mayflower House, Plymouth Colony, New England: Twenty-nine pilgrims, survivors of their first harsh winter in America, were putting the finishing touches to their Sunday best. Shoe buckles were polished, starched aprons smoothed, muskets cleaned and oiled with puritanical zeal. Despite their festive apparel, the pilgrims’ faces were sombre. Outside some 300 Wampanoags and their allies awaited them. Their chants and drums sounded an aggressive, possibly hostile tattoo. Last-minute assurances were given and received by the whites. They could show no fear. At the hour, the pilgrims cautiously filed into the street. This was the Plymouth Pilgrim Progress Procession, 22 November, 1997.

Over the past thirty-four years in Plymouth, Massachusetts, contending forces have organised and performed contesting processions, grappling over the signification and legitimacy of America's origin myth: Thanksgiving. The contending performers – Mayflower descendants and their followers, and Native Americans from the tribes belonging to the United American Indians of New England (UAINE) and their supporters – have struggled over the meaning of this national holiday, with Native Americans preferring to consider it the National Day of Mourning, memorialising the genocide of American aboriginals by European colonisers.

Later that day in 1997, the two processions inadvertently clashed when a scheduling error put them on the same street at the same time.

Type
Chapter
Information
Theatre and Empowerment
Community Drama on the World Stage
, pp. 155 - 187
Publisher: Cambridge University Press
Print publication year: 2004

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