This conclusion returns to Saint-Domingue, which by the 1790s was rife with Jacobin sentiment, rebellions of enslaved Black laborers and free people of color, and intra-military disaccord. Provided are several short case studies of soldier violence and political action, which offer several limitations and conclusions to the eighteenth-century military–theatrical complex. Unlike the expansive national–military theatrical phenomenon in metropolitan France, the continued commitment to inequality and segregation in Saint-Domingue led to the disintegration of its white-centric theatrical institutions and practices – an important step in what would become the Haitian Revolution.