Chapter 2 brings to light a dozen desertion-themed plays and operas that followed in the wake of Le Siège de Calais. These works, which were performed during the Old Regime’s twilight, are analyzed alongside recent scholarship on military and early modern masculinities to tease out the theatricalization of an emerging martial culture that drew on emotional brotherhood and feminine exclusion. This chapter includes a comparative analysis of two versions of one play, Le Déserteur, a sentimental anti-war drame by Louis-Sébastien Mercier and an alternative version of the play that was dramaturgically “militarized” by Joseph Patrat for soldiers and sailors at the navy’s theater in Brest (Le Théâtre de la Marine). A close reading of variants, edits, and both textual and cultural manipulation presents war drama as a site of conflict in a larger intellectual battle where different factions in French society argued about reform cultures inside military and theatrical circles.