This chapter draws on a series of contemporary Irish novels, charting the way everyday ‘technological objects’ – phones, laptops, computers – do more than simply sit alongside fictional characters. When we see ‘Connell’s face illuminated by the lit display’ of a phone in Sally Rooney’s Normal People (2018), we see a moment of intimacy between the characters. When Sinéad Hynes is shown ‘Googling [in bed]’ in Elaine Feeney’s As You Were (2020), we learn much about the character’s desire for privacy, her realism, her sense of humour. As the boy in Eimear McBride’s A Girl is a Half-Formed Thing (2013) hammers the controls of a computer game, or Anne Enright’s Gina in The Forgotten Waltz manages her extramarital affair on her smartphone, we see them finding refuge, expression, and intimacy in the company of their endlessly understanding machines. These are the machines that support their users, distract them, comfort them. The console consoles.