Book contents
- Sympathy in Early Modern Literature and Culture
- Sympathy in Early Modern Literature and Culture
- Copyright page
- Contents
- Figures
- Acknowledgements
- Note on Texts
- Introduction
- Chapter 1 ‘A sympathy of affections’
- Chapter 2 ‘Compassion and mercie draw teares from the godlyfull often’
- Chapter 3 ‘Grief best is pleased with grief’s society’
- Chapter 4 ‘O, what a sympathy of woe is this’
- Chapter 5 ‘Soveraignes have a sympathie with subjects’
- Chapter 6 ‘As God loves Sympathy, God loves Symphony’
- Coda
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 27 April 2023
Book contents
- Sympathy in Early Modern Literature and Culture
- Sympathy in Early Modern Literature and Culture
- Copyright page
- Contents
- Figures
- Acknowledgements
- Note on Texts
- Introduction
- Chapter 1 ‘A sympathy of affections’
- Chapter 2 ‘Compassion and mercie draw teares from the godlyfull often’
- Chapter 3 ‘Grief best is pleased with grief’s society’
- Chapter 4 ‘O, what a sympathy of woe is this’
- Chapter 5 ‘Soveraignes have a sympathie with subjects’
- Chapter 6 ‘As God loves Sympathy, God loves Symphony’
- Coda
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Sympathy in Early Modern Literature and Culture , pp. 267 - 288Publisher: Cambridge University PressPrint publication year: 2023
References
Primary Sources
Allott, Robert, Englands Parnassus: or The choysest flowers of our moderne poets, with their poeticall comparisons (London, 1600)Google Scholar
Andrewes, John, Christ his crosse, or, The most comfortable doctrine of Christ crucified and joyfull tidings of his passion (London, 1614)Google Scholar
Ariosto, Ludovico, Orlando Furioso, trans. Guido Waldman (Oxford University Press, 1983)Google Scholar
Bacon, Francis, A briefe discourse, touching the happie union of the kingdomes of England, and Scotland (London, 1603)Google Scholar
Bacon, Francis, Sylva sylvarum, or, A naturall history in ten centuries (London, 1627)CrossRefGoogle Scholar
Belleforest, François, XVIII. Histoires tragiques: extraictes des oeuures italiennes de Bandel, & mises en langue françoise (Paris, 1560)Google Scholar
Belleforest, François, The French Bandello: a selection; the original text of four of Belleforest’s Histoires tragiques, ed. Hook, Frank S. (Columbia: University of Missouri, 1948)Google Scholar
Bilson, Thomas, The survey of Christs sufferings for mans redemption and of his descent to Hades or Hel for our deliverance (London, 1604)Google Scholar
Bodenham, John and Munday, Anthony, Bel-vedére, or, The Garden of the muses (London, 1600)Google Scholar
Brandon, Samuel, The Tragicomoedi of the Vertuous Octavia, ed. McKerrow, Ronald B. (Oxford University Press, 1909)Google Scholar
Bridges, John, A defence of the government established in the Church of Englande for ecclesiasticall matters (London, 1587)Google Scholar
Bright, Timothie, A treatise of melancholie, containing the causes thereof, & reasons of the strange effects it worketh in our minds and bodies (London, 1586)Google Scholar
Brooke, Christopher, Two elegies: consecrated to the never-dying memorie of the most worthily admyred; most hartily loved; and generally bewayled prince; Henry Prince of Wales (London, 1612)Google Scholar
Bullokar, John, An English expositor teaching the interpretation of the hardest words used in our language (London, 1616)Google Scholar
Burton, William, An exposition of the Lords Prayer made in divers lectures, and now drawne into questions and answers for the greater benefite of the simpler sort (London, 1594)Google Scholar
Cavendish, Richard, The image of nature and grace conteynyng the whole course, and condition of mans estate (London, 1571)Google Scholar
Cavendish, William, Duke of Newcastle, A declaration of the Right Honourable the Earle of Newcastle, His Excellency, &c in answer of six groundlesse aspersions cast upon him by the Lord Fairfax (York, 1642)Google Scholar
Cawdry, Robert, A table alphabeticall conteyning and teaching the true writing, and understanding of hard usuall English wordes, borrowed from the Hebrew, Greeke, Latine, or French, &c. (London, 1604)Google Scholar
Chute, Anthony, Beawtie dishonoured written under the title of Shores wife (London, 1593)Google Scholar
Cicero, , De Oratore, trans. E. W. Sutton and H. Rackham, 2 vols (Cambridge, MA: Harvard University Press, 1942)Google Scholar
Cicero, , On Invention. The Best Kind of Orator. Topics, trans. H. M. Hubbell (Cambridge, MA: Harvard Universtiy Press, 1949)Google Scholar
Cockeram, Henry, The English dictionarie, or, An interpreter of hard English words (London, 1623)Google Scholar
Coeffeteau, Nicolas, A table of humane passions. With their causes and effects, trans. Edward Grimeston (London, 1621)Google Scholar
Colet, Claude, The famous, pleasant, and variable historie, of Palladine of England … Translated out of French by A.M. (London, 1588)Google Scholar
Croll, Oswald, Bazilica chymica, & Praxis chymiatricae, or, Royal and practical chymistry (London, 1670)Google Scholar
Daniel, Samuel, Samuel Daniel: Poems and A Defence of Ryme, ed. Sprague, Arthur C. (London: Routledge and Kegan Paul, 1950)Google Scholar
Daniel, Samuel, The First Fowre Bookes of the Civile Wars Between the Two Houses of Lancaster and York (London, 1595)Google Scholar
Daniel, Samuel, The Poeticall Essayes of Sam. Danyel. Newly corrected and augmented (London, 1599)Google Scholar
Day, Angel, The English secretorie, or, Plaine and direct method, for the enditing of all manner of epistles or letters … now corrected, refined & amended (London, 1592)Google Scholar
Dekker, Thomas, The wonderfull yeare. Wherein is shewed the picture of London lying sicke of the Plague (London, 1603)Google Scholar
Dickenson, John, Arisbas, Euphues amidst his slumbers: or Cupids journey to hell (London, 1594)Google Scholar
Digby, Sir Kenelm, A Late Discourse … Touching the Cure of Wounds by Sympathy, With Instructions how to make the said Power; whereby many other Secrets of Nature are unfolded (London, 1658)Google Scholar
Donne, John, LXXX sermons preached by that learned and reverend divine, John Donne, Dr in Divinity, late Deane of the cathedrall church of S. Pauls London (London, 1640)Google Scholar
Du Bartas, Guillaume de Salluste, The Historie of Judith, trans. Thomas Hudson (London, 1584)Google Scholar
Du Bartas, Guillaume de Salluste, The Works of Guillaume De Salluste Sieur Du Bartas: A Critical Edition with Introduction, Commentary, and Variants, eds. Holmes, Urban Tigner Jr., Lyons, John Coriden, and Linker, Robert White, 3 vols (Chapel Hill: University of North Carolina Press, 1935–40)Google Scholar
Dugdale, Gilbert, The time triumphant declaring in briefe, the arival of our soveraigne liedge Lord, King James into England, his coronation at Westminster (London, 1604)Google Scholar
Eliot, Thomas, The Boke Named the Governour, ed. Croft, Henry H. S., 2 vols (London: Kegan Paul, Trench, and Co., 1883)Google Scholar
Erasmus, , Collected Works of Erasmus, Adages, vol. 31, trans. Margaret Mann Phillips, annotated by R. A. B. Mynors (University of Toronto Press, 1982)Google Scholar
Erasmus, , Collected Works of Erasmus, Adages, vol. 33, trans. R. A. B. Mynors (University of Toronto Press, 1991)Google Scholar
Fenton, Geoffrey, Certaine tragicall discourses written out of Frenche and Latin (London, 1567)Google Scholar
Field, Theophilius, An Italians dead bodie, stucke with English flowers elegies, on the death of Sir Oratio Pallauicino (London, 1600)Google Scholar
Fitzgeffry, Charles, Compassion towards captives chiefly towards our brethren and country-men who are in miserable bondage in Barbarie (Oxford, 1637)Google Scholar
Fitzgeffry, Charles, The curse of corne-horders with the blessing of seasonable selling (London, 1631)Google Scholar
Fitzgeffry, Charles, Sir Francis Drake his honorable lifes commendation, and his tragicall deathes lamentation (Oxford, 1596)Google Scholar
Florio, John, A Worlde of Wordes, or Most Copious, and Exact Dictionarie in Italian and English, Collected by John Florio (London, 1598)Google Scholar
Fludd, Robert, Doctor Fludds answer unto M. Foster or, The squeesing of Parson Fosters sponge (London, 1631)Google Scholar
Fludd, Robert, Mosaicall philosophy: Grounded upon the essentiall truth or eternal sapience (London, 1659)Google Scholar
Ford, John, The Lover’s Melancholy in ’Tis Pity She’s a Whore and Other Plays, ed. Lomax, Marion (Oxford University Press, 1995), pp. 1–80Google Scholar
Forset, Edward, A comparative discourse of the bodies natural and politique (London, 1606)Google Scholar
Foster, William, Hiplocrisma-spongus, or, A Sponge to Wipe Away the Weapon-Salve (London, 1631)Google Scholar
Galen, , Certaine workes of Galens, called Methodus medendi, trans. Thomas Gale (London, 1586)Google Scholar
The Geneva Bible: A Facsimile of the 1560 Edition, with an introduction by Lloyd E. Berry (Madison: University of Wisconsin Press, 1969)Google Scholar
Glapthorne, Henry, The Plays and Poems of Henry Glapthorne, ed. Shepherd, R. H., 2 vols (London: John Pearson, 1874)Google Scholar
Greene, Robert, Menaphon. Camillas alarum to slumbering Euphues, in his melancholie cell at Silexedra (London, 1589)Google Scholar
Hannay, Patrick, Two elegies, on the late death of our soveraigne Queene Anne With epitaphes (London, 1619)Google Scholar
Hart, James, Klinike, or The diet of the diseased. Divided into three bookes (London, 1633)Google Scholar
Holland, Henry, Spirituall preservatives against the pestilence: Or a treatise containing sundrie questions (London, 1593)Google Scholar
Horace, , The Art of Poetry, in Russell, D. A. and Winterbottom, M. (eds.), Classical literary criticism (Oxford University Press, 1989), pp. 98–110Google Scholar
Horace, , Horace, his Art of Poetry, trans. Ben Jonson, in Alexander, Gavin (ed.), Sidney’s ‘The Defence of Poesy’ and Selected Renaissance Literary Criticism (London: Penguin, 2004), pp. 304–7Google Scholar
Howell, Thomas, H. His devises, for his owne exercise, and his friends pleasure (London, 1581)Google Scholar
Huloet, Richard, Huloets dictionarie newelye corrected, amended, set in order and enlarged (London, 1572)Google Scholar
Hume, David, A Treatise of Human Nature, eds. Selby-Bigge, L. A. and Nidditch, P. H. (Oxford: Clarendon Press, 1978)Google Scholar
James, William, A sermon preached at Paules Crosse the IX. of November, 1589 (London, 1590)Google Scholar
Jonson, Ben, The Cambridge Edition of the Works of Ben Jonson, gen. eds. Bevington, David, Butler, Martin, and Donaldson, Ian (Cambridge University Press, 2012)Google Scholar
Kyd, Thomas, The Spanish Tragedy, ed. Edwards, Philip (Manchester University Press, 1959)Google Scholar
Lawrence, John, A golden trumpet, to rowse up a drowsie magistrate: or, A patterne for a governors practise drawne from Christs comming to, beholding of, and weeping over Hierusalem (London, 1624)Google Scholar
L’histoire de Palmerin d’Olive, filz du roy Florendos de Macedone, & de la belle Griane, fille de Remicius Empereur de Constantinople (Antwerp, 1572)Google Scholar
Lodge, Thomas, The Complete Works of Thomas Lodge, 4 vols (1883; rpt. New York: Russell and Russell, 1963)Google Scholar
Lodge, Thomas, Euphues shadow, the battaile of the sences, Wherein youthfull folly is set downe in his right figure, and vaine fancies are prooved to produce many offences (London, 1592)Google Scholar
Lodge, Thomas, The famous, true and historicall life of Robert second Duke of Normandy, surnamed for his monstrous birth and behaviour, Robin the Divell (London, 1591)Google Scholar
Lodge, Thomas, Lodge’s ‘Rosalynde’: Being the original of Shakespeare’s ‘As You Like It’, ed. Greg, W. W. (London: Chatto and Windus, 1907)Google Scholar
Lodge, Thomas, Phillis: Honoured with Pastorall Sonnets, Elegies, and amorous delights. Where-unto is annexed, the tragicall complaynt of Elstred (London, 1593)Google Scholar
Lyly, John, Euphues: The Anatomy of Wit and Euphues and His England, ed. Scragg, Leah (Manchester University Press, 2003)Google Scholar
Markham, Gervase, The most honorable tragedie of Sir Richard Grinvile, Knight (London, 1595)Google Scholar
Marlowe, Christopher, Dido, Queen of Carthage, in Pendry, E. D. and Maxwell, J. C. (eds.), Complete Plays and Poems (London: J. M. Dent, 1976), pp. 191–234Google Scholar
Marlowe, Christopher, Dido, Queen of Carthage and The Massacre at Paris, ed. Oliver, H. J. (London: Methuen, 1968)Google Scholar
Martial, , Epigrams, Volume I: Spectacles, Books 1–5, ed. and trans. D. R. Shackleton Bailey (Cambridge, MA: Harvard University Press, 1993)Google Scholar
Medeley, Thomas, Misericors, mikrokosmos, or, Medeleys offices containing an injunction to all duties of mercy belonging to the whole man (London, 1619)Google Scholar
Mitchell, Marea and Lange, Ann (eds.), Continuations to Sidney’s Arcadia, 1607–1867, gen. ed. Mitchell, Marea, 4 vols (London: Pickering and Chatto, 2014), vol. 1Google Scholar
Montaigne, Michel de, Essays written in French by Michael Lord of Montaigne, trans. John Florio (1603; rpt. London, 1613)Google Scholar
Montaigne, Michel de, Les essais de Michel de Montaigne, ed. Saulnier, Verdun Louis and Villey, Pierre (Paris: Presses Universitaires de France, 1965)Google Scholar
Mulcaster, Richard, Positions wherin those primitive circumstances be examined, which are necessarie for the training up of children (London, 1581)Google Scholar
Nicholson, Samuel, Acolastus his after-witte, ed. Grosart, Alexander B. (Blackburn, Lancashire: Printed for the Subscribers by Charles E. Simms, Manchester, 1876)Google Scholar
Paynell, Thomas, The moste excellent and pleasaunt booke, entitled: The treasurie of Amadis of Fraunce … Translated out of Frenche into English (London, 1572)Google Scholar
Peele, George, The Araygnment of Paris: A Pastorall. Presented before the Queenes Majestie, by the Children of her Chappell (London, 1584)Google Scholar
Perkins, William, The arte of prophecying, or, A treatise concerning the sacred and onely true manner and methode of preaching, trans. Thomas Tuke (London, 1607)Google Scholar
Pliny, , Natural History, Volume VI: Books 20–23, trans. W. H. S. Jones (Cambridge, MA: Harvard University Press, 1951)Google Scholar
Plutarch, , The Philosophie, Commonlie Called the Morals, trans. Philemon Holland (London, 1603)Google Scholar
Porta, John Paptista, Natural magick by John Baptista Porta, a Neopolitane: in twenty books … Wherein are set forth all the riches and delights of the natural sciences (London, 1658)Google Scholar
Prime, John, An Exposition, and Observations upon Saint Paul to the Galathians (London, 1587)Google Scholar
Puttenham, George, The Art of English Poesy, in Alexander, Gavin (ed.), Sidney’s ‘The Defence of Poesy’ and Selected Renaissance Literary Criticism (London: Penguin, 2004), pp. 55–203Google Scholar
Quintilian, , The Orator’s Education, ed. and trans. Russell, Donald A., 5 vols (Cambridge, MA: Harvard University Press, 2001)Google Scholar
Reading, John, Davids soliloquie. Containing many comforts for afflicted mindes (London, 1627)Google Scholar
Reynolds, Edward, A treatise of the passions and faculties of the soule of man (London, 1640)Google Scholar
Rollock, Robert, Lectures, upon the history of the Passion, Resurrection, and Ascension of our Lord Jesus Christ (Edinburgh, 1616)Google Scholar
Sandys, Edwin, Sermons made by the most reverende Father in God, Edwin, Archbishop of Yorke (London, 1585)Google Scholar
Seneca, , Tragedies, Volume I: Hercules, Trojan Women, Phoenician Women, Medea, Phaedra, ed. and trans. Fitch, John G. (Cambridge, MA: Harvard University Press, 2018)Google Scholar
Sennert, Daniel, The weapon-salves maladie: or, A declaration of its insufficiencie to performe what is attributed to it (London, 1637)Google Scholar
Shakespeare, William, As You Like It, ed. Dusinberre, Juliet (London: Thomson Learning, 2006)Google Scholar
Shakespeare, William, The Comedy of Errors, ed. Cartwright, Kent (London: Bloomsbury, 2016)Google Scholar
Shakespeare, William, The Complete Sonnets and Poems, ed. Burrow, Colin (Oxford University Press, 2002)Google Scholar
Shakespeare, William, The History of King Lear, ed. Wells, Stanley (Oxford University Press, 2000)Google Scholar
Shakespeare, William, Love’s Labour’s Lost, ed. Woudhuysen, H. R. (London: Thomas Nelson, 1998)Google Scholar
Shakespeare, William, The Poems, ed. Roe, John, updated ed. (Cambridge University Press, 2006)Google Scholar
Shakespeare, William, The Riverside Shakespeare, ed. Evans, G. Blakemore, 2nd ed. (Boston: Houghton Mifflin, 1997)Google Scholar
Shakespeare, William, Romeo and Juliet, ed. Levenson, Jill L. (Oxford University Press, 2000)Google Scholar
Shakespeare, William, The Third Part of Henry VI, ed. Hattaway, Michael (Cambridge University Press, 1993)Google Scholar
Shakespeare, William, Titus Andronicus, ed. Hughes, Alan, updated ed. (Cambridge University Press, 2006)Google Scholar
Shakespeare, William, The Tragedy of King Lear, ed. Halio, Jay L. (Cambridge University Press, 1992)Google Scholar
Shakespeare, William, The Two Gentlemen of Verona, ed. Carroll, William C. (London: Thomson Learning, 2004)Google Scholar
Shakespeare, William, The Two Gentlemen of Verona, ed. Warren, Roger (Oxford University Press, 2008)Google Scholar
Sidney, Sir Philip, The Countess of Pembroke’s Arcadia (The Old Arcadia), ed. Robertson, Jean (Oxford: Clarendon Press, 1973)Google Scholar
Sidney, Sir Philip, The Countess of Pembroke’s Arcadia (The New Arcadia), ed. Skretkowicz, Victor (Oxford: Clarendon Press, 1987)Google Scholar
Sidney, Sir Philip, The Oxford Authors: Sir Philip Sidney, ed. Duncan-Jones, Katherine (Oxford University Press, 1989)Google Scholar
Spenser, Edmund, Edmund Spenser: The Shorter Poems, ed. McCabe, Richard A. (Harmondsworth: Penguin, 1999)Google Scholar
Smith, Adam, The Theory of Moral Sentiments, ed. Haakonssen, Knud (Cambridge University Press, 2002)Google Scholar
Southwell, Robert, The triumphs over death: or, A consolatorie epistle, for afflicted mindes, in the affects of dying friends (London, 1595)Google Scholar
Stanley, Thomas, ‘On the Edition’, in Comedies and tragedies written by Francis Beaumont and John Fletcher (London, 1647)Google Scholar
Stoughton, John, XI. Choice sermons preached upon selected occasions, in Cambridge (London, 1640)Google Scholar
Stoughton, John, The righteous mans plea to true happinesse. In ten sermons, on Psal. 4 ver. 6 (London, 1640)Google Scholar
Thomas, Lewis, Demegoriai: Certaine lectures upon sundry portions of Scripture, in one volume (London, 1600)Google Scholar
Thorne, William, Esoptron basilikon. Or A kenning-glasse for a Christian king (London, 1603)Google Scholar
Trussell, John, Raptus I. Helenae. The First Rape of Faire Hellen. Done into poeme, by J. T. (London, 1595)Google Scholar
Udall, John, The True Remedie against Famine and Warres: five sermons … preached in the time of the dearth (London, 1588?)Google Scholar
Vicars, John, Mischeefes mysterie: or, Treasons master-peece, the Powder-plot Invented by hellish malice, prevented by heavenly mercy: truely related (London, 1617)Google Scholar
Virgil, , The ‘Aeneid’ of Thomas Phaer and Thomas Twyne, ed. Lally, Steven (New York and London: Garland, 1987)Google Scholar
Weever, John, ‘Epigram 22, Ad Gulielmum Shakespeare’, in Ingleby, C. M. et al. (eds.), The Shakespeare Allusion Book: A Collection of Allusions to Shakespeare from 1591 to 1700, 2 vols (London: Oxford University Press, 1932)Google Scholar
West, William, The second part of Symboleography, newly corrected and amended, and very much enlarged in all the foure severall treatises (London, 1601)Google Scholar
Wither, George, Prince Henries obsequies or Mournefull elegies upon his death: with a supposed inter-locution betweene the ghost of Prince Henrie and Great Brittaine (London, 1612)Google Scholar
Wilcox, Thomas, An exposition uppon the Booke of the Canticles, otherwise called Schelomons Song (London, 1585)Google Scholar
Wright, Thomas, The Passions of the Minde in Generall. In Six Books. Corrected, enlarged, and with sundry new Discourses augmented (1604; rpt. London, 1630)Google Scholar
Wyatt, Sir Thomas, The Complete Poems, ed. Rebholz, R. A. (Harmondsworth: Penguin, 1978)Google Scholar
Secondary Sources
Alexander, Gavin, Writing after Sidney: The Literary Response to Sir Philip Sidney, 1586–1640 (Oxford University Press, 2006)Google Scholar
Alberti, Fay Bound, ‘Emotions in the Early Modern Medical Tradition’, in Alberti, Fay Bound (ed.), Medicine, Emotion and Disease, 1700–1950 (Basingstoke: Palgrave, 2006), pp. 1–21Google Scholar
Arkin, Samuel, ‘“That map which deep impression bears”: Lucrece and the Anatomy of Shakespeare’s Sympathy’, Shakespeare Quarterly, 64 (2013), 349–71Google Scholar
Armstrong, Kate, ‘Sermons in Performance’, in Adlington, Hugh, McCullough, Peter and Rhatigan, Emma (eds.), The Oxford Handbook of the Early Modern Sermon (Oxford University Press, 2011), pp. 120–36Google Scholar
Auerbach, Eric, Scenes from the Drama of European Literature: Six Essays (New York: Meridian Books, 1959)Google Scholar
Bailey, Amanda, ‘Speak What We Feel: Sympathy and Statecraft’, in Bailey, Amanda and DiGangi, Mario (eds.), Affect Theory and Early Modern Texts: Politics, Ecologies, and Form (New York: Palgrave Macmillan, 2017), pp. 27–46Google Scholar
Baldwin, T. W., William Shakspere’s Smalle Latine and Lesse Greeke, 2 vols (Urbana: University of Illinois Press, 1944)Google Scholar
Bakhtin, M. M., ‘Bakhtin on Shakespeare: Excerpt from “Additions and Changes to Rabelais”’, translation and introduction by Sergeiy Sandler, PMLA, 129 (2014), 522–37Google Scholar
Barthes, Roland, S/Z, trans. Richard Miller (New York: Farrar, Straus and Giroux, 1974)Google Scholar
Bemrose, J. M., ‘A Critical Examination of the Borrowings from Venus and Adonis and Lucrece in Samuel Nicholson’s Acolastus’, Shakespeare Quarterly, 15 (1964), 85–96Google Scholar
Borlick, Todd Andrew, Literature and Nature in the English Renaissance: An Ecocritical Anthology (Cambridge University Press, 2019)Google Scholar
Brammall, Sheldon, ‘“Sound This Angrie Message in Thine Eares”: Sympathy and the Translations of the Aeneid in Marlowe’s Dido Queene of Carthage’, Review of English Studies, 65 (2013), 383–402Google Scholar
Britton, Jeanne M., Vicarious Narratives: A Literary History of Sympathy, 1750–1850 (Oxford University Press, 2019)Google Scholar
Bruce, Yvonne, ‘“That Which Marreth All”: Constancy and Gender in The Virtuous Octavia’, Medieval and Renaissance Drama in England, 22 (2009), 42–59Google Scholar
Bynum, William F., ‘The Weapon Salve in Seventeenth Century English Drama’, Journal of the History of Medicine and Allied Sciences, 21 (1966), 8–23Google Scholar
Camenietzki, Carlos Ziller, ‘Jesuits and Alchemy in the Early Seventeenth Century: Father Johannes Roberti and the Weapon-Salve Controversy’, Ambix, 48 (2001), 83–101Google Scholar
Cavell, Stanley, Disowning Knowledge in Seven Plays of Shakespeare, updated ed. (Cambridge University Press, 2003)Google Scholar
Chandler, James, An Archaeology of Sympathy: The Sentimental Mode in Literature and Cinema (Chicago University Press, 2013)Google Scholar
Christian, Margaret, ‘Zepheria (1594; STC 26124): A Critical Edition’, Studies in Philology, 100 (2003), 177–243Google Scholar
Clement, Jennifer, ‘The Art of Feeling in Seventeenth-Century English Sermons’, English Studies, 98 (2017), 675–88Google Scholar
Clough, Patricia and Halley, Jean (eds.), The Affective Turn: Theorizing the Social (Durham and London: Duke University Press, 2007)Google Scholar
Cockcroft, Robert, Rhetorical Affect in Early Modern Writing (Basingstoke: Macmillan, 2003)Google Scholar
Copenhaver, Brian P., ‘Magic’, in Park, Katharine and Daston, Lorraine (eds.), The Cambridge History of Science, Volume 3: Early Modern Science (Cambridge University Press, 2006), pp. 518–40Google Scholar
Copenhaver, Brian P., Magic in Western Culture: From Antiquity to the Enlightenment (Cambridge University Press, 2015)Google Scholar
Coplan, Amy and Goldie, Peter (eds.), Empathy: Philosophical and Psychological Perspectives (Oxford University Press, 2011)Google Scholar
Coppola, Al, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford University Press, 2016)Google Scholar
Craig, John, ‘Sermon Reception’ in Adlington, Hugh, McCullough, Peter, and Rhatigan, Emma (eds.), The Oxford Handbook of the Early Modern Sermon (Oxford University Press, 2011), pp. 179–93Google Scholar
Craik, Katharine A., ‘Poetry and Compassion in Shakespeare’s “A Lover’s Complaint”’, in Post, Jonathan (ed.), The Oxford Handbook of Shakespeare’s Poetry (Oxford University Press, 2013), pp. 522–39Google Scholar
Craik, Katharine A. and Pollard, Tanya (eds.), Shakespearean Sensations: Experiencing Literature in Early Modern England (Cambridge University Press, 2013)Google Scholar
Crowley, Timothy D., ‘Arms and the Boy: Marlowe’s Aeneas and the Parody of Imitation in Dido, Queen of Carthage’, English Literary Renaissance, 38 (2008), 408–38Google Scholar
Cummings, Brian, ‘Erasmus and the Invention of Literature’, Erasmus Yearbook, 33 (2013), 22–54Google Scholar
Cummings, Brian and Sierhuis, Freya (eds.), Passions and Subjectivity in Early Modern Culture (Farnham: Ashgate, 2013)Google Scholar
Cunningham, Andrew S., ‘Was Eighteenth‐Century Sentimentalism Unprecedented?’, British Journal for the History of Philosophy, 6 (1998), 381–96Google Scholar
Csengei, Ildiko, Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century (Basingstoke: Palgrave Macmillan, 2012)Google Scholar
Danby, John, Shakespeare’s Doctrine of Nature: A Study of ‘King Lear’ (London: Faber and Faber, 1948)Google Scholar
Davis, Nick, Early Modern Writing and the Privatization of Experience (London: Bloomsbury, 2013)Google Scholar
Debes, Remy, ‘From Einfühlung to Empathy: Sympathy in Early Phenomenology and Psychology’, in Schliesser, Eric (ed.), Sympathy: A History (Oxford University Press, 2015), pp. 286–322Google Scholar
Debus, Allen G. The Chemical Philosophy: Paracelsian Science and Medicine in The Sixteenth and Seventeenth Centuries, 2 vols (New York: Science History Publications, 1977)Google Scholar
Debus, Allen G., ‘Robert Fludd and the Use of Gilbert’s De Magnete in the Weapon-Salve Controversy’, Journal of the History of Medicine and Allied Sciences, 19 (1964), 389–417Google Scholar
Decety, Jean and Meltzoff, Andrew N., ‘Empathy, Imitation, and the Social Brain’, in Coplan, Amy and Goldie, Peter (eds.), Empathy: Philosophical and Psychological Perspectives (Oxford University Press, 2011), pp. 58–81Google Scholar
Degooyer, Stephanie, ‘“The Eyes of Other People”: Adam Smith’s Triangular Sympathy and the Sentimental Novel’, ELH, 85 (2018), 669–90Google Scholar
Dent, R. W., Shakespeare’s Proverbial Language: An Index (Berkeley: University of California Press, 1981)Google Scholar
Derrin, Daniel, ‘Engaging the Passions in John Donne’s Sermons’, English Studies, 93 (2012), 452–68Google Scholar
Dixon, Thomas, ‘“Emotion”: The History of a Keyword in Crisis’, Emotion Review, 4 (2012), 338–44Google Scholar
Dixon, Thomas, From Passions to Emotions: The Creation of a Secular Psychological Category (Cambridge University Press, 2003)Google Scholar
Dixon, Thomas, Weeping Britannia: Portrait of a Nation in Tears (Oxford University Press, 2015)Google Scholar
Dubrow, Heather, ‘“Lending soft audience to my sweet design”: Shifting Roles and Shifting Readings of Shakespeare’s “A Lover’s Complaint”’, Shakespeare Survey, 58 (2005), 23–33Google Scholar
Dubrow, Heather, ‘A Mirror for Complaints: Shakespeare’s Lucrece and Generic Tradition’, in Kiefer Lewalski, Barbara (ed.), Renaissance Genres: Essays on Theory, History, and Interpretation (Cambridge, MA, and London: Harvard University Press, 1986), pp. 399–417Google Scholar
Duffin, Anne, Faction and Faith: Politics and Religion in the Cornish Gentry before the Civil War (Exeter: University of Exeter Press, 1996)Google Scholar
Enterline, Lynn, The Rhetoric of the Body from Ovid to Shakespeare (Cambridge University Press, 2000)Google Scholar
Enterline, Lynn, Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion (Philadelphia: University of Pennsylvania Press, 2012)Google Scholar
Erne, Lukas, Beyond ‘The Spanish Tragedy’: A Study of the Works of Thomas Kyd (Manchester University Press, 2001)Google Scholar
Essary, Kirk, ‘Clear as Mud: Metaphor, Emotion and Meaning in Early Modern England’, English Studies, 98 (2017), 689–703Google Scholar
Essary, Kirk, ‘Passions, Affections, or Emotions? On the Ambiguity of 16th-Century Terminology’, Emotion Review, 9 (2017), 367–74Google Scholar
Epstein, Joel J., ‘Francis Bacon and the Issue of Union, 1603–1608’, Huntington Library Quarterly, 33 (1970), 121–32Google Scholar
Evrigenis, Ioannis D., ‘Sovereignty, Mercy, and Natural Law: King James VI/I and Jean Bodin’, History of European Ideas, 45 (2019), 1073–88Google Scholar
Fairclough, Mary, The Romantic Crowd: Sympathy, Controversy and Print Culture (Cambridge University Press, 2013)Google Scholar
Ferrell, Lori Anne, ‘Sermons’, in Kesson, Andy and Smith, Emma (eds.), The Elizabethan Top Ten: Defining Print Popularity in Early Modern England (Aldershot: Ashgate, 2013), pp. 193–202Google Scholar
Floyd-Wilson, Mary, Occult Knowledge, Science, and Gender on the Shakespearean Stage (Cambridge University Press, 2013)Google Scholar
Floyd-Wilson, Mary and Sullivan, Garrett A., Jr (eds.), Environment and Embodiment in Early Modern England (Basingstoke: Palgrave, 2007)Google Scholar
Foakes, R. A., Hamlet versus Lear: Cultural Politics and Shakespeare’s Art (Cambridge University Press, 1993)Google Scholar
Forget, Evelyn L., ‘Evocations of Sympathy: Sympathetic Imagery in Eighteenth-Century Social Theory and Physiology’, in Schabas, Margaret and De Marchi, Neil (eds.), Oeconomies in the Age of Newton (Durham and London: Duke University Press, 2003)Google Scholar
Foucault, Michel, The Order of Things: An Archaeology of the Human Sciences (1970; rpt. London: Routledge, 2002)Google Scholar
Fowler, Alastair, Renaissance Realism: Narrative Images in Literature and Art (Oxford University Press, 2003)Google Scholar
Fox, Cora, Ovid and the Politics of Emotion in Elizabethan England (Basingstoke: Palgrave Macmillan, 2009)Google Scholar
Fox, Cora, Irish, Bradley J. and Miura, Cassie (eds.), Positive Emotions in Early Modern Literature and Culture (Manchester University Press, 2021)Google Scholar
Frevert, Ute, Emotions in History: Lost and Found (Budapest and New York: Central European University Press, 2011)Google Scholar
Gaukroger, Stephen, Francis Bacon and the Transformation of Early-Modern Philosophy (Cambridge University Press, 2001)Google Scholar
Gillespie, Stuart, Shakespeare’s Books: A Dictionary of Shakespeare’s Sources, 2nd ed. (London: Bloomsbury, 2016)Google Scholar
Gilman, Ernest B., Plague Writing in Early Modern England (University of Chicago Press, 2009)Google Scholar
Gilman, Ernest B. and Totaro, Rebecca, Representing the Plague in Early Modern England (London: Routledge, 2011)Google Scholar
Giovannelli, Alessandro, ‘In Sympathy with Narrative Characters’, The Journal of Aesthetics and Art Criticism, 67 (2009), 83–95Google Scholar
Goldberg, Jonathan, ‘Fatherly Authority’, in Ferguson, Margaret, Quilligan, Maureen, and Vickers, Nancy (eds.), Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe (University of Chicago Press, 1986), pp. 3–32Google Scholar
Goldie, Peter, The Mess Inside: Narrative, Emotion, and the Mind (Oxford University Press, 2012)Google Scholar
Gordon, Scott Paul, ‘Reading Patriot Art: James Barry’s King Lear’, Eighteenth-Century Studies, 36 (2003), 491–509Google Scholar
Gowland, Angus, ‘Melancholy, Passions and Identity in the Renaissance’, in Cummings, Brian and Sierhuis, Freya (eds.), Passions and Subjectivity in Early Modern Culture (Farnham: Ashgate, 2013), pp. 75–84Google Scholar
Gray, Patrick, ‘Shakespeare and the Other Virgil: Pity and Imperium in Titus Andronicus’, Shakespeare Survey, 69 (2016), 30–45Google Scholar
Gray, Patrick and Cox, John D. (eds.), Shakespeare and Renaissance Ethics (Cambridge University Press, 2014)Google Scholar
Gurton-Wachter, Lily, ‘Sympathy between Disciplines’, Literature Compass, 15/3 (March 2018), https://doi.org/10.1111/lic3.12443Google Scholar
Guy-Bray, Stephen, ‘Rosamond’s Complaint: Daniel, Ovid, and the Purpose of Poetry’, Renaissance Studies, 22 (2008), 338–50Google Scholar
Guy-Bray, Stephen, ‘Same Difference: Homo and Allo in Lyly’s Euphues’, in Relihan, Contance C. and Stanivukovic, Goran V. (eds.), Prose Fiction and Early Modern Sexualities in England, 1570–1640 (New York and Basingstoke: Palgrave Macmillan, 2003)Google Scholar
HaCohen, Ruth, ‘The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference’, Poetics Today, 22 (2001), 607–50Google Scholar
Hadfield, Andrew, ‘Edmund Spenser and Samuel Brandon’, Notes and Queries, 56 (2009), 536–8Google Scholar
Halliwell, Stephen, The Aesthetics of Mimesis: Ancient Texts and Modern Problems (Princeton University Press, 2002)Google Scholar
Harris, Jonathan Gil, Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England (Cambridge University Press, 1998)Google Scholar
Heald, Abigail, ‘Tears for Dido: A Renaissance Poetics of Feeling’, unpublished PhD thesis, Princeton University (2009)Google Scholar
Heavey, Katharine, The Early Modern Medea: Medea in English Literature, 1558–1688 (London: Palgrave Macmillan, 2015)Google Scholar
Hendrick, Elizabeth, ‘Romancing the Salve: Sir Kenelm Digby and the Powder of Sympathy’, The British Journal for the History of Science, 41 (2008), 161–85Google Scholar
Henry, John, ‘The Fragmentation of Renaissance Occultism and the Decline of Magic’, History of Science, 46 (2008), 1–48Google Scholar
Hobgood, Allison P., Passionate Playgoing in Early Modern England (Cambridge University Press, 2014)Google Scholar
Holford-Strevens, Leofranc, ‘Polus and His Urn: A Case Study in the Theory of Acting, c. 300 B.C.–c. A.D. 2000’, International Journal of the Classical Tradition, 11 (2005), 499–523Google Scholar
Holmes, Jonathan H., ‘“To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage’, Literature Compass, 14/2 (2017), doi: 10.1111/lic3.12381Google Scholar
Honigmann, E. A. J., John Weever: A Biography of a Literary Associate of Shakespeare and Jonson, Together with a Photographic Facsimile of Weever’s Epigrammes (1559) (Manchester University Press, 1987)Google Scholar
Hopkins, Lisa, ‘Staging Passion in Ford’s The Lover’s Melancholy’, Studies in English Literature, 1500–1900, 45 (2005), 443–59Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audiences, 1590–1640 (Cambridge University Press, 2010)Google Scholar
Hunter, G. K., John Lyly, The Humanist as Courtier (London: Routledge and Kegan Paul, 1962)Google Scholar
Hutchinson, Keith, ‘What Happened to Occult Qualities in the Scientific Revolution?’, Isis, 73 (1982), 233–53Google Scholar
Ibbett, Katherine, Compassion’s Edge: Fellow-Feeling and Its Limits in Early Modern France (Philadelphia: University of Pennsylvania Press, 2018)Google Scholar
Irish, Bradley J., Emotion in the Tudor Court: Literature, History, and Early Modern Feeling (Evanston: Northwestern University Press, 2018)Google Scholar
James, Anne, Poets, Players, and Preachers: Remembering the Gunpowder Plot in Seventeenth-Century England (University of Toronto Press, 2016)Google Scholar
James, Heather, ‘Dido’s Ear: Tragedy and the Politics of Response’, Shakespeare Quarterly, 52 (2001), 360–82Google Scholar
James, Susan, Passion and Action: The Emotions in Seventeenth-Century Philosophy (Oxford: Clarendon Press, 1997)Google Scholar
Kassell, Lauren, ‘Magic, Alchemy and the Medical Economy in Early Modern England: The Case of Robert Fludd’s Magnetical Medicine’, in Jenner, Mark S. R. and Wallis, Patrick (eds.), Medicine and the Market in England and its Colonies, c.1450–c.1850 (Basingstoke: Palgrave Macmillan, 2007), pp. 88–107Google Scholar
Kay, Dennis, Melodious Tears: The English Funeral Elegy from Spenser to Milton (Oxford: Clarendon Press, 1990)Google Scholar
Kerr, Jason A., ‘The Tragedy of Kindness in King Lear’, Studies in English Literature, 1500–1900, 61 (2021), 45–64Google Scholar
Kerrigan, John, Motives of Woe: Shakespeare and ‘Female Complaint’ (Oxford: Clarendon Press, 1991)Google Scholar
Kesson, Andy, John Lyly and Early Modern Authorship (Manchester University Press, 2014)Google Scholar
Kinney, Clare R., ‘Continuations and Imitations of the Arcadia’, in Hannay, Margaret P., Brennan, Michael G., and Ellen Lamb, Mary (eds.), The Ashgate Research Companion to the Sidneys, 1500–1700, 2 vols (Farnham: Ashgate, 2015), vol. 2, pp. 113–23Google Scholar
Kinney, Clare R., ‘Feigning Female Faining: Spenser, Lodge, Shakespeare, and Rosalind’, Modern Philology, 95 (1998), 291–315Google Scholar
Kuzner, James, Open Subjects: English Renaissance Republicans, Modern Selfhoods and the Virtue of Vunerability (Edinburgh University Press, 2011)Google Scholar
Lamb, Jonathan, The Evolution of Sympathy in the Long Eighteenth Century (London: Pickering and Chatto, 2009)Google Scholar
Lamm, Claus, Batson, Daniel C., and Decety, Jean, ‘The Neural Substrate of Human Empathy: Effects of Perspective-Taking and Cognitive Appraisal’, Journal of Cognitive Neuroscience, 19 (2007), 42–58Google Scholar
Langley, Eric, Narcissism and Suicide in Shakespeare and His Contemporaries (Oxford University Press, 2009)Google Scholar
Langley, Eric, Shakespeare’s Contagious Sympathies: Ill Communications (Oxford University Press, 2018)Google Scholar
Lawrence, Jason, ‘Samuel Daniel’s The Complaint of Rosamond and the arrival of Tasso’s Armida in England’, Renaissance Studies, 25 (2011), 648–65Google Scholar
Lee, John, ‘Agency and Choice’, in Lee, John (ed.), A Handbook of English Renaissance Literary Studies (Chichester: John Wiley & Sons, 2017), pp. 56–69Google Scholar
Lee, John, ‘Shakespeare, Human Nature, and English Literature’, Shakespeare, 5 (2009), 177–90Google Scholar
Lipking, Lawrence, What Galileo Saw: Imagining the Scientific Revolution (Ithaca: Cornell University Press, 2014)Google Scholar
Lobis, Seth, ‘Sympathy and Antipathy in King Lear’, in Alexander Barton, Roman, Klaudies, Alexander, and Micklich, Thomas (eds.), Sympathy in Transformation: Dynamics between Rhetorics, Poetics and Ethics (Berlin and Boston: De Gruyter, 2018), pp. 89–107Google Scholar
Lobis, Seth, The Virtue of Sympathy: Magic, Philosophy, and Literature in Seventeenth-Century England (New Haven and London: Yale University Press, 2015)Google Scholar
MacFaul, Tom, ‘Friendship in Sidney’s Arcadias’, Studies in English Literature, 1500–1900, 49 (2009), 17–33Google Scholar
MacFaul, Tom, Male Friendship in Shakespeare and His Contemporaries (Cambridge University Press, 2007)Google Scholar
Mack, Peter, Elizabethan Rhetoric: Theory and Practice (Cambridge University Press, 2002)Google Scholar
Maclean, Ian, The Renaissance Notion of Woman: A Study in the Fortune of Scholasticism and Medical Science in European Intellectual Life (Cambridge University Press, 1980)Google Scholar
Magnusson, Lynne, ‘Shakespearean Tragedy and the Language of Lament’, in Neill, Michael and Schalkwyk, David (eds.), The Oxford Handbook of Shakespearean Tragedy (Oxford University Press, 2016), pp. 120–34Google Scholar
Marcus, Leah S., ‘King Lear and the Death of the World’, in Neill, Michael and Schalkwyk, David (eds.), The Oxford Handbook of Shakespearean Tragedy (Oxford University Press, 2016), pp. 421–36Google Scholar
Marcus, Leah S., Puzzling Shakespeare: Local Reading and Its Discontents (Berkeley: University of California Press, 1988)Google Scholar
Marsden, Jean, ‘Shakespeare and Sympathy’, in Sabor, Peter and Yachnin, Paul (eds.), Shakespeare and the Eighteenth Century (Farnham: Ashgate, 2008), pp. 29–41Google Scholar
Marshall, David, ‘Adam Smith and the Theatricality of Moral Sentiments’, Critical Inquiry, 10 (1984), 592–613Google Scholar
Marshall, David, The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley (University of Chicago Press, 1988)Google Scholar
Matt, Susan J., ‘Current Emotion Research in History: Or, Doing History from the Inside Out’, Emotion Review, 3 (2011), 117–24Google Scholar
Matt, Susan J. and Stearns, Peter N. (eds.), Doing Emotions History (Urbana: University of Illinois Press, 2014)Google Scholar
Mazzio, Carla, The Inarticulate Renaissance: Language Trouble in an Age of Eloquence (Philadelphia: University of Pennsylvania Press, 2009)Google Scholar
McArthur, Tom, Lam-McArthur, Jacqueline, and Fontaine, Lise (eds.), The Oxford Companion to the English Language, 2nd ed. (Oxford University Press, 2018)Google Scholar
McGuire, Laurie and Smith, Emma, ‘What Is a Source? Or, How Shakespeare Read His Marlowe’, Shakespeare Survey, 68 (2015), 15–31Google Scholar
Meek, Richard, ‘“Fabulously Counterfeit”: Ekphrastic Encounters in The Spanish Tragedy’, in Kennedy, David and Meek, Richard (eds.), Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts (Manchester University Press, 2019), pp. 48–69Google Scholar
Meek, Richard, ‘“For by the Image of My Cause, I See / The Portraiture of His”: Hamlet and the Imitation of Emotion’, in Phillips, Brid, Megna, Paul, and White, R. S. (eds.), Hamlet and Emotions (London and New York: Palgrave, 2019), pp. 81–108Google Scholar
Meek, Richard, ‘“Rue e’en for ruth”: Richard II and the Imitation of Sympathy’, in Meek, Richard and Sullivan, Erin (eds.), The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (Manchester University Press, 2015), pp. 130–52Google Scholar
Meek, Richard, ‘Sympathy’, in Craik, Katharine A. (ed.), Shakespeare and Emotion (Cambridge University Press, 2020), pp. 224–37Google Scholar
Mercer, Christia, ‘Seventeenth-Century Universal Sympathy’, in Schliesser, Eric (ed.), Sympathy: A History (Oxford University Press, 2015), pp. 107–38Google Scholar
Miller, Jacqueline T., ‘The Passion Signified: Imitation and the Construction of Emotions in Sidney and Wroth’, Criticism, 43 (2001), 407–21Google Scholar
Morrissey, Mary, Politics and the Paul’s Cross Sermons, 1558–1642 (Oxford University Press, 2011)Google Scholar
Mousley, Andy, ‘Introduction: Shakespeare and the Meaning of Life’, Shakespeare, 5 (2009), 135–44Google Scholar
Moyer, Ann, ‘Sympathy in the Renaissance’, in Schliesser, Eric (ed.), Sympathy: A History (Oxford University Press, 2015), pp. 70–101Google Scholar
Mulhall, Stephen, Stanley Cavell: Philosophy’s Recounting of the Ordinary (Oxford University Press, 1994)Google Scholar
Mullaney, Steven, The Reformation of Emotions in the Age of Shakespeare (University of Chicago Press, 2015)Google Scholar
Nevalainen, Terttu, ‘Early Modern English Lexis and Semantics’, in Lass, Roger (ed.), The Cambridge History of the English Language (Cambridge University Press, 2000), pp. 332–458Google Scholar
Nevalainen, Terttu, ‘Shakespeare’s New Words’, in Adamson, Sylvia et al. (eds.), Reading Shakespeare’s Dramatic Language (London: Thomson Learning, 2001), pp. 237–55Google Scholar
Norri, Juhani, Dictionary of Medical Vocabulary in English, 1375–1550: Body Parts, Sicknesses, Instruments, and Medicinal Preparations (London: Routledge, 2016)Google Scholar
Nutton, Vivian, ‘The Reception of Fracastoro’s Theory of Contagion: The Seed That Fell among Thorns?’, Osiris, 6 (1990), 196–234Google Scholar
O’Connor, Marie Theresa, ‘Why Redistribute? The Jacobean Union Issue and King Lear’, Early Modern Literary Studies, 91/1 (2016).Google Scholar
Olmstead, Wendy, The Imperfect Friend: Emotion and Rhetoric in Sidney, Milton, and Their Contexts (University of Toronto Press, 2008)Google Scholar
Ortiz, Joseph M., ‘“Martyred Signs”: Titus Andronicus and the Production of Musical Sympathy’, Shakespeare, 1/1&2 (June/December 2005), 53–74Google Scholar
Paster, Gail Kern, Humoring the Body: Emotions and the Shakespearean Stage (Chicago University Press, 2004)Google Scholar
Paster, Gail Kern, ‘Minded Like the Weather: The Tragic Body and Its Passions’, in Neill, Michael and Schalkwyk, David (eds.), The Oxford Handbook of Shakespearean Tragedy (Oxford University Press, 2016), pp. 202–17Google Scholar
Paster, Gail Kern, Rowe, Katherine, and Floyd-Wilson, Mary (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2004)Google Scholar
Phillipy, Patricia, Women, Death, and Literature in Post-Reformation England (Cambridge University Press, 2002)Google Scholar
Plamper, Jan, The History of Emotions: An Introduction (Oxford University Press, 2015)Google Scholar
Plamper, Jan et al., ‘The History of Emotions: An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns’, History and Theory, 49 (2010), 237–65Google Scholar
Primeau, Ronald, ‘Daniel and the Mirror Tradition: Dramatic Irony in The Complaint of Rosamond’, Studies in English Literature, 1500–1900, 15 (1975), 21–36Google Scholar
Quinn, Kelly A., ‘Ecphrasis and Reading Practices in Elizabethan Narrative Verse’, Studies in English Literature, 1500–1900, 44 (2004), 19–35Google Scholar
Quinn, Kelly A., ‘Mastering Complaint: Michael Drayton’s Piers Gaveston and the Royal Mistress Complaints’, English Literary Renaissance, 38 (2008), 439–60Google Scholar
Reddy, William M., The Navigation of Feeling: A Framework for the History of Emotions (Cambridge and New York: Cambridge University Press, 2001)Google Scholar
Reiss, Timothy J., ‘Cartesian Aesthetics’, in Norton, Glyn P. (ed.), The Cambridge History of Literary Criticism, Volume 3: The Renaissance (Cambridge University Press, 1999), pp. 511–21Google Scholar
Rhodes, Neil, ‘Italianate Tales: William Painter and George Pettite’, in Hadfield, Andrew (ed.), The Oxford Handbook of English Prose, 1500–1640 (Oxford University Press, 2013), pp. 91–105Google Scholar
Rhodes, Neil, ‘The Science of the Heart: Shakespeare, Kames and the Eighteenth-Century Invention of the Human’, in Herbrechter, Stefan and Callus, Ivan (eds.), Posthumanist Shakespeares (Basingstoke: Palgrave, 2012), pp. 23–40Google Scholar
Rickard, Jane, Authorship and Authority: The Writings of James VI and I (Manchester University Press, 2007)Google Scholar
Rickard, Jane, Writing the Monarch in Jacobean England: Jonson, Donne, Shakespeare and the Works of King James (Cambridge University Press, 2015)Google Scholar
Ricoeur, Paul, Oneself as Another, trans. Kathleen Blamey (University of Chicago Press, 1992)Google Scholar
Roach, Joseph R., The Player’s Passion: Studies in the Science of Acting (Newark: University of Delaware Press, 1985)Google Scholar
Rorty, Amélie Oksenberg, ‘From Passions to Emotions and Sentiments’, Philosophy, 57 (1982), 159–72Google Scholar
Roughley, Neil and Schramme, Thomas (eds.), Forms of Fellow Feeling: Empathy, Sympathy, Concern and Moral Agency (Cambridge University Press, 2018)Google Scholar
Rumbold, Kate, ‘Shakespeare’s Poems in Pieces: Venus and Adonis and The Rape of Lucrece Unanthlogized’, Shakespeare Survey, 69 (2016), 92–105Google Scholar
Rusu, Doina-Cristina, ‘Rethinking Sylva sylvarum: Francis Bacon’s Use of Giambattista Della Porta’s Magia naturalis’, Perspectives on Science, 25 (2017), 1–35Google Scholar
Rusu, Doina-Cristina and Lüthy, Christoph, ‘Extracts from a Paper Laboratory: The Nature of Francis Bacon’s Sylva sylvarum’, Intellectual History Review, 27 (2017), 171–202Google Scholar
Sayre-McCord, Geoffrey, ‘Hume and Smith on Sympathy, Approbation, and Moral Judgement’, in Schliesser, Eric (ed.), Sympathy: A History (Oxford University Press, 2015), pp. 208–46.Google Scholar
Scheer, Monique, ‘Are Emotions a Kind of Practice (and Is That What Makes Them Have a History)? A Bourdieuian Approach to Understanding Emotion’, History and Theory, 51 (2012), 193–220Google Scholar
Schoenfeldt, Michael C., Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999)Google Scholar
Schoenfeldt, Michael C., ‘Shakespearean Pain’, in Craik, Katharine A. and Pollard, Tanya (eds.), Shakespearean Sensations: Experiencing Literature in Early Modern England (Cambridge University Press, 2013), pp. 191–207Google Scholar
Schwyzer, Philip, ‘The Jacobean Union Controversy and King Lear’, in Burgess, Glenn, Wymer, Rowland, and Lawrence, Jason (eds.), The Accession of James I: Historical and Cultural Consequences (London: Palgrave Macmillan, 2006), pp. 34–47Google Scholar
Scott, Charlotte, ‘Still Life? Anthropocentrism and the Fly in Titus Andronicus and Volpone’, Shakespeare Survey, 61 (2008), 256–68Google Scholar
Scott-Baumann, Elizabeth and Burton, Ben, ‘Shakespearean Stanzas? Venus and Adonis, Lucrece, and Complaint’, ELH, 88 (2021), 1–26Google Scholar
Selleck, Nancy, The Interpersonal Idiom in Shakespeare, Donne, and Early Modern Culture (Basingstoke: Palgrave Macmillan, 2008)Google Scholar
Shaaber, M. A., ‘The First Rape of Faire Hellen by John Trussell’, Shakespeare Quarterly, 8 (1957), 407–48Google Scholar
Shami, Jeanne, ‘The Sermon’, in Hiscock, Andrew and Wilcox, Helen (eds.), The Oxford Handbook of Early Modern English Literature and Religion (Oxford University Press, 2017), pp. 185–206Google Scholar
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (University of Chicago Press, 2002)Google Scholar
Simonova, Natasha, Early Modern Authorship and Prose Continuations: Adaptation and Ownership from Sidney to Richardson (Houndmills: Palgrave Macmillan, 2015)Google Scholar
Skwire, Sarah, ‘“Take Physic, Pomp”: King Lear Learns Sympathy’, in Schliesser, Eric (ed.), Sympathy: A History (Oxford University Press, 2015), pp. 139–45Google Scholar
Smith, Hallett, Elizabethan Poetry: A Study in Conventions, Meaning, and Expression (Cambridge, MA: Harvard University Press, 1952)Google Scholar
Sofer, Andrew, ‘Absorbing Interests: Kyd’s Bloody Handkerchief as Palimpsest’, Comparative Drama, 34 (2000), 127–53Google Scholar
Somerville, J. P., Royalists and Patriots: Politics and Ideology in England, 1603–1640, 2nd ed. (London and New York: Routledge, 1999)Google Scholar
Staines, John, ‘Compassion in the Public Sphere of Milton and King Charles’, in Kern Paster, Gail, Rowe, Katherine, and Floyd-Wilson, Mary (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2004), pp. 89–110Google Scholar
Stallybrass, Peter and Chartier, Roger, ‘Reading and Authorship: The Circulation of Shakespeare 1590–1619’, in Murphy, Andrew (ed.), A Concise Companion to Shakespeare and the Text (Oxford: Blackwell, 2010), pp. 35–56Google Scholar
Steenbergh, Kristine, ‘Mollified Hearts and Enlarged Bowels: Practising Compassion in Reformation England’, in Steenbergh, Kristine and Ibbett, Katherine (eds.), Compassion in Early Modern Literature and Culture: Feeling and Practice (Cambridge University Press, 2021), pp. 121–38Google Scholar
Steggle, Matthew, Laughing and Weeping in Early Modern Theatres (Aldershot: Ashgate, 2007)Google Scholar
Stephenson, Raymond, ‘John Lyly’s Prose Fiction: Irony, Humour and Anti-Humanism’, English Literary Renaissance, 11 (1981), 3–21Google Scholar
St Hilaire, Danielle A., ‘Pity and the Failures of Justice in Shakespeare’s King Lear’, Modern Philology, 113 (2016), 482–506Google Scholar
Stilma, Astrid, A King Translated: The Writings of King James VI & I and their Interpretation in the Low Countries, 1593–1603 (Farnham: Ashgate, 2012)Google Scholar
Stockwell, Robert and Minkova, Donka, English Words: History and Structure (Cambridge University Press, 2001)Google Scholar
Streete, Adrian, ‘Elegy, Prophecy, and Politics: Literary Responses to the Death of Prince Henry Stuart, 1612–1614’, Renaissance Studies, 31 (2017), 87–106Google Scholar
Strier, Richard, The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton (University of Chicago Press, 2011)Google Scholar
Strier, Richard and Mazzio, Carla, ‘Two Responses to “Shakespeare and Embodiment: An E-Conversation”’, Literature Compass, 3 (2006), 15–31Google Scholar
Strout, Nathaniel, ‘As You like It, Rosalynde, and Mutuality’, Studies in English Literature, 1500–1900, 41 (2001), 277–95Google Scholar
Sullivan, Erin, ‘The Passions of Thomas Wright: Renaissance Emotion Across Body and Soul’, in Meek, Richard and Sullivan, Erin (eds.), The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (Manchester University Press, 2015), pp. 25–44Google Scholar
Sullivan, Jr, Garrett A., Sleep, Romance and Human Embodiment: Vitality from Spenser to Milton (Cambridge University Press, 2012)Google Scholar
Swärdh, Anna, ‘“Much augmented” and “somewhat beautified”: Revisions in Three Female Complaints of the 1590s’, Modern Philology, 113 (2016), 310–30Google Scholar
Thompson, Evan, ‘Empathy and Consciousness’, Journal of Consciousness Studies, 8/5–7 (2001), 1–32Google Scholar
Thorley, David, ‘Towards a History of Emotion, 1562–1660’, The Seventeenth Century, 28 (2013), 3–19Google Scholar
Tilley, Morris Palmer, A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries (Ann Arbor: University of Michigan Press, 1950)Google Scholar
Tilmouth, Christopher, Passion’s Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester (Oxford University Press, 2007)Google Scholar
Tilmouth, Christopher, ‘Passion and Intersubjectivity in Early Modern Literature’, in Cummings, Brian and Sierhuis, Freya (eds.), Passions and Subjectivity in Early Modern Culture (Farnham: Ashgate, 2013), pp. 13–32Google Scholar
Totaro, Rebecca, The Plague Epic in Early Modern England: Heroic Measures, 1603–1721 (Farnham: Ashgate, 2012)Google Scholar
Tuckness, Alex and Parrish, John M., The Decline of Mercy in Public Life (Cambridge University Press, 2014)Google Scholar
van Dijkhuizen, Jan Frans, Pain and Compassion in Early Modern Literature and Culture (Cambridge: D. S. Brewer, 2012)Google Scholar
van Elk, Martine, ‘“This sympathizèd one day’s error”: Genre, Representation, and Subjectivity in The Comedy of Errors’, Shakespeare Quarterly, 60 (2009), 47–72Google Scholar
van Engen, Abram C., Sympathetic Puritans: Calvinist Fellow Feeling in Early New England (Oxford University Press, 2015)Google Scholar
Vaught, Jennifer, Masculinity and Emotion in Early Modern Literature (Aldershot: Ashgate, 2008), pp. 1–16Google Scholar
Vaught, Jennifer, ‘Men Who Weep and Wail: Masculinity and Emotion in Sidney’s New Arcadia’, Literature Compass, 2 (2005)Google Scholar
Waddell, Mark A., Jesuit Science and the End of Nature’s Secrets (Farnham: Ashgate, 2015)Google Scholar
Wall, Wendy, The Imprint of Gender: Authorship and Publication in the English Renaissance (Ithaca and London: Cornell University Press, 1993)Google Scholar
Weaver, William P., ‘“O teach me how to make mine own excuse”: Forensic Performance in Lucrece’, Shakespeare Quarterly, 59 (2008), 421–49Google Scholar
Wells, Marion A., ‘Philomela’s Marks: Ekphrasis and Gender in Shakespeare’s Poems and Plays’, in Post, Jonathan (ed.), The Oxford Handbook of Shakespeare’s Poetry (Oxford University Press, 2013), pp. 204–24Google Scholar
Weststeijn, Thijs, ‘Between Mind and Body: Painting the Inner Movements According to Samuel van Hoogstraten and Franciscus Junius’, in Dickey, Stephanie S. and Roodenburg, Herman (eds.), The Passions in the Arts of the Early Modern Netherlands (Zwolle: Waanders, 2009), pp. 261–81Google Scholar
White, R. S., ‘“False Friends”: Affective Semantics in Shakespeare’, Shakespeare, 8 (2012), 286–99Google Scholar
White, R. S., Houlahan, Mark, and O’Loughlin, Katrina (eds.), Shakespeare and Emotions: Inheritances, Enactments, Legacies (Houndmills: Palgrave Macmillan, 2015)Google Scholar
Whittington, Leah, ‘Shakespeare’s Vergil: Empathy and The Tempest’, in Gray, Patrick and Cox, John D. (eds.), Shakespeare and Renaissance Ethics, pp. 98–120Google Scholar
Wiggins, Martin and Richardson, Catherine, British Drama 1533–1642: A Catalogue, Volume IX: 1632–1636 (Oxford University Press, 2018)Google Scholar
Wilson, Katherine, Fictions of Authorship in Late Elizabethan Narratives: Euphues in Arcadia (Oxford University Press, 2006)Google Scholar
Wilson, Katherine, ‘“Turne Your Library to a Wardrobe”: John Lyly and Euphuism’, in Hadfield, Andrew (ed.), The Oxford Handbook of English Prose, 1500–1640 (Oxford University Press, 2013), pp. 172–87Google Scholar
Wispé, Lauren, ‘The Distinction between Sympathy and Empathy: To Call Forth a Concept, a Word Is Needed’, Journal of Personality and Social Psychology, 50 (1986), 314–21Google Scholar
Woodcock, Matthew, Sir Philip Sidney and the Sidney Circle (Tavistock: Northcote House, 2010)Google Scholar
Wootton, David, ‘Never Knowingly Naked’, London Review of Books, 26/8 (15 August 2004), 26–27Google Scholar
Zunshine, Lisa, Why We Read Fiction: Theory of Mind and the Novel (Columbus: The Ohio State University Press, 2006)Google Scholar