In 1936, the first Surrealist Exhibition of Objects was held at the Charles Ratton Gallery in Paris, displaying the most diverse array of material objects in the history of surrealist exhibitions to date. André Breton elaborates on this aspect of the exhibition in his enigmatic “Crisis of the Object” which was written as a text to accompany the exhibition catalog. While it has been widely read as an interpretation for a scientific reckoning of surrealism, this chapter shows that “Crisis of the Object” was rather a reflection on Stéphane Mallarmé’s “Crisis of Verse” and his materialist conception of poetry published fifty years before. A reconsideration of Breton’s theory of objects through the recent lens of new materialism offers insight into how the surrealist engagement with things in the 1930s was – and still is – revolutionary in that it sought to propose an antianthropocentric poetics of the world.