from Part III - The Author–Reader Channel across Time, Gender, Sex and Race
Published online by Cambridge University Press: 06 January 2022
Chapter 8 foregrounds the ethics and politics of the second person in ‘postcolonial’ writing, addressing the use of ‘you’ in yet two other genres, that of the essay in Jamaica Kincaid’s A Small Place (1988) and that of the short story with Chimamanda Ngozi Adichie’s ‘The Thing Around Your Neck’ published in an eponymous collection in 2009. Kincaid and Adichie use two different techniques to have the reader reflect on her own beliefs and prejudices through a rhetoric of contrast. Kincaid targets specific readers (‘you the tourist’) as representative of the white western tourists who fly every day to her native island Antigua to get away from their daily burden. She thus reduces the reference of ‘you’ to a specific membership category she stigmatises in her very powerful interpellation of the self-centred tourists, denouncing the tourist industry her native island Antigua is subjected to. Whilst Kincaid uses direct forceful address, Adichie chooses a You type that brings the reader to align with the character’s perspective in a more indirect yet as forceful way that the pragma-linguistic analysis of the short story will precisely display.
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