Book contents
- The Stylistics of ‘You’
- The Stylistics of ‘You’
- Copyright page
- Contents
- Figures and Table
- Preface
- Acknowledgements
- 1 Theorising the ‘You Effects’
- PART I Singularising and Sharing
- PART II The Role of ‘You’ in the Writing of Traumatic Events
- Part III The Author–Reader Channel across Time, Gender, Sex and Race
- PART IV New Ways of Implicating Through the Digital Medium?
- 9 From Paratext to Hypertext
- 10 Coercing without Edifying
- Conclusion
- References
- Index
Conclusion
from PART IV - New Ways of Implicating Through the Digital Medium?
Published online by Cambridge University Press: 06 January 2022
- The Stylistics of ‘You’
- The Stylistics of ‘You’
- Copyright page
- Contents
- Figures and Table
- Preface
- Acknowledgements
- 1 Theorising the ‘You Effects’
- PART I Singularising and Sharing
- PART II The Role of ‘You’ in the Writing of Traumatic Events
- Part III The Author–Reader Channel across Time, Gender, Sex and Race
- PART IV New Ways of Implicating Through the Digital Medium?
- 9 From Paratext to Hypertext
- 10 Coercing without Edifying
- Conclusion
- References
- Index
Summary
Whenever I have been asked by friends, ‘so what are the effects of “you” in the end?’, I have answered that (1) we need to agree on the scope of reference for each ‘you’ encountered; (2) see what it linguistically collocates with; (3) highlight the overall pragmatic objectives; (4) consider the genre of the text along with the narratological framework – who speaks to whom, through whom and on behalf of whom; (5) take into account the author’s personal history and the socio-cultural context of the narrative’s emergence; and, lastly, (6) acknowledge the potential difference in acts of reading depending on readers’ dispositions, histories and backgrounds. By that point, I had lost all my listeners expecting a simple answer.
- Type
- Chapter
- Information
- The Stylistics of ‘You'Second-Person Pronoun and its Pragmatic Effects, pp. 230 - 233Publisher: Cambridge University PressPrint publication year: 2022