Book contents
- Frontmatter
- Acknowledgments
- Contents
- Volume XX 2011
- Editorial Note
- List of Illustrations
- Baphomet Incorporated, A Case Study
- (Re)producing (Neo)medievalism
- Neomedievalism, Identification, and the Haze of Medievalisms
- Medieval Resurfacings, Old and New
- Quentin Durward and Louis XI: Sir Walter Scott as Historian
- Chivalric Terrors: The Gendered Perils of Medievalism in M. E. Braddon’s Lady Audley’s Secret
- “Lessons Fairer than Flowers”: Mary Eliza Haweis’s Chaucer for Children and Models of Friendship
- Borges and the North
- O Rare Ellis Peters: Two Rules for Medieval Murder
- Performing Medieval Literature and/as History: The Museum of Wolframs-Eschenbach
- Celtic Tattoos: Ancient,Medieval, and Postmodern
- Notes on Contributors
- Previously published volumes
Book contents
- Frontmatter
- Acknowledgments
- Contents
- Volume XX 2011
- Editorial Note
- List of Illustrations
- Baphomet Incorporated, A Case Study
- (Re)producing (Neo)medievalism
- Neomedievalism, Identification, and the Haze of Medievalisms
- Medieval Resurfacings, Old and New
- Quentin Durward and Louis XI: Sir Walter Scott as Historian
- Chivalric Terrors: The Gendered Perils of Medievalism in M. E. Braddon’s Lady Audley’s Secret
- “Lessons Fairer than Flowers”: Mary Eliza Haweis’s Chaucer for Children and Models of Friendship
- Borges and the North
- O Rare Ellis Peters: Two Rules for Medieval Murder
- Performing Medieval Literature and/as History: The Museum of Wolframs-Eschenbach
- Celtic Tattoos: Ancient,Medieval, and Postmodern
- Notes on Contributors
- Previously published volumes
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- Studies in Medievalism XXDefining Neomedievalism(s) II, pp. i - vPublisher: Boydell & BrewerPrint publication year: 2011