Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Context and Composition
- 2 Concerto as Catalyst
- 3 Analytical Tools and Recurring Elements
- 4 Counterpoint and Tonality in the First Movement
- 5 Tetrachords and Tritones in the Largo
- 6 Points of Imitation in the Finale
- Conclusion
- Appendix
- Notes
- Bibliography
- Index
Appendix
Published online by Cambridge University Press: 12 August 2020
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Context and Composition
- 2 Concerto as Catalyst
- 3 Analytical Tools and Recurring Elements
- 4 Counterpoint and Tonality in the First Movement
- 5 Tetrachords and Tritones in the Largo
- 6 Points of Imitation in the Finale
- Conclusion
- Appendix
- Notes
- Bibliography
- Index
Summary
NB: This chart converts the rehearsal numbers provided in the score into measure numbers as used in this book. The conversion should work equally well for both the full score and the two-piano version.
First Movement
- Type
- Chapter
- Information
- Stravinsky s "Great Passacaglia"Recurring Elements in the Concerto for Piano and Wind Instruments, pp. 139 - 140Publisher: Boydell & BrewerPrint publication year: 2016