Book contents
- Stravinsky in Context
- Composers in Context
- Stravinsky in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Abbreviations
- Frontispiece
- Epigraph
- Part I Russia and Identity
- Part II Stravinsky and Europe
- Chapter 7 Sergei Diaghilev and Stravinsky: From World of Art to Ballets Russes
- Chapter 8 Paris and the Belle Époque
- Chapter 9 Paris, Art Deco and the Spirit of Apollo
- Chapter 10 Stravinsky’s Spain: Fan or Mirror?
- Chapter 11 ‘It is Venice that he loves’
- Part III Partnerships and Authorship
- Part IV Performance and Performers
- Part V Aesthetics and Politics
- Part VI Reception and Legacy
- Recommendations for Further Reading and Research
- Index
- Endmatter
Chapter 10 - Stravinsky’s Spain: Fan or Mirror?
from Part II - Stravinsky and Europe
Published online by Cambridge University Press: 03 December 2020
- Stravinsky in Context
- Composers in Context
- Stravinsky in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Abbreviations
- Frontispiece
- Epigraph
- Part I Russia and Identity
- Part II Stravinsky and Europe
- Chapter 7 Sergei Diaghilev and Stravinsky: From World of Art to Ballets Russes
- Chapter 8 Paris and the Belle Époque
- Chapter 9 Paris, Art Deco and the Spirit of Apollo
- Chapter 10 Stravinsky’s Spain: Fan or Mirror?
- Chapter 11 ‘It is Venice that he loves’
- Part III Partnerships and Authorship
- Part IV Performance and Performers
- Part V Aesthetics and Politics
- Part VI Reception and Legacy
- Recommendations for Further Reading and Research
- Index
- Endmatter
Summary
Sources of information about Stravinsky’s visits to Spain include the composer’s own comments, few but incisive, to be found in Chroniques de ma vie, Memories and Commentaries and Expositions and Developments. In addition, there are his often noteworthy references to Spanish culture as reported by others, where his strongly worded impressions have been recalled by reliable sources including Romain Rolland, in his vivid memoir,2 and by Robert Craft (and Vera Stravinsky) who described Stravinsky’s first trip to Madrid in 1916 as ‘one of the most exciting months of his life’.3
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- Stravinsky in Context , pp. 90 - 97Publisher: Cambridge University PressPrint publication year: 2020