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Epilogue

from Part II - Iconography, Photography, and Hamlet

Published online by Cambridge University Press:  05 December 2019

Sally Barnden
Sally Barnden
Affiliation:
King's College London
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Summary

Prompted by an encounter with a photograph of Vivien Leigh as Titania in an exhibition, this final section reflects on the book’s argument, particularly its attention to the idea of a photograph as index, in spite of its insistence that all photographs are constructed.

Keywords

exhibitionindex
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Chapter
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Still Shakespeare and the Photography of Performance , pp. 225 - 231
Publisher: Cambridge University Press
Print publication year: 2019

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  • Epilogue
  • Sally Barnden, King's College London
  • Book: Still Shakespeare and the Photography of Performance
  • Online publication: 05 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108768337.007
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  • Epilogue
  • Sally Barnden, King's College London
  • Book: Still Shakespeare and the Photography of Performance
  • Online publication: 05 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108768337.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Epilogue
  • Sally Barnden, King's College London
  • Book: Still Shakespeare and the Photography of Performance
  • Online publication: 05 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108768337.007
Available formats
×