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Cambridge Studies in Modern Theatre

Published online by Cambridge University Press:  18 November 2022

Peter Reed
Peter Reed
Affiliation:
University of Mississippi
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Staging Haiti in Nineteenth-Century America
Revolution, Race and Popular Performance
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2022

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References

Books published

Kalb, Jonathan, The Theatre of Heiner MullerGoogle Scholar
Schumacher, Claude, ed. Staging the Holocaust: The Shoah in Drama and PerformanceGoogle Scholar
Boon, Richard and Plastow, Jane, eds. Theatre Matters: Performance and Culture on the World StageGoogle Scholar
Smeliansky, Anatoly, The Russian Theatre after StalinGoogle Scholar
Roberts, Philip, The Royal Court Theatre and the Modern StageGoogle Scholar
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Barker, Clive and Gale, Maggie B., eds. British Theatre between the Wars, 1918–1939Google Scholar
Patterson, Michael, Strategies of Political Theatre: Post-War British PlaywrightsGoogle Scholar
Aston, Elaine, Feminist Views on the English Stage: Women Playwrights, 1990–2000Google Scholar
Griffin, Gabriele, Contemporary Black and Asian Women Playwrights in BritainGoogle Scholar
Kruger, Loren, Post-Imperial Brecht: Politics and Performance, East and SouthGoogle Scholar
Boon, Richard and Plastow, Jane, eds. Theatre and Empowerment: Community Drama on the World StageGoogle Scholar
Barnett, David, Rainer Werner Fassbinder and the German TheatreGoogle Scholar
Luckhurst, Mary, Dramaturgy: A Revolution in TheatreGoogle Scholar
Boltwood, Scott, Brian Friel, Ireland, and the NorthGoogle Scholar
Bigsby, Christopher, Neil LaBute: Stage and CinemaGoogle Scholar
Strobl, Gerwin, The Swastika and the Stage: German Theatre and Society, 1933–1945Google Scholar
Plunka, Gene A., Holocaust Drama: The Theater of AtrocityGoogle Scholar
Holdsworth, Nadine, Joan Littlewood’s TheatreGoogle Scholar
Storm, William, Irony and the Modern TheatreGoogle Scholar
Reinelt, Janelle and Hewitt, Gerald, The Political Theatre of David Edgar: Negotiation and RetrievalGoogle Scholar
Menon, Jisha, The Performance of Nationalism: India, Pakistan, and the Memory of PartitionGoogle Scholar
Barnett, David, A History of the Berliner EnsembleGoogle Scholar
Balme, Christopher B., The Globalization of Theatre 1870–1930: The Theatrical Networks of Maurice E. BandmannGoogle Scholar
Mejcher-Atassi, Sonja and Myers, Robert, The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public IntellectualGoogle Scholar
Tompkins, Joanne, Holledge, Julie, and Bollen, Jonathan, with Xia, Liyang, Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance SpacesGoogle Scholar
Reed, Peter P., Staging Haiti in Nineteenth-Century AmericaGoogle Scholar

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