The matched pair ‘love’ and ‘attention’ is familiar to most of us from the essays in Iris Murdoch’s The Sovereignty of Good. Although she tells us in that book that there is, in her view, no God in the traditional sense of that term, she provides accounts of art, prayer and morality that are religious. ‘Morality’, she tells us, ‘has always been connected with religion and religion with mysticism’ (Murdoch, 1970, p. 74). The connection here is love and attention: ‘Virtue is au fond the same in the artist as in the good man in that it is a selfless attention to nature’ (ibid. p. 41).