Wild Notes and Organised Sound
from Part II - Development
Published online by Cambridge University Press: 29 May 2020
An argument about the interpretation of black atlantic music is used here to articulate a joyful and shamelessly sentimental response to the dry defaults of ‘afropessimist’ thinking. An extended discussion of the relationship between music and freedom provides a means to explore the possibility of a dissident politics of culture articulated in terms derived from the vexed history of organised musical sound.
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