This chapter considers a range of methods for writing about literary soundscapes. R. Murray Schafer’s seminal coinage of soundscape residually informs current debates about the sonic dimensions of literary form, but the discursive alignment of print and voice and reading and listening is an enduring aspect of the history of modern literature. This history extends from the capacious descriptive ambition of the realist novel through to, and beyond, literary modernism’s experimental ambition to capture the sounds of modern life at a critical moment when an array of recording devices emerged to do what literature could not – record sound in real time. Spanning from Charles Dickens to Elizabeth Bowen, this chapter analyses the various ways writers from the nineteenth century to the present have responded to the sound worlds in which they lived by attending to the distinctive sonic textures of literary language and its unique capacity to channel the rhythms and voices of everyday socially embodied sound.