Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-23T19:14:45.642Z Has data issue: false hasContentIssue false

5 - Roman Emperors, Conquest, and Violence

Images from the Eastern Provinces

Published online by Cambridge University Press:  09 November 2020

Amy Russell
Affiliation:
Brown University, Rhode Island
Monica Hellström
Affiliation:
University of Durham
Get access

Summary

This chapter examines monuments and objects depicting the Roman emperor as a violent agent of conquest which were produced in the eastern provinces during the first and second centuries CE. Imagery of the emperor subjugating and enslaving peoples and provinces could be found on large public buildings, such as the Sebasteion at Aphrodisias, as well as on statues, coins, and terracotta votives. The creators and patrons of these imperial representations were influenced both by local (Greek, Egyptian) and by Roman concepts of rulership and artistic traditions. This desire to depict the violent treatment of foreign peoples by Roman emperors demonstrates that eastern patrons and artists sought to identify themselves with the civilised world of Rome, rather than with the subjugated barbarian ‘other’. The Roman emperor was thus envisioned as a protector of his people, and a guarantor of their safety and security. But it is probable that these images also carried a more sinister message, reminding the emperor’s subjects that he could punish them as well.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Assante, J. 2017. ‘Men looking at men: the homoerotics of power in the state arts of Assyria’, in Zsolnay, I. (ed.), Being a Man: Negotiating Ancient Constructs of Masculinity (London: Routledge), 4282.Google Scholar
Babelon, E. 1917. ‘Quelques monnaies de l’empereur Domitien (Germania Capta)’, RN Series 4, 21: 2544.Google Scholar
Bailey, D. M. 1996. ‘Little emperors’, in Bailey, D. M. (ed.), Archaeological Research in Egypt. Journal of Roman Archaeology Supplementary Series 19 (Ann Arbor: Journal of Roman Archaeology), 207–13.Google Scholar
Bailey, D. M. 2005. ‘Antaios, an Egyptian god in Roman Egypt: extracting an iconography’, in Sanader, M. and Rendić-Miočević, A. (eds.), The Proceedings of the 8th International Colloquium on Problems of Roman Provincial Art (Zagreb: Golden Marketing tehnička knjiga), 389–98.Google Scholar
Balsdon, J. P. V. D. 1934. The Emperor Gaius (Caligula) (Oxford: Clarendon Press).Google Scholar
Barden Dowling, M. 2006. Clemency and Cruelty in the Roman World (Ann Arbor: University of Michigan Press).Google Scholar
Barrett, A. A. 1991. ‘Claudius’ British victory arch in Rome’, Britannia 22: 119.Google Scholar
Bergmann, B. 2010. ‘Bar Kochba und das Panhellenion: die Panzerstatue Hadrians aus Hierapytna/Kreta (Istanbul, Archäologisches Museum Inv. Nr. 50) und der Panzertorso Inv. Nr. 8097 im Piräusmuseum von Athen’, MDAI(I) 60: 203–89.Google Scholar
Bieńkowski, P. 1912. ‘Über eine Kaiserstatue in Pola’, WS 34: 272–81.Google Scholar
Bieńkowski, P. 1928. Les Celtes dans les arts mineurs gréco-romains avec des recherches iconographiques sur quelques autres peuples barbares (Krakow: Jagiellonian University).Google Scholar
Birley, A. R. 1997. Hadrian: The Restless Emperor (London: Routledge).Google Scholar
Boschung, D. 1989. Die Bildnisse des Caligula (Berlin: Gebr. Mann Verlag).Google Scholar
Bowman, A. K. 1986. Egypt after the Pharaohs, 332 b.c.a.d. 642 (Berkeley; London: University of California Press).Google Scholar
Bryen, A. 2014. ‘Histories of violence: notes from the Roman Empire’, in Campbell, R. (ed.), Violence and Civilization: Studies of Social Violence in History and Prehistory (Providence, RI: Joukowsky Institute of Archaeology), 125–51.Google Scholar
Burnett, A., Amandry, M., and Carradice, I. 1999. Roman Provincial Coinage: Volume II (London; Paris: British Museum).Google Scholar
Burnett, A., Amandry, M., and Ripollès, P. P. 1992. Roman Provincial Coinage: Volume I (London; Paris: British Museum).Google Scholar
Carradice, I. 1993. ‘Coin types and Roman history: the example of Domitian’, in Price, M., Burnett, A., and Bland, R. (eds.) Essays in Honour of Robert Carson and Kenneth Jenkins (London: Spink), 161–75.Google Scholar
Carroll, K. K. 1982. The Parthenon Inscription. Greek, Roman and Byzantine Studies Monographs 9 (Durham, NC: Duke University).Google Scholar
Clarke, J. R. 2003. Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 b.c.a.d. 315 (Berkeley; London: University of California Press).Google Scholar
Cody, J. M. 2003. ‘Conquerors and conquered on Flavian coins’, in Boyle, A. J. and Dominik, W. J. (eds.), Flavian Rome: Culture, Image, Text (Leiden: Brill), 105–13.Google Scholar
Cohen, A. 1997. The Alexander Mosaic: Stories of Victory and Defeat (Cambridge: Cambridge University Press).Google Scholar
Cornwell, H. 2017. Pax and the Politics of Peace: Republic to Principate (Oxford: Oxford University Press).Google Scholar
Davenport, C. 2014. ‘Imperial ideology and commemorative culture in the eastern Roman Empire, 284–250 ce’, in Dzino, D. and Parry, K. (eds.), Byzantium, its Neighbours and its Cultures, Byzantina Australiensia 20 (Brisbane: Australian Association for Byzantine Studies), 4570.Google Scholar
Dräger, M. 1993. Die Städte der Provinz Asia in der Flavierzeit: Studien zur kleinasiatischen Stadt- und Regionalgeschichte (Frankfurt: Peter Lang).Google Scholar
Elsner, J. 1995. Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity (Cambridge: Cambridge University Press).Google Scholar
Erim, K. T. 1982. ‘A new relief showing Claudius and Britannia from Aphrodisias’, Britannia 13: 277–81.Google Scholar
Ferris, I. M. 2000. Enemies of Rome: Barbarians through Roman Eyes (Stroud: Tempus).Google Scholar
Foster, B. R. 2016. The Age of Agade: Inventing Empire in Ancient Mesopotamia (London: Routledge).Google Scholar
Foucault, M. 1979. Discipline and Punish: The Birth of the Prison (New York: Vintage Books).Google Scholar
Fowler, R. and Hekster, O. 2005. ‘Imagining kings: from Persia to Rome’, in Fowler, R. and Hekster, O. (eds.), Imaginary Kings: Royal Images in the Ancient Near East, Greece, and Rome (Stuttgart: Franz Steiner), 938.Google Scholar
Garnsey, P. D. A. 1970. Social Status and Legal Privilege in the Roman Empire (Oxford: Clarendon Press).Google Scholar
Gergel, R. A. 2004. ‘Agora S166 and related works: the iconography, typology, and interpretation of the eastern Hadrianic breastplate type’, in Chapin, A. P. (ed.), ΧΑΡΙΣ: Essays in Honor of Sara A. Immerwahr, Hesperia Supplements 33 (Athens: American School of Classical Studies at Athens), 371409.Google Scholar
Gleason, M. 2001. ‘Mutilated messengers: body language in Josephus’, in Goldhill, S. (ed.), Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire (Cambridge: Cambridge University Press), 5085.Google Scholar
Goodwin, W. W. 1892. A Greek Grammar (Boston: Ginn and Company).Google Scholar
Hall, E. S. 1986. The Pharaoh Smites his Enemies: A Comparative Study (Munich: Deutscher Kunstverlag).Google Scholar
Harker, A. 2008. Loyalty and Dissidence in Roman Egypt: The Case of the Acta Alexandrinorum (Cambridge: Cambridge University Press).Google Scholar
Hekster, O. 2015. Emperors and Ancestors: Roman Rulers and the Constraints of Tradition (Oxford: Oxford University Press).Google Scholar
Hitzl, K. 1991. Olympische Forschungen: Die Kaiserzeitliche Statuenausstattung des Metroon (Berlin: De Gruyter).Google Scholar
Holliday, P. J. 2002. The Origins of Roman Historical Commemoration in the Visual Arts (Cambridge: Cambridge University Press).Google Scholar
Hölscher, T. 1973. Griechische Historienbilder des 5. und 4. Jahrhunderts v. Chr. (Würzburg: Konrad Triltsch).Google Scholar
Hölscher, T. 2003. ‘Images of war in Greece and Rome: between military practice, public memory, and cultural symbolism’, JRS 93: 117.Google Scholar
Jones, B. W. 1992. The Emperor Domitian (London: Routledge).Google Scholar
Kähler, H. 1965. Der Fries vom Reiterdenkmal des Aemilius Paullus in Delphi (Berlin: Gebr. Mann Verlag).Google Scholar
Karanastasi, P. 2012/13. ‘Hadrian im Panzer: Kaiserstatuen zwischen Realpolitik und Philhellenismus’, JDAI 127/8: 323–91.Google Scholar
Kienast, D. 1996. Römische Kaisertabelle (Darmstadt: Wissenschaftliche Buchgesellschaft).Google Scholar
Kiss, Z. 1989. ‘Représentations de barbares dans l’iconographie romaine impériale en Égypte’, Klio 71: 127–37.Google Scholar
Kyle, D. 1998. Spectacles of Death in Ancient Rome (London: Routledge).Google Scholar
La Baume, P. 1977. ‘Signumscheibe und Merkurrelief von Niederbieber’, BJ 177: 565–8.Google Scholar
Lavan, M. 2013. Slaves to Rome: Paradigms of Empire in Roman Culture (Cambridge: Cambridge University Press).Google Scholar
Levi, A. C. 1952. Barbarians on Roman Imperial Coins and Sculpture (New York: American Numismatic Society).Google Scholar
Lott, J. B. 2012. Death and Dynasty in Early Imperial Rome (Cambridge: Cambridge University Press).Google Scholar
Malone, C. W. 2009. ‘Violence on Roman imperial coinage’, JNAA 20: 5872.Google Scholar
Marvin, M. 2002. ‘The Ludovisi Barbarians: the Grand Manner’, in Gazda, E. K. (ed.), The Ancient Art of Emulation: Studies in Artistic Originality and Tradition from the Present to Classical Antiquity (Ann Arbor: University of Michigan Press), 205–23.Google Scholar
Mayer, E. 2010. ‘Propaganda, staged applause, or local politics? Public monuments from Augustus to Septimius Severus’, in Ewald, B. C. and Noreña, C. F. (eds.), The Emperor and Rome: Space, Representation, and Ritual (Cambridge: Cambridge University Press), 111–34.Google Scholar
Mommsen, T. 1888. ‘Relief aus Kula’, MDAI(A) 13: 1822.Google Scholar
Noreña, C. F. 2003. ‘Medium and message in Vespasian’s templum Pacis’, MAAR 48: 2543.Google Scholar
Noreña, C. F. 2011. Imperial Ideals in the Roman West: Representation, Circulation, Power (Cambridge: Cambridge University Press).Google Scholar
Oakley, F. 2006. Kingship: The Politics of Enchantment (Oxford; Malden, MA: Blackwell).CrossRefGoogle Scholar
Opper, T. 2008. Hadrian: Empire and Conflict (London: British Museum).Google Scholar
Pollini, J. 2012. From Republic to Empire: Rhetoric, Religion, and Power in the Visual Culture of Ancient Rome (Norman: University of Oklahoma Press).Google Scholar
Price, S. 1984. Rituals and Power: The Roman Imperial Cult in Asia Minor (Cambridge: Cambridge University Press).Google Scholar
Riccomini, A. M. and L. Porciani, . 2014. ‘Su una statuetta con imperatore e barbaro nel museo di antichità di Torino’, ArchClass 65: 499512.Google Scholar
Rogers, R. 2003. ‘Female representation in Roman art: feminizing the provincial “other”’, in Scott, S. and Webster, J. (eds.), Roman Imperialism and Provincial Art (Cambridge: Cambridge University Press), 6993.Google Scholar
Root, M. C. 1979. The King and Kingship in Achaemenid Art (Leiden: Brill).Google Scholar
Scarry, E. 1985. The Body in Pain: The Making and Unmaking of the World (Oxford: Oxford University Press).Google Scholar
Shear, T. L. Jr. 1973. ‘The Athenian agora: excavations of 1972’, Hesperia 42: 359407.Google Scholar
Smith, R. R. R. 1987. ‘The imperial reliefs from the Sebasteion at Aphrodisias’, JRS 77: 88138.Google Scholar
Smith, R. R. R. 1988a. Hellenistic Royal Portraits (Oxford: Oxford University Press).Google Scholar
Smith, R. R. R. 1988b. ‘Simulacra gentium: the ethne from the Sebasteion at Aphrodisias’, JRS 78: 5077.Google Scholar
Smith, R. R. R. 1994. ‘Spear-won land at Boscoreale: on the royal paintings of a Roman villa’, JRA 7: 100–28.Google Scholar
Smith, R. R. R. 2013. The Marble Reliefs from the Julio-Claudian Sebasteion (Aphrodisias 6) (Darmstadt; Mainz: Philipp von Zabern).Google Scholar
Spawforth, A. J. S. 2012. Greece and the Augustan Cultural Revolution (Cambridge: Cambridge University Press).Google Scholar
Stewart, A. 1993. Faces of Power: Alexander’s Image and Hellenistic Politics (Berkeley; London: University of California Press).Google Scholar
Stewart, A. 2004. Attalos, Athens, and the Akropolis: The Pergamene ‘Little Barbarians’ and their Roman and Renaissance Legacy (Cambridge: Cambridge University Press).Google Scholar
Stewart, A. 2014. Art in the Hellenistic World: An Introduction (Cambridge: Cambridge University Press).Google Scholar
Swain, S. 1996. Hellenism and Empire: Language, Classicism, and Power in the Greek World, a.d. 50–250 (Oxford: Oxford University Press).Google Scholar
Taylor, M. J. 2016. ‘The battle scene on Aemilius Paullus’ Pydna monument: a re-evaluation’, Hesperia 85: 559–76.Google Scholar
Toynbee, J. M. C. 1934. The Hadrianic School: A Chapter in the History of Greek Art (Cambridge: Cambridge University Press).Google Scholar
Vermeule, C. and D. von Bothmer, 1959. ‘Notes on a new edition of Michaelis: ancient marbles in Great Britain’, AJA 63: 139–66.Google Scholar
Vout, C. 2003. ‘A revision of Hadrian’s portraiture’, in Erdkamp, P., Hekster, O., de Kleijn, G., Mols, S. T. A. M., and de Blois, L. (eds.), The Representation and Perception of Roman Imperial Power (Amsterdam: J. C. Gieben), 442–57.Google Scholar
Vout, C. 2007. Power and Eroticism in Imperial Rome (Cambridge: Cambridge University Press).Google Scholar
Walter, H. 1993. Les Barbares de l’Occident Romaine: Corpus des Gaules et des provinces de Germanie (Paris: Les Belles Lettres).Google Scholar
Whittaker, C. R. 2004. Rome and its Frontiers: The Dynamics of Empire (London: Routledge).Google Scholar
Zanker, P. 1988. The Power of Images in the Age of Augustus, trans. Shapiro, A. (Ann Arbor: University of Michigan Press).CrossRefGoogle Scholar
Zanker, P. 1998. ‘Die Barbaren, der Kaiser und die Arena: Bilder der Gewalt in der römischen Kunst’, in Sieferle, R. P. and Breuninger, H., Kulturen der Gewalt: Ritualisierung und Symbolisierung der Gewalt in der Geschichte (Frankfurt; New York: Campus Verlag), 5386.Google Scholar
Zimmermann, M. 2006. ‘Violence in late antiquity reconsidered’, in Drake, H. A. (ed.), Violence in Late Antiquity (Aldershot: Ashgate), 343–57.Google Scholar
Ziosi, F. 2010. ‘Sulle iscrizioni relative alla ricostruzione di Cirene dopo il “tumultus Iudaicus”, e sul loro contesto’, ZPE 172: 239–48.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×