The afterword considers the crisis of experience in Milton’s Samson Agonistes. Samson’s uncertainties about God’s plans and his difficulties interpreting his own heart capture the plight of the godly individual in a world with a hidden God (a deus absconditus). His desire for freedom and his will to instigate political action in the absence of divine guidance capture the modern condition inaugurated by the nominalist sense of God’s distance and inscrutable power. Baffled by his own inner promptings and unable to tolerate this opacity, Samson feels compelled to experiment and hazard his strength against his enemies. Samson’s skeptical doubt results in revenge and apocalyptic violence. The sublime ending – its atmosphere of dread and horror subdued by twisting rhetorical summations – captures the dialectic of skepticism and the sublime. The illegibility of private experience – with its explosive possibilities – provides a fitting conclusion to a book about skeptical doubt in early modern English literature.