Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Past the Size of Dreaming? Shakespeare’s Rome
- Puns and Prose: Reflections on Shakespeare’s Usage
- ‘Away with him! He speaks Latin’: 2 Henry VI and the uses of Roman Antiquity
- Shakespeare and the other Virgil: Pity and Imperium in Titus Andronicus
- ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s Tongue in Recent Stage and Film Performances of Titus Andronicus
- The Noble Romans: When Julius Caesar and Antony and Cleopatra were Made Sequels
- Shakespeare’s Poems in Pieces: Venus and Adonis and The Rape of Lucrece Unanthologized
- The Ovidian Girlhood of Shakespeare’s Boy Actors: Q2 Juliet
- ‘Lend me your ears’: Listening Rhetoric and Political Ideology in Julius Caesar
- Plutarch’s Porcia and Shakespeare’s Portia: Two of a Kind?
- Shakespeare’s Unholy Martyrs: Lessons in Politics
- ‘A lean and hungry look’: Sight, Ekphrasis, Irony in Julius Caesar and Henry V
- ‘Her strong toil of grace’: Charismatic Performance from Queens to Quakers
- Coriolanus and the ‘Common Part’
- Coriolanus and the Poetics of Disgust
- The Household of Heroism: Metaphor, Economy and Coriolanus
- ‘Those Organnons by which it Mooves’: Shakespearian Theatre and the Romish Cult of the Dead
- ‘Another Part of the Forest’: Editors and Locations in Shakespeare
- Unmanning Juliet
- The Second Tetralogy’s move from Achievements to Badges
- ‘Let me not to the Marriage of True Minds’: Shakespeare’s sonnet for Lady Mary Wroth
- Voluptuous Language and Ambivalence in Shakespeare’s Sonnets
- Sympathetic Sonnets
- Authenticating the Inauthentic: Edmond Malone as Editor of the Apocryphal Shakespeare
- Paper Worlds: A Story of Things left Behind
- An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937–1939
- Tagging the Bard: Shakespeare Graffiti on and off the Stage
- William Dugdale’s Monumental Inaccuracies and Shakespeare’s Stratford Monument
- Shakespeare Performances in England (and Wales), 2015
- Professional Shakespeare Productions in the British Isles, January–December 2014
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 69
- Index
- References
The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 13 October 2016
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Past the Size of Dreaming? Shakespeare’s Rome
- Puns and Prose: Reflections on Shakespeare’s Usage
- ‘Away with him! He speaks Latin’: 2 Henry VI and the uses of Roman Antiquity
- Shakespeare and the other Virgil: Pity and Imperium in Titus Andronicus
- ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s Tongue in Recent Stage and Film Performances of Titus Andronicus
- The Noble Romans: When Julius Caesar and Antony and Cleopatra were Made Sequels
- Shakespeare’s Poems in Pieces: Venus and Adonis and The Rape of Lucrece Unanthologized
- The Ovidian Girlhood of Shakespeare’s Boy Actors: Q2 Juliet
- ‘Lend me your ears’: Listening Rhetoric and Political Ideology in Julius Caesar
- Plutarch’s Porcia and Shakespeare’s Portia: Two of a Kind?
- Shakespeare’s Unholy Martyrs: Lessons in Politics
- ‘A lean and hungry look’: Sight, Ekphrasis, Irony in Julius Caesar and Henry V
- ‘Her strong toil of grace’: Charismatic Performance from Queens to Quakers
- Coriolanus and the ‘Common Part’
- Coriolanus and the Poetics of Disgust
- The Household of Heroism: Metaphor, Economy and Coriolanus
- ‘Those Organnons by which it Mooves’: Shakespearian Theatre and the Romish Cult of the Dead
- ‘Another Part of the Forest’: Editors and Locations in Shakespeare
- Unmanning Juliet
- The Second Tetralogy’s move from Achievements to Badges
- ‘Let me not to the Marriage of True Minds’: Shakespeare’s sonnet for Lady Mary Wroth
- Voluptuous Language and Ambivalence in Shakespeare’s Sonnets
- Sympathetic Sonnets
- Authenticating the Inauthentic: Edmond Malone as Editor of the Apocryphal Shakespeare
- Paper Worlds: A Story of Things left Behind
- An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937–1939
- Tagging the Bard: Shakespeare Graffiti on and off the Stage
- William Dugdale’s Monumental Inaccuracies and Shakespeare’s Stratford Monument
- Shakespeare Performances in England (and Wales), 2015
- Professional Shakespeare Productions in the British Isles, January–December 2014
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 69
- Index
- References
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 447 - 486Publisher: Cambridge University PressPrint publication year: 2016
References
Books reviewed
Cefalu, Paul, Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime (London, 2015)CrossRefGoogle Scholar
Chiari, Sophie, ed., The Circulation of Knowledge in Early Modern English Literature (Ashgate, 2015)Google Scholar
Ellrodt, Robert, Montaigne and Shakespeare: The Emergence of Modern Self-consciousness (Manchester, 2015)Google Scholar
Farabee, Darlene, Shakespeare’s Staged Spaces and Playgoers’ Perceptions (Basingstoke, 2014)CrossRefGoogle Scholar
Hassel, R. Chris Jr, Shakespeare’s Religious Language: A Dictionary (London, 2015)CrossRefGoogle Scholar
Lennox, Patricia, and Mirabella, Bella, eds., Shakespeare and Costume (London, 2015)CrossRefGoogle Scholar
Loewenstein, David and Witmore, Michael, eds., Shakespeare and Early Modern Religion (Cambridge, 2015)CrossRefGoogle Scholar
Mullaney, Steven, The Reformation of Emotions in the Age of Shakespeare (Chicago, 2015)CrossRefGoogle Scholar
Pye, Christopher, The Storm at Sea: Political Aesthetics in the Time of Shakespeare (New York, 2015)Google Scholar
Stanton, Kay, Shakespeare’s ‘Whores’: Erotics, Politics and Poetics (Basingstoke, 2014)CrossRefGoogle Scholar
Works reviewed
Boecker, Bettina, Imagining Shakespeare’s Original Audiences, 1660–2000: Groundlings, Gallants, Grocers (Basingstoke, 2015)CrossRefGoogle Scholar
Croall, Jonathan, Performing King Lear. Gielgud to Russell Beale (London, 2015)CrossRefGoogle Scholar
Gurr, Andrew, and Karim-Cooper, Farah, eds., Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse (Cambridge, 2015)Google Scholar
Hansen, Adam, and Wetmore, Kevin J. Jr, eds., Shakespearean Echoes (Basingstoke, 2015)CrossRefGoogle Scholar
Hatchuel, Sarah, and Vienne-Guerin, Nathalie, eds., Shakespeare on Screen: Othello (Cambridge, 2015)CrossRefGoogle Scholar
Herold, Niels, Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern (Basingstoke, 2015)Google Scholar
Mazer, Cary M., Double Shakespeare: Emotional-Realist Acting and Contemporary Performance (Madison, WI, and Teaneck, NJ, 2015)Google Scholar
Prescott, Paul, and Sullivan, Erin, eds., Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (London, 2015)CrossRefGoogle Scholar
Price, Eoin, ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication (Basingstoke, 2015)Google Scholar
Raw, Laurence, Theatre of the People Donald Wolfit’s Shakespearean Productions 1937–1953 (Lanham, CO, New York and London, 2016)Google Scholar
Ritchie, Fiona, Women and Shakespeare in the Eighteenth Century (Cambridge, 2014)CrossRefGoogle Scholar
Works reviewed
Bourus, Terri, Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance (New York, 2014)CrossRefGoogle Scholar
Bruster, Douglas, ‘Shakespeare’s Lady 8’, Shakespeare Quarterly, 66 (2015), 47–88.CrossRefGoogle Scholar
Cross, Lezlie C. ‘Acting in the Paratext: Theatrical Material in Horace Howard Furness’s New Variorum Shakespeare’, Shakespeare Bulletin, 33.2 (2015), 191–213CrossRefGoogle Scholar
Erne, Lukas, ‘“I have forgot why I did call thee back”: Editing Romeo and Juliet’s Leave-Taking in the Balcony Scene’, Notes & Queries, 62 (2015), 93–5CrossRefGoogle Scholar
Galey, Alan, The Shakespearean Archive: Experiments in New Media from the Renaissance to Postmodernity (Cambridge, 2015)Google Scholar
Hirsch, Brett D., and Craig, Hugh, eds., The Shakespearean International Yearbook 14: Special Section, Digital Shakespeares (Farnham, 2014)Google Scholar
Lesser, Zachary, Hamlet after Q1: An Uncanny History of the Shakespearean Text (Philadelphia, 2015)Google Scholar
McDonald, Russ, and Orlin, Lena Cowen, eds., The Bedford Shakespeare (Boston, MA, 2015)Google Scholar
Taylor, Gary, ‘Empirical Middleton: Macbeth, Adaptation, and Microauthorship’, Shakespeare Quarterly, 65.3 (2014): 239–72CrossRefGoogle Scholar